Girls On Film

Host Anna Smith brings you an exclusive conversation with Zoe Saldaña, Clément Ducol and Camille, recorded live at London’s Charlotte Street Hotel following a screening of the 13 time Oscar-nominated and 12 time BAFTA-nominated film Emilia Pérez. Directed by Jacques Audiard, this genre-blending musical thriller tells the story of a lawyer who becomes entangled in the world of a cartel boss undergoing a dramatic personal transformation. Starring Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz, the film is generating awards buzz for its bold storytelling and powerful performances. Joining Anna for this discussion is Oscar-nominee Zoe Saldaña, who plays Rita in the film. She shares her experience collaborating with versatile French filmmaker Jacques Audiard on bringing to life the story of four Latina women, citing how refreshing it was to embody a flawed woman, the character of Rita. She’s joined by Clément Ducol and Camille, the composers and songwriters behind the film’s evocative soundtrack, who share insights into the five-year-long creative process of bringing Emilia Pérez's distinctive musical identity to life. This episode was recorded live on 31 January 2025 and is brought to you in partnership with Netflix. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Alex Jones Sound recordist: Erin Millican House band: MX Tyrants This episode is in partnership with Netflix © HLA Agency

In this special episode recorded at the 2025 Girls On Film Awards, we celebrate the remarkable achievements of women and people of marginalised genders in the film industry. Hosted by co-founders of Girls On Film Anna Smith and Hedda Lornie Archbold, the evening features inspiring speeches, awards across 14 categories, and interviews with some standout guests. You'll hear highlights from the ceremony, including insights from Oscar-nominated directors Coralie Fargeat (The Substance) and Shiori Itō (Black Box Diaries) as well as Oscar-nominated Actress Karla Sofía Gascón (Emilia Pérez). Also in this episode, attendees reflect on the importance of women-led cinema and diverse voices in the industry. We also spotlight the sponsors and partners who made the event possible: our Gold Sponsors, CrewHQ and IMDb; our Silver Sponsor, Curzon; and our Bronze Sponsors, Netflix and Intimacy on Set. We are grateful for the support of our media partners Deadline, British Cinematographer magazine, and DDA, and to Lilac Grove Entertainment for sponsoring the reception. The awards celebrate the ongoing progress toward more inclusive storytelling, and this episode brings you right into the heart of the celebration. This episode is sponsored by Elstree Film Studios, who are celebrating their centenary in 2025. Full list of winners BEST FEATURE FILM The Substance BEST DOCUMENTARY FEATURE Black Box Diaries BEST PERFORMANCE IN A LEADING ROLE Marianne Jean-Baptiste (Hard Truths) BEST PERFORMANCE IN A SUPPORTING ROLE Danielle Deadwyler (The Piano Lesson) FEMALE FRIENDSHIP ON SCREEN All We Imagine as Light ENSEMBLE CAST Emilia Pérez THE GIRLS ON FILM ALLY AWARD SPONSORED BY IMDb Mike Leigh (Hard Truths) BEST CINEMATOGRAPHY SPONSORED BY CREWHQ Hélène Louvart AFC (La Chimera) BEST PRODUCTION DESIGN Judy Becker (The Brutalist) BEST COSTUME DESIGN Linda Muir (Nosferatu) BEST COMPOSER Abigail Barlow and Emily Bear (Moana 2) BEST PUBLICITY CAMPAIGN Universal (Wicked) ACTIVIST IMPACT AWARD Shiori Ito (Black Box Diaries) FEMALE ORGASM ON SCREEN SPONSORED BY INTIMACY ON SET Nicole Kidman (with Nicole Kidman, and later Harris Dickinson) (Babygirl) Full list of commendations ENSEMBLE CAST Chuck Chuck Baby BEST COMPOSER Isobel Waller-Bridge (Wicked Little Letters) BEST PRODUCTION DESIGN Gemma Jackson (Lee) BEST COSTUME DESIGN Rebecca Gore (Timestalker) Find out more here https://hlaagency.co.uk/category/projects/girls-on-film-awards/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Interns: Anna Swartz and Oli Fyne Sound recordist: Erin Macmillan Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency

Anna Smith takes a closer look at the poignant, BAFTA-nominated Netflix documentary Daughters, co-directed by Natalie Rae and Angela Patton. The film intimately portrays the lives of four young Black women in the United States, navigating the emotional challenges of growing up with fathers who are incarcerated. Directors Natalie and Angela join Anna to discuss their eight-year journey bringing this powerful story to life, from filming during the pandemic to building an open and compassionate dialogue with the young women seen on screen, all culminating in the transformative Daddy Daughter Dance at the heart of the documentary. Angela Patton, CEO of Girls For A Change, shares her perspective on amplifying young women’s voices, while Natalie Rae delves into the creative and emotional process of filming such a personal and moving story in this episode of Girls On Film. Daughters is available to stream on Netflix now. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Emma Butt House band: MX Tyrants This episode is in partnership with Netflix © HLA Agency

In this episode, host Anna Smith transports listeners to the world of Wicked. She speaks with three key creatives behind this enchanting film adaptation of the hit Broadway musical. Directed by Jon M. Chu, the film stars Cynthia Erivo as Elphaba and Ariana Grande as Glinda, bringing this iconic story of friendship, magic, and love to life on the big screen. Hair, Makeup, and Prosthetics Designer Frances Hannon discusses how she approached creating Elphaba’s iconic green look. Director of Photography Alice Brooks explains how she updated the technicolour dreamworld of Oz through the film’s cinematography. And, Costume Designer Paul Tazewell describes how he developed a ‘language of clothing’ to reflect the world and characters of Oz. The episode highlights the significant role that Hair and Makeup Design, Costume Design and Cinematography play in bringing the story of these two complex women to life. Listeners will get a glimpse into the artistry behind the film and the collaborative effort that makes Wicked both visually stunning and emotionally resonant. Wicked is in UK cinemas now, with part two coming next year. Let us know what you think on social media - tag Girls On Film and use the hashtag #WickedMovie. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Emma Butt House band: MX Tyrants This episode is in partnership with Universal Pictures © HLA Agency

Girls On Film brings you a live recording from the BFI’s Art of Action season at the Exeter Phoenix Cinema in Devon. Host Anna Smith is joined by Priya Kansara, star of the genre-blending feminist action film Polite Society. Following a screening of Nida Manzoor’s 2023 film, Priya discusses her lead role as Ria, a spirited young martial artist determined to stop her sister’s wedding with an audacious heist. She describes how, despite their different heritages, she instantly identified with the character of Ria, and revealed how she worked with Manzoor to put a personal spin on the film's more comedic scenes. Priya also discusses the reality of finding a stunt double when you’re a brown girl, calling for change in this area of the industry, as well as sharing some top tips for film industry newcomers to battle imposter syndrome. Listen to hear more! The conversation includes a post-screening Q&A with audience questions. This episode is part of Art of Action: Smash the Glass, a season that celebrates the women who have advanced action cinema both on and off-screen. The season is supported by National Lottery and BFI Film Audience Network with generous sponsorship from Packexe. To find out more about the BFI’s Art of Action season, and, for our UK listeners, to see which films are screening near you, visit the British Film Institute website below. The season is running from October to December 2024. https://www.bfi.org.uk/art-action Also in this week’s episode, Girls On Film is delighted to be celebrating our sixth birthday with the Female Film Club - a global members’ club specifically for women in film - who are turning four. Together we share 10 years in the industry, and to mark the occasion Female Film Club are opening up their networking space to Girls On Film listeners who work the film industry: They offer a completely free networking space designed to help you make meaningful connections within the industry and to network with other members. With thousands of members in their database, you’ll be joining a supportive community of creatives worldwide. With free membership, you’ll get access to the FFC app, direct messaging with fellow members, and exclusive perks like special events and industry opportunities. It’s a fantastic way to grow your network, build your skills, and get real support—some members have even landed jobs through it! https://female-film-club.mn.co/sign_up?bundle_token=e2f89f5961bbb9100aff796e6b36e50c&plan_id=479915&utm_source=manual” Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency

In this special episode from the Evolution Mallorca International Film Festival, Anna Smith hosts a panel discussion on women in leadership within the film industry. In the third iteration of this panel, Anna is joined by three international industry leaders: Kirsty Bell, CEO of the Oscar-winning production company Goldfinch, international film publicity strategist Mia Farrell and Oscar-nominated producer Rebecca Pruzan. Together, they explore the pathways to landing leadership roles, the skills needed to thrive once there, and the shifting dynamics of gender and race in the film industry. Kirsty Bell shares her experiences starting Goldfinch as a family business and reflects on directing A Bird Flew In—the first film shot during the pandemic, which pioneered COVID protocols on set. She also highlights the importance of supportive men in her life, and how they’ve played a role in her career. Mia Farrell offers insights from her career as a publicist, discussing her passion for elevating films through strategic PR, as well as her advocacy for greater diversity in the industry. She tells the audience about the genesis of her impactful Screen Daily article, "Why are so few Black people in positions of power in the arthouse film PR sector?'”. Mia also shares her experiences working on The Dads, a heartfelt documentary on fatherhood and trans youth, directed by Luschina Fisher, and available on Netflix. Rebecca Pruzan discusses her transition from a career in IT and consultancy to becoming an Oscar-nominated producer. She reflects on the identity politics at play in producing her short film IVALU, highlighting the challenges of navigating cultural sensitivities in storytelling and discussing the reaction to the film on its festival journey. This episode is in partnership with Evolution Mallorca International Film Festival. You can find out more about the Evolution Mallorca International Film Festival here: https://www.evolutionfilmfestival.com/tickets A reminder that you can read a transcript of our episodes on Apple Podcasts by clicking the ‘transcript’ option in settings in the episode description. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.x.com/GirlsOnFilm_Pod www.x/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency

In this festival special, Anna Smith island hops across some of the most unique film festivals of the season, taking listeners from Sea Change festival in Scotland’s Tiree to the London Film Festival before ending in Mallorca to hear about the upcoming Evolution Mallorca International Film Festival 2024. First, Anna reports from this year’s Sea Change Film Festival in the Inner Hebrides. She speaks with filmmaker Jeanie Finlay (Your Fat Friend, Seahorse) and festival-goers like Reclaim The Frame’s Melanie Iredale about their time at Scotland’s only annual festival dedicated to powering women in film. Next, she heads to the BFI London Film Festival to meet actor Deba Hekmat and writer Helen Simmons, whose film Last Swim has its premiere at this year’s festival. This coming of age drama tells the story of Ziba, a young woman who celebrates her A-Level results with friends while grappling with a personal secret. With Anna, Deba discusses the authenticity of the film’s dialogue, how it captured Gen Z sensibilities almost perfectly, and how she resonated with the character of Ziba. Helen reflects on working with a translator to capture an authentic Farsi that is spoken by Ziba and her mother in Last Swim, as well as speaking about the lack of representation of driven and intelligent young women in film. Anna also catches up with some friends of the podcast when she is out and about at LFF. Finally, it’s off to Spain for a preview of the Evolution Mallorca International Film Festival. Anna sits down with festival director Sandra Lipski to discuss some of her feminist festival highlights. Sandra gives us an insight into the 2024 lineup, including the festival’s plan to welcome five time Academy Award-nominee Annette Bening to Mallorca's sunny shores. Films Mentioned: Last Swim (2024) Black Box Diaries (2024) Anora (2024) Conclave (2024) All We Imagine As Light (2024) Twiggy (2024) The Extraordinary Miss Flower (2024) Las chicas de la estación (2024) The Grifters (1990) The Outrun (2024) Endurance (2024) Emilia Perez (2024) Your Fat Friend (2023) Widow Clicquot (2024) Hoard (2024) Principal Partners: Vanessa Smith and Peter Brewer Our partners for this episode: Evolution Mallorca International Film Festival You can buy tickets for Evolution Mallorca International Film Festival from the 17th October 2024 via this link: https://www.evolutionfilmfestival.com/tickets Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.x.com/GirlsOnFilm_Pod www.x/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency

Anna Smith speaks to Lily Ahree Siegel, director of Equal Play, a new short documentary that discusses the importance of equal access to school sports for disabled children. Anna is also joined by Lindsey Dryden, director, writer, producer, executive producer, as well as co-founder of FWD-DOC, and Clare Baines, the BFI’s Inclusion Partner, to talk about equal access within the film industry and the bigger issues touched on in Equal Play. First, Clare discusses her personal connection to the documentary, revealing to Anna how losing her eyesight at 15 affected her ability to participate in school sports. Clare also advocates the importance of educating kids about their bodies. As a disabled woman in the film industry, Lindsey highlights the inaccessibility of disabled people entering the world of entertainment. She questions the disparity between disabled stories in documentaries vs narratives and encourages more joyous cinematic portrayals of the disabled experience. Lindsey and Clare share their favourite film depictions that capture the disabled experience. They also call for a disability revolution including more on-screen celebrations about disabilities. Next up, Lily Ahree Siegel discusses her background within the arts and what inspired her to become a documentary filmmaker. Lily highlights access to PE and sports as an issue affecting kids worldwide, discusses the importance of inclusion passports, and shares her favourite moment on set. Equal Play is available to watch on Channel 4 - https://www.channel4.com/programmes/equal-play A reminder that you can read a transcript of our episodes on Apple Podcasts by clicking the ‘transcript’ option in settings in the episode description. This episode is brought to you by Harder Than You Think. Films/TV Shows/Books mentioned: The Gleaners and I (Agnes Varda) We Might Regret This (created by Kyla Harris) - available on BBC The Callers (Lindsey Dryden) Lost In Sound (Lindsey Dryden) Coda (Sian Heder) Trans In America (produced by Lindsey Dryden and Shaleece Haas) Unrest (Jennifer Brea) Patrice: The Movie (Ted Passon) - available on Hulu and showing at LFF 2024 Crip Camp (James Lebrecht and Nicole Newnham) - available on Netflix I Didn’t See You There (Reid Davenport) - available to rent on Apple TV, Prime Video, and Google Play Is Anybody Out There (Ella Bee Glendining) - available on ITVX and Netflix The Tube Thieves (Alison O’Daniel) - available on PBS Feminist, Queer, Crip by Alison Kafer Websites mentioned: TV Access - https://www.channel4.com/4producers/creative-equity/tv-access-project Sins Invalid - https://www.sinsinvalid.org/blog/10-principles-of-disability-justice FWD-DOC - https://www.fwd-doc.org/ TripleC - https://triplec.org.uk/ DANC - https://triplec.org.uk/danc/ Deaf and Disabled People in TV - https://www.ddptv.org/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Assistant Producer: Jade Evans Intern: Anna Swartz Audio editor: Benjamin Cook band: MX Tyrants © HLA Agency

In this episode, Anna Smith welcomes film critic Corrina Antrobus back to Girls On Film to discuss her brand new book, I Love Romcoms and I am a Feminist: A Manifesto in 100 Romcoms. Anna is also joined by film critic Jo-Ann Titmarsh who shares her highlights direct from the Venice International Film Festival. First up, Corrina begins by discussing two Girls On Film romcom favourites - Gentlemen Prefer Blondes and She’s Gotta Have It, which both feature in our pod’s intro jingle. She highlights the romcoms that have often been overlooked in the genre, as well as the underlying feminism of the popular, mainstream romcoms which are often dismissed as anti-feminist. Corrina also notes the importance of diverse representation and some of the challenges of finding examples of trans romances in the romcom genre, but that by pushing for change, she has hope that things will change. **Note that there are mild spoilers for classic romcoms in this segment.** Next up, Jo-Ann shares the exciting buzz of this year’s Venice International Film Festival and discusses her festival favourites. She notes how this year’s fest consists of all-out glamour and fabulous women rocking the red carpet and discusses her film highlights, including her top performances by women including Nicole Kidman, Julianne Moore, Tilda Swinton and Angelina Jolie. She notes the films to look out for, and ends by discussing the long-awaited sequel to Beetlejuice. You can buy Corrina Antrobus’s book I Love Romcoms and I am a Feminist: A Manifesto in 100 Romcoms at most book retailers including Waterstones, Blackwells, WH Smith and Amazon. Films mentioned in this episode: Wolfs (Jon Watts) Gentlemen Prefer Blondes (Howard Hawks) - Rent on Google Play, Apple TV, Prime Video She’s Gotta Have It (Spike Lee) - Netflix Rye Lane (Raine Allen Miller) - DisneyPlus Palm Springs (Max Barbakow) - Prime Video While You Were Sleeping (Jon Turteltaub) - DisneyPlus Pretty Woman (Garry Marshall) - DisneyPlus Magic Mike XXL (Gregory Jacobs) - Prime Video, Apple TV Kissing Jessica Stein (Charles Herman-Wurmfeld) - Rent on YouTube, Prime Video, Apple TV, Google Play But I’m a Cheerleader (Jamie Babbit) - Prime Video Happiest Season (Clea DuVall) - Rent on YouTube, Prime Video A Room Next Door (Pedro Almodovar) - Releases 25 October 2024 Babygirl (Halina Reijn). Releases 10 January 2025 Maria (Pablo Larraín) I’m Still Here (Walter Salles) Familiar Touch (Sarah Friedland) Queer (Luca Guadagnino) The Wire (created by David Simon) - Sky, NowTV The Office (US version developed by Greg Daniels) - Netflix, Sky, NowTV, Prime Video Birdman (Alejandro González Iñárritu) - DisneyPlus Beetlejuice Beetlejuice (Tim Burton) - In cinemas Beetlejuice (Tim Burton) - Netflix, Prime Video Firebrand (Karim Aïnouz) - In cinemas His Three Daughters (Azazel Jacobs) - In cinemas Lee (Ellen Kuras) - In cinemas The Queen of My Dreams (Fawzia Mirza) - Releases 13 September 2024 Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Assistant Producer: Jade Evans Intern: Anna Swartz Audio editor: Elliana Jay Hamer House band: MX Tyrants © HLA Agency

Zoë Kravitz joins Anna Smith to discuss her directorial debut, Blink Twice, while Anna also reports from the 2024 Edinburgh International Film Festival, where she speaks with Daisy-May Hudson about her feature debut, Lollipop. First up, Anna welcomes actor turned writer, director and producer Zoë Kravitz, best known for her roles in ‘The Batman’ and in TV series ‘Big Little Lies’ and ‘High Fidelity’, onto the podcast. With Anna, Zoë discusses the feminist messaging in her slick thriller ‘Blink Twice’. She talks about casting the wonderful Naomi Ackie as Frida, a cocktail waitress who catches the eye of tech billionaire Slater King (Channing Tatum) and is transported to his private island for sundrenched luxury, or so she thinks… Zoë also tells Anna about the writing process behind ‘Blink Twice’, originally titled ‘Pussy Island’, reveals her relief at turning up to set as the director without having to worry about what she looks like, and describes her approach to capturing women on camera to produce a disturbing and believable depiction of gender and power among the megarich. Next up, Anna reports from Edinburgh International Film Festival, where Girls On Film partners on the festival’s Closing Night sçreening of the powerful feminist music documentary, ‘Since Yesterday: The Untold Story of Scotland’s Girl Bands’. Anna catches up with first-time feature director Daisy-May Hudson whose film ‘Lollipop’ is a heartbreaking but hopeful depiction of a mother (Posy Sterling) who battles to regain custody of her children after coming out of prison. Daisy-May speaks about the fierce maternal love of her protagonist Molly, what happens when children are required to parent, as well as the challenges faced by a first time director. Plus: karaoke as a symbol of working class joy! Anna also hears from Karen Needham and Col Needham from the IMDb, plus director of the BFI’s filmmaking fund Mia Bays and costume designer Rachael Fleming about their highlights from the EIFF 2024. Stay tuned for upcoming episodes of Girls On Film as we move into autumn and host Anna Smith heads to Sea Change Film Festival 2024. Find out about their festival, dedicated to women in film at https://screenargyll.co.uk/sea-change-2024/ Films mentioned in this episode: Timestalker - Alice Lowe Xibalba Monster - Manuela Irene Since Yesterday: The Untold Story of Scotland’s Girl Bands - Blair Young, Carla J Easton Blink Twice - Zoë Kravitz Rosemary’s Baby - Roman Polanski To Kill A Wolf - Kesley Taylor Sunlight - Nina Conti Lollipop - Daisy-May Hudson Blink Twice was released in the UK by Warner Bros. Pictures on 23rd August, 2024 Lollipop had is world premiere at the 77th edition of Edinburgh International Film Festival (on August 20th) Since Yesterday: The Untold Story of Scotland’s Girl Bands will hit UK cinemas from 18th October and Glasgow girl band Sophisticated Boom Boom will reform for one night only at a special screening of the film in Glasgow on the night of the release. For more information visit sinceyesterdayfilm.com Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email [email protected] to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Jade Evans Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency