Final reflections from Rob Reiner on his father's legacy

Kate Winslet’s directorial debut Goodbye June was written by her son, Joe Anders. The film centers on a multigenerational family as they say goodbye to the matriarch, June, who is dying of cancer. Elvis talks with Winslet about bringing her son's script to the screen, her cinematic inspirations, and the personal experiences that made their way into the film.

The late director Rob Reiner’s prolific talents spanned medium and genre. Reiner started out as an actor on Norman Lear’s classic sitcom All In the Family. He then made the transition to behind the camera with ease, directing comedic gems including This is Spinal Tap, When Harry Met Sally, and The Princess Bride. He proved equally adept at drama with Stand by Me and Misery. For The Treat, Reiner paid tribute to a multi-talented inspiration whose influence stayed with him his whole life — his father, Carl. This reflection was recorded in September and is being released for the first time.  

Elvis talks with Oscar, Emmy, and Tony-winning costume designer Paul Tazewell whose latest work is on full display in Wicked: For Good. Tazewell talks about working with Cynthia Erivo in the Wicked films; the story behind Bernardo's suit in the Stephen Spielberg directed remake of West Side Story, and he talks about bringing the personal into his designs.

This week on The Treatment, Elvis speaks with Oscar-winning director Guillermo del Toro about his film adaptation of Mary Shelley's Frankenstein. Del Toro talks about filming Oscar Isaac like he was a rock star, how Jacob Elordi stepped in quickly to take on the role of the monster, and why he sees the story as "catholic" in many ways.

Actor Greg Kinnear has starred in dozens of roles on film and TV from his breakout role in 1995’s Sabrina, to his Oscar nominated role in As Good as It Gets alongside Jack Nicholson, but he actually got his start in broadcasting. Kinnear hosted E!’s Talk Soup and the late-night talk show Later with Greg Kinnear. For his Treat, Kinnear pays tribute to the people who showed him the ropes for his first on-air gig.

This week on The Treatment, Elvis speaks with actor, producer and all-around Hollywood powerhouse Dwayne Johnson aka "The Rock.” Johnson stars in the new Benny Safdie film The Smashing Machine alongside Emily Blunt where he portrays real life MMA fighter Mark Kerr. Johnson talks about going deep for the role, performing the role of "The Rock," and what he wants to tackle next in his career (hint: everything!).

Director Joshua Rofé’s unforgettable HBO documentary series The Mortician, about an unethical family-run funeral home, left its mark on audiences. For his treat, Rofé pays tribute to the underrated 1977 William Friedkin film, Sorcerer. Rofé recalls his first time watching it in a theater and breaks down why it’s possibly the best thriller of all time.

Elvis chats with actor, comedian, and musician Fred Armisen about his fun new album 100 Sound Effects.  From fake applause to champagne glass breaking, this album is stacked. Elvis and Fred talk about the absurd specificity of each track, which sound was surprisingly hard to capture, the evolution of sound effect albums, and their shared love of drumming.   

 Director Matt Shakman helmed one of the summer’s biggest hits — Marvel’s The Fantastic Four: First Steps. But his earliest film inspiration was the 1949 Carol Reed noir The Third Man, starring Joseph Cotton and Orson Welles. Shakman cites the film’s post-war setting, storytelling, and great performances as having had a lasting impact on him. Plus, he reveals a surprising connection between the classic film and Fantastic Four.  

This week on The Treatment, Elvis speaks with writer-director Edgar Wright. His newest project is an adaptation of the 1982 Stephen King novel The Running Man, starring Glen Powell. They discuss the thrill of collaborating with King on the project, the prescience of the novel, and why it was important to make the protagonist an ordinary guy.