Gettin’ Baptized in the Dirt with Candrice Jones’s FLEX

In this episode, hosts Jordan Ealey and Leticia Ridley interview director and playwright Robert O’Hara about his approach to his craft, his experience as a Black artist in the theatre industry, and how he leans into discomfort.

In this episode, Jordan and Leticia interview Lydia Diamond and learn about her career as a playwright and her hopes for expanding Black theatre.

Leticia and Jordan delve into Zora Neale Hurston as a theatre artist and consider her plays, performances, and theories of dramaturgy and theatremaking.

In this episode, hosts Jordan Ealey and Leticia Ridley reflect on their very positive feelings for Obsidian Theatre and Crow’s Theatre’s production of FLEX, as well as Candrice Jones’s gorgeous and nuanced depictions of Black girlhood and friendship.

In today’s episode, Leticia and Jordan discuss the Canadian premiere of A Strange Loop—a co-production between The Musical Stage Company, Soulpepper Theatre, Crow’s Theatre, and TO Live. They re-appraise the musical’s impact in today’s sociopolitical climate.

Jordan and Leticia interview actress, performance artist, and cultural worker Danielle Deadwyler and discuss the importance of care in the representation of Black life.

Jordan and Leticia interview Canadian playwright, director, and educator Djanet Sears, hearing about her unique approach to dramaturgy and an in-depth look at Black theatre in Canada.

Jordan and Leticia examine the short life of the Federal Theatre Project and its impact on the growth and expansion of Black theatre.

Jordan and Leticia interview arts journalist and playwright Kelundra Smith about the cultural landscape of theatre criticism and what it means to tell authentic Black stories.

In this episode, Leticia and Jordan interview Whitney White about her journey in theatre, her artistic craft, and the potentials and possibilities of Black theatre.