Tyler W. Williams, "If All the World Were Paper: A History of Writing in Hindi" (Columbia UP, 2024)

In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures.  To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy of a sacred scripture - in order to pose and then apply the questions about writing, textuality, and performance that the chapter addresses. By combining distant and close reading that is mindful of the materiality of these manuscripts, Tyler reveals literary, intellectual, and religious practices that we would otherwise be unable to see. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater (Open Book, 2024) presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors. This book draws on a wide variety of sources, including Iliad, Phoenix, Rhesus and Cyclops (Greco-Roman) as well as Mahābhārata, The Embassy, The Five Nights and The Middle One (Sanskrit). The result is a well-supported argument which presents us with the possibility of cultural exchange between the Greco-Roman world and India – a possibility which, though hypothetical, is worth acknowledging. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance.  In Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Extensively based on fieldwork material, From Tapas to Modern Yoga: Sādhus' Understanding of Embodied Practices (Equinox, 2024) primarily analyses embodied practices of ascetics belonging to four religious orders historically associated with the practice of yoga and hatha yoga. This focus on ascetics stems from the fact that yogic techniques probably developed in ascetic contexts, yet scholars have rarely focused their attention on non-international ascetic practitioners of yoga. Creating a confrontation between textual sources and ethnographic data, the book demonstrates how 'embodied practices' (austerities, yoga and hatha yoga) over the centuries accumulated layers of meanings and practices that coexist in the literature as well as in the words of contemporary sadhus. Drawing from conversations with these interlocutors, the book demonstrates the importance of ethnographic fieldwork in shedding light on past historical developments, transmissions, contemporary reinterpretation and innovation. The strength of the work lies in its methodological approach and in the richness of its materials: by analysing present situations through comparisons and the support of past evidence, the book not only fills an academic gap but also stimulates further research on this highly complex topic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

When taught properly, yoga can be a healing and life-affirming practice for students experiencing mental illness. Lauren Tober's book Mental Health Aware Yoga: A Guide for Yoga Teachers (Singing Dragon, 2024) will cover the foundations of yoga psychology, therapeutic skills, the mental health crisis, and more. After reading, yoga teachers and trainees will feel confident creating a safe space for their practice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

A wordsmith, an extempore poet and a satirist, Kāḷamēkam (also known as Kāḷamēka Pulavar; fifteenth century) is widely known for his taṉippāṭals or 'self-contained verses', on a panoply of topics. These splendid but notoriously provocative verses were composed during a transitional phase of Tamil literature, by now in deep conversation with Sanskrit poetics and poetic language, thereby yielding an incredibly rich and innovative poetry. Kāḷamēkam sings of courtesans, fellow humans, of gods, of animals, praises them, derides them, and insults them, using sarcasm, dry wit, and criticism, combined with śleṣas and yamakas, samasyās and nindāstutis.  The Monsoon Cloud: Poet Kāḷamēkam and His Irreverent Poetry (Primus, 2024) seeks to introduce this brilliant poet and his timeless and influential poetry, while analysing his humour, worldview, personal values, and devotion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Existence and Perception in Medieval Vedānta: Vyāsatīrtha's Defence of Realism in the Nyāyāmṛta (de Gruyter, 2024) focuses on discussions of metaphysics and epistemology in early modern India found in the works of the South Indian philosopher Vyāsatīrtha (1460-1539). Vyāsatīrtha was pivotal to the ascendancy of the Mādhva tradition to intellectual and political influence in the Vijayanagara Empire.  This book is primarily a philosophical reconstruction based on original translations of relevant parts of Vyāsatīrtha's Sanskrit philosophical text, the "Nectar of Logic" (Nyāyāmṛta). Vyāsatīrtha wrote the Nyāyāmṛta as a vindication of his tradition's theistic world view against the Advaita tradition of Vedānta. In the centuries after it was written, the Nyāyāmṛta came to dominate philosophical discussions among Vedānta traditions in India. The Advaitins argued for an anti-realist stance about the empirical world, according to which the world of our experience is simply an illusion that can be dispelled by a deep study of the Upaniṣads. This book reconstructs the parts of the Nyāyāmṛta where Vyāsatīrtha argues in favor of the reality of the world against the Advaitins. Philosophically, it focuses on the concept of existence in Vyāsatīrtha's metaphysics, and on his arguments about knowledge and the philosophy of perception. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion.  Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Vanya Vaidehi Bhargav’s book Being Hindu, Being Indian: Lala Lajpat Rai’s Ideas of Nationhood (Penguin Random House India, 2024) undertakes a systematic intellectual study of Lala Lajpat Rai’s nationalist thought through four decades of his active political life, lived between 1888 and 1928. It contests the dominant scholarly interpretation of Lajpat Rai’s nationalist thought as the nascent stage of Savarkarite Hindutva, and highlights the internally differentiated nature of ‘Hindu Nationalism’. Showing that, by 1915, Lajpat Rai moved towards ‘Indian’ nationalist narratives, it challenges the assumption that all ideas of Hindu nationhood necessarily culminate in Hindutva. An examination of Lajpat Rai’s final nationalist narrative as a Hindu Mahasabha leader in the 1920s confirms the revisionist historiographical rejection of the oppositional binary that was long drawn between Hindu communal politics, on one hand, and secular Indian nationalism and secularism, on the other. Lajpat Rai organized a Hindu politics in service of a secular Indian nation-state. Nevertheless, the book pushes back against revisionist assumptions that Hindu communal politics and secularism can be championed together comfortably, and that the articulation of a Hindu politics alongside a vision for secularism reduces that secularism to little more than Hindu majoritarianism. Being Hindu, Being Indian argues for the need to take the analytical tension and contrast between ‘Hindu politics’ and ‘secularism’ seriously. Methodologically, the book constitutes an argument to resist reductionism and respect the nuances, complexities, fluidity, and internal tensions in an individual thinker’s thought. Dr. Vanya Vaidehi Bhargav is an intellectual historian of modern South Asia, with interests in nationalism, secularism, and religious and political thought more broadly. After receiving a DPhil in History from the University of Oxford, she was a post-doctoral research fellow at the “Multiple Secularities” Research Group at the University of Leipzig in Germany, and at ICAS: M.P. in New Delhi, India. She is now an incoming Assistant Professor of Social Sciences at the National Law School of India University in Bangalore, India. Anamitra Ghosh is a Doctoral Candidate at the Department of History, South Asia Institute, Universität Heidelberg, Germany. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions