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Nathan Fielder & Lance Oppenheim made a documentary about Elizabeth Holmes, but the deeper you get into You Can See Everything, the harder it becomes to tell who’s in character and whose story you’re actually watching.
Cinephobe breaks format for a spoiler-filled discussion of a film that the guys haven’t stopped thinking about, as an apparent attempt at image rehabilitation becomes something far stranger, funnier, and more unsettling.
At the center of their debate is Holmes’s relationship with Billy Evans: is he buying into her version of reality, helping her sell it, or trying to control the narrative himself? And with Fielder stepping into the story and Amanda Seyfried adding another layer of performance, even the moments that seem genuine become difficult to take at face value.
The result is an extensive conversation about manipulation, sympathy, and whether a movie that promises You Can See Everything ever actually shows you what you’re looking at.
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