Philosopher Bry Willis argues that capitalism does not simply exploit physical labour, but actively stifles human potential by consuming the time and energy necessary for creative and intellectual pursuits. Using figures like Franz Kafka as examples, the author contends that great works often emerge despite economic hardship rather than because of it. The narrative challenges the "vulgar myth" that market pressures foster innovation, suggesting instead that many masterpieces remain uncreated due to the exhaustion of the working classes. By prioritising monetary exchange over individual vocation, the system effectively robs history of ideas and art that never had the chance to manifest. Ultimately, the source suggests that true culture has historically relied on individuals being protected from economic necessity, making the modern "anti-canon" of unproduced work a tragic civilisational loss.
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