09 - Ben Wilson

David Bellwood, who is head of access at the National Theatre, and before that  The Globe, discusses the importance of 'predictable adaptability' - how organisations must become reliably able to change and adapt to customers requirements - the value of a figurehead for access, and tells me about exciting projects such as using a young visually impaired actor to audio describe a family show, training lighting designers in photosensitivity, and much more!Links The National Theatre – the UK’s national theatrehttps://www.nationaltheatre.org.uk/home/ Frozen Light Theatre – multi-sensory theatre company for people with PMLDhttps://www.frozenlighttheatre.com/ Reid My Mind – great podcast all about audio descriptionhttps://podcasts.apple.com/us/podcast/flipping-the-script-on-audio-description-the-youngest/id1109751505?i=1000666837438\ Tourettes Hero - a place to celebrate the humour & creativity of Tourettes. https://www.touretteshero.com/safe/ Flash Cue Project – educating lighting designers on photosensitivityhttps://flashcues.com/ Ramps on the Moon – challenging ableism, elevating disabled people on and off stage and reshaping the mainstream cultural sectorhttps://rampsonthemoon.co.uk/  Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

Tim Yates leads the Research and Innovation Programme at Drake Music, an organisation dedicated to helping musicians with disabilities discover or co-design instruments that work for them. Collaborating with tech companies, coders, and instrument makers, they are pushing the boundaries where music and technology meet.When we spoke in May, Tim explained how Drake Music is working to develop a kind of one-stop hub—a database and showcase space—for the many inventions and creative ideas emerging in this field. The aim is to share these innovations more widely and make them accessible to all.Links:Drake Musichttps://www.drakemusic.org/Tim Yates (page on DrakeMusic website)https://www.drakemusic.org/team/11116/ Paraorchestrahttps://paraorchestra.com/The Kellycasterhttps://www.drakemusic.org/technology/instruments-projects/the-kellycaster/MiMU Gloveshttps://mimugloves.com/gloves/Sony - Inclusive Designhttps://www.sony.com/en/SonyInfo/accessibility/initiatives/OrchLab at the London Philharmonic Orchestrahttps://lpo.org.uk/project/orchlab/Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

This is a detailed and comprehensive chat about the technology used in theatres for assistive listening and audio description.  James has a huge amount of knowledge and experience in this area, and we look at all the different options out there - loop systems, infrared, radio, WiFi, and Bluetooth including Auracast - and discuss the pros and cons of each one.Links:James Bottrill - [email protected] Ampetronic https://www.ampetronic.com/ Listen Technologies https://www.listentech.com/ Sennheiser https://www.sennheiser.com/ Williams https://williamsav.com/Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

Paul Adams is currently Access Project Manager for The Royal Ballet and Opera in London and has been there just over a year.  Before that he worked in Singapore, and has spent his career in creative learning departments working hard to make the arts accessible.  We have a chat about what it’s like working for such a large organisation, tips and hints he has for effecting change, and things he thinks have worked well, and others which have been more of a learning curve.  I hope you enjoy it.    Links  Royal Ballet and Operahttps://www.rbo.org.uk/ Paul’s page on LinkedInhttps://www.linkedin.com/in/paul-anthony-adams-a-world-with-access-to-arts-experiences-for-all-8288a821/ Ramps on the Moon Projecthttps://rampsonthemoon.co.uk/ ATG Theatres – access pagehttps://www.atgtickets.com/access/ Devon Healeyhttps://discover.research.utoronto.ca/32146-devon-healey Paul Hamlyn Christmas Treathttps://www.rbo.org.uk/learning/families/paul-hamlyn-christmas-treat The Mad Hatter’s Tea Party – ZooNationhttps://www.rbo.org.uk/tickets-and-events/the-mad-hatters-tea-party-details Singapore Theatre’s Inclusive Young Companyhttps://www.srt.com.sg/young-company-past-productions Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

In this episode, recorded at Tom and Caroline's house, we have a great discussion about audio description.  Tom is a general all-round arts-lover and has been blind all his life so has used audio description for many years now, particularly for theatre, opera and for historic buildings.  And Caroline, his wife, has supported him in this, and was on the board of Vocaleyes for five years.  So they are both full of lots of thoughts on what works, what doesn't and how people can make their work or their space accessible to blind people.Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

Ben Wilson is an actor, theatre-maker, audio description consultant and recently became Extant's first trainee Artistic Director.  We talk about how he combines these different roles, what it's like having a portfolio career like so many of us in the arts, on his requirements as a blind actor,  on questions like why do West End shows have different access providers every week in each different venue, and should arts organisations and directors who have never cast a disabled actor on their stage still be given a platform.   Enjoy! LinksExtant Theatrehttps://extant.org.uk/ Graeae Theatrehttps://graeae.org/ Ramps on the Moon Projecthttps://rampsonthemoon.co.uk/ Sheffield Theatreswww.sheffieldtheatres.co.uk Oliver Twist – NT At Homehttps://www.ntathome.com/products/oliver-twist Georgie Morrell – comedian, actor, writerhttp://georgiemorrell.co.uk/ Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

In this episode, I'm talking to Emily Malen who is Front of House and Access Development Manager at Theatre Royal Nottingham and Royal Concert Hall.  What she stresses is the importance of listening and learning from your audiences, and always pushing forward, looking at the latest technology, training your staff, communicating with every department in the building, and also your visiting audience, and visiting show.Links Royal Theatre Nottingham and Royal Concert Hallhttps://trch.co.uk/whats-on/ Attitude is Everythinghttps://attitudeiseverything.org.uk/ Vocaleyes – audio description listings and informationhttps://vocaleyes.co.uk/ StageText – captions in theatrehttps://www.stagetext.org/ TheatreSign – BSL interpreters and performanceshttps://theatresign.com/ Signed Culture – supporting BSL access to the artshttps://www.signedculture.org.uk/ Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

I talk to Jonathan Suffolk, Director of Production at The Curve, Leicester who headed up the team at The National Theatre who developed their smart caption glasses.  These augmented reality glasses provide captions for people who are D/deaf or hard of hearing, without them having to turn and read captions on a screen at the side or over the top of a stage.  We get quite techy and hear how it all works in detail.  And he talks very honestly about how access works in a major theatre and how it rubs up against the eternal economic difficulties in the arts.Links: The National Theatre Caption Glasseshttps://www.nationaltheatre.org.uk/your-visit/access/caption-glasses The National Theatre, London, UKhttps://www.nationaltheatre.org.uk/ Leicester Curve Theatrehttps://www.curveonline.co.uk/ Stagetext – providing captions for theatreshttps://www.stagetext.org/ Galapro – providing captions and audio descriptions to phoneshttps://playbill.com/article/the-new-technology-about-to-revolutionize-broadway The Arts Council’s ‘Let’s Create’ strategyhttps://www.artscouncil.org.uk/lets-create Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

In this episode, I talk to Hannah Thompson, Professor of French and Critical Disability studies at Royal Holloway, University of London, who describes herself as partially blind and is an expert in audio description. She recently co-created a FutureLearn course on audio description called ‘Creating Audio Description: Equality, Diversity and Inclusion’, which explores how to design and create audio descriptions and audio introductions for TV, film and theatre, and she's full of fascinating insights on how audio description can become part of the creative process which ultimately makes a better artistic product, whilst improving the audio description experience for the user.Links: Hannah Thompsonhttp://hannah-thompson.blogspot.com/ Future Learn course - Creating Audio Description: Equality, Diversity and Inclusionhttps://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion The Smartify app (sign up and search for The Royal Holloway Art Gallery)https://smartify.org/ Play Flightpaths by Extanthttps://extant.org.uk/productions/digital-flight-paths/ Watch herehttps://flightpaths.extant.org.uk/ Vocaleyes websitehttps://vocaleyes.co.uk/Thanks for listening!   You can see all episodes on my website www.alicegilmour.com.

In this conversation, I hear from actor Dan Parr about how he first got into audio describing whilst performing in Road at Leeds Playhouse, and how he and three other actors from that show have gone on to create their own company, Hear The Picture, where they create audio description in character, based in Sheffield.Linkshttps://twitter.com/hearthepicture?lang=enHear The Picture – an actor led audio description company where they describe in character https://www.sheffieldtheatres.co.uk/A theatre complex in Sheffield, comprising the Crucible, the Lyceum and the Tanya Moiseiwitsch Playhouse. These theatres make up the largest regional theatre complex outside the London region and show a variety of in-house and touring productions. https://leedsplayhouse.org.uk/One of the largest producing theatres in the north, and awarded the UK's Most Welcoming Theatre at the UK Theatre Awards 2022. https://www.rampsonthemoon.co.uk/A collaborative project between six different UK theatres aiming to enrich the stories we tell and the way we tell them by normalising the presence of D/deaf and disabled people both on and off stage. https://graeae.org/World class theatre and training from D/deaf and disabled artists https://cripticarts.org/They produce work with deaf and disabled artists, support deaf and disabled people in the arts, and support other organisations with trainingThanks for listening!   You can see all episodes on my website www.alicegilmour.com.