The Khalsa Never Leaves The Larh Of The Dastar Out

In this katha clip, Sant Giani Hari Singh Ji (Randhawe Wale) provides the preface to the shabad ‘Soiee Karanaa J Aao Karaae,’ found on Ang 108 of Sri Guru Granth Sahib Ji Maharaj.   ਸੋਈ ਕਰਣਾ ਜਿ ਆਪਿ ਕਰਾਏ ॥ People do whatever the Lord inspires them to do.

In this katha clip, Sant Inderjeet Singh Ji (Raqbe Wale) explains how only Guru Sahib grants mukti through bhagti and shaheedi.

In this katha clip, Sant Inderjeet Singh Ji (Raqbe Wale) explains that the Khalsa should not keep the larh of the paag/dastar loose or hanging outside, but should always have it properly tucked within the dastar.

In this katha clip, Sant Inderjeet Singh Ji (Raqbe Wale) explains the three ras (flavours or moods) of battle as described in poetry: bibhats ras, bir ras, and rudr ras.

In this katha clip, Sant Inderjeet Singh Ji (Raqbe Wale) relays a bachan of Sant Gurbachan Singh Ji, explaining that those who exploit or take from the Sikh Panth today are the same in nature as those from the past. He states that the same ‘Turks’ from the time of Sri Guru Gobind Singh Ji have reappeared in a different form, referred to here as today’s Malesh Khalsa.

In this short katha clip, Sant Giani Kartar Singh Ji Bhindranwale explains the four types of sangat.      

In this katha clip, Sant Giani Hari Singh Ji (Randhawe Wale) provides the preface to the shabad ‘So Sach Mandhar Jit Sach Dhiaaieeaai,’ found on Ang 107 of Sri Guru Granth Sahib Ji Maharaj.   ਸੋ ਸਚੁ ਮੰਦਰੁ ਜਿਤੁ ਸਚੁ ਧਿਆਈਐ ॥ True is that temple, within which one meditates on the True Lord.    

In this short katha clip, Sant Giani Kartar Singh Ji Bhindranwale explains the three types of vaktas: ghanist, madhyam, and uttam.

In this short katha clip, Sant Giani Kartar Singh Ji Bhindranwale highlights the great humility of Sher-e-Punjab Maharaja Ranjit Singh, who always placed Sikhi above his own power and even accepted punishment from the Panth whenever he acted against the Sikh rehat.

In this short katha clip, Sant Giani Kartar Singh Ji Bhindranwale explains who the Sheikh Farid referenced in Gurbani is. He clarifies that it is not the original Sheikh Farid, but Sheikh Brahm, also known as Sheikh Ibrahim, who was the third in the lineage to carry the title of Sheikh Farid. It is Sheikh Ibrahim’s hymns that are included within Gurbani.