In ep 151 of “How Do You Say That?!” sponsored by britishvoiceover.co.uk, Pete Nottage joins Sam and Mark to talk about the ins and outs of TV continuity, as we learn the tricks from someone who trains new announcers! We hear from a teacher in the far distant future, avoid the mad professor, and add Joyce Grenfell to create a bit of strictness. There's a driving calamity, a caffeine infusion and a hi-5 pie chart! Sam brings her Mrs Claus to the festive table, there's a man with a fit of the giggles and a cracker going bang!
Our VO question this week is all about how much freedom you get as a continuity script writer to bring in your own personality.
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Script 1
Now - observe. What you see is a typical classroom. Notice the chairs: separate, rigid, identical. Students sat in them for hours at a time. Yes, I know—barbaric. And despite having access to global knowledge networks, they still memorised dates… on paper. Yet in their own chaotic way, they were innovative. They pushed the boundaries of medicine, climate science, artificial intelligence - and they weren’t afraid to imagine futures they’d never see. But the 2020's were also an age of fear.
Script 2
It's definitely not a mint that's been left on your pillow - checking in for RAMSAY'S HOTEL HELL at ten to three. First, it's psychological, it's stylish, it's Dame Diana's final role and it's made by Edgar Wright - four reasons to stick around for our network premiere - LAST NIGHT IN SOHO. Expect very strong language and violence.
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About our guest:
Pete Nottage can be described as a voiceover, a continuity announcer, a presenter, a very tired dad and the living and breathing embodiment of a midlife crisis. It just depends who you’re talking to! He’s been one of the voices of Channel 4 in the UK since 2005, spending nearly twenty years crafting the art of saying “Countdown is next” in increasingly creative ways! He was one of the launch voices of More4, 4Seven and 4Music, spent a decade as the station voice of BBC 6Music and was the station promo voice of Manchester United TV for an awful long time, which is quite an achievement when he knows precisely boff-all about football.
He’s been the literal voice of the earth at the Science Museum and drove around the world’s capital cities for a Smart Car web series. He's also been a vocal advocate for fair pay in the creative industries and has spent more than two decades making British broadcasting just a little bit warmer, a little bit funnier, and occasionally a lot more chaotic.
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