Great music, uncomfortable lyrics

In this episode of Beat Motel, Andrew is joined by Tom Klute, a man who has spent 25 years running the Commercial Suicide label and presumably even longer trying to figure out how to stop CDRs from rotting into useless plastic coasters. The pair embark on a quest to identify the 'Great Basslines of Our Time', a journey that takes them from the bowel-ripping valve amps of the 70s to the distorted sub-bass of 90s jungle. Along the way, they discuss why buying a headless bass is a cry for help, the terror of music trackers, and the peculiar joy of being a 'cool dad' who gives his son massive 70s speakers only to realise his lounge ceiling is now a vibrating drum skin. Expect tangents on why the Smokey and the Bandit remake in Suffolk failed, the mystery of delaminating discs, and why the Sugarhill Gang might be absolute fibbers. It's an hour of gear talk, punk history, and bass-heavy nostalgia that'll make your trousers wobble.   Riffs of the week Tom's Riff Kenny Loggins - Footloose Andrew's Riff Fucked Up - Crusades Tom's track choices Stranglers - Toiler On The Sea Roni Size - Share the Fall (Grooverider's Jeep Mix) Discharge - Ain't No Feeble Bastard Chic - Good Times LFO - LFO Andrew's track choices Fu Manchu - Grendel Snowman Blur - Popscene Venetian Snares - Öngyilkos Vasárnap Gravediggaz - 6 Feet Deep NOFX - The Decline

Look, we've all been there. You go to a gig at a university campus that looks like a concrete fever dream from A Clockwork Orange, you feel ancient because the students are all drinking a gallon of water from Stanley cups instead of proper ale, and then you have to question your own bowel integrity because someone in the crowd is weaponising their flatulence. This week, Andrew and Dr. Sam dive into the "Normal Lineup, Weird Noises" theme—basically, what happens when a standard rock band decides to make sounds that shouldn't exist. We've got Jerskin Fendrix (aka Jocelyn Dent Pooley, the man with a name like a removal firm heir), the sonic separation of Big Business, and the avant-garde chaos of Deerhoof. Also: Why do people heckle sensitive jazz drummers? Is every Ukrainian black metal band actually staffed by archaeologists? And why does Paul Westerberg spend the start of a Replacements track sounding like he's hoovering up a pharmacy floor? It's music, it's chaos, and it's probably the only podcast that mentions both Agathee Christie and the "Pissed Resistance" in the same breath.   Riffs of the Week Dr. Sam's Riff Jerskin Fendrix – Jerskin Fendrix Freestyle Andrew's Riff The Callous Daoboys – Distracted by The Mona Lisa Dr. Sam's Track Choices Big Business – Cats, Mice Deerhoof – The Perfect Me Victims Family – The Germ Adam and the Ants – The Day I Met God Andrew's Track Choices Caroline Polachek – Dang Everything Everything – Cough Cough The Charlatans – I Can't Even Be Bothered 1914 – 1914 (The Siege of Przemyśl) Email us: [email protected]

In this episode, Andrew and Dr Sam attempt to justify their existence as middle-aged men with a music podcast by discussing the "sheer fucking arrogance" of music journalism. Between reenacting being a hydroelectric dam and discussing the logistics of dressing up like a facade of the Pentagon, they actually manage to talk about some records. Expect a deep dive into the dry drum sounds of early Faith No More, the naive charm of The Fall, and the surprising revelation that Hanoi Rocks basically invented Guns N' Roses. We also learn about the "poo sick" (don't ask) and why being 5'11" and 11/12ths is a legitimate personality trait. It's 70 minutes of your life you aren't getting back, but at least you'll know which bass pedals make you sound like a Moog.   ### Riffs of the week #### Dr Sam's Riff - Big Business - The Moor You Know #### Andrew's Riff - Baroness - The Birthing ### Dr Sam's track choices 1. Faith No More - As The Worm Turns 2. The Lookouts - I Saw Her Standing There 3. The Damned - New Rose  4. Hanoi Rocks - Tooting Bec Wrecked ### Andrew's track choices 1. The Fall - Rebellious Jukebox 2. Television - Marquee Moon 3. The Kinks - Villiage Green Preservation Society 4. The Velvet Underground - Sister Ray Email us - [email protected] The Fall episode -  https://beatmotel.com/podcast-episodes/revisiting-the-fall-with-mark-beaumont-thomas/  

In this episode, Andrew and Dr Sam tackle the high-brow topic of Autumn, which mostly involves Sam moaning about how grey Finland is and Andrew recounting the time he kicked a pile of dog muck while trying to be whimsical. We also dive deep into the world of Roy Orbison, specifically his secret life as a competitive remote-control car enthusiast and how he basically wore the same pair of filthy glasses for 25 years. Andrew finally sees the Rocky Horror Picture Show and is traumatised by middle-aged men in stockings, Sam tries to find a version of 'Autumn Leaves' that doesn't taste like high-fructose corn syrup, and we discuss why the Beatles were basically ancient by the time they hit 30. There's also some talk about Jeff Lynne (obviously), stealing cheese from Blur, and why you should never go to an all-you-can-eat buffet if you value your self-respect.   ### Riffs of the week #### Dr Sam's Riff - Roy Orbison - (All I Can Do Is) Dream You #### Andrew's Riff - Rocky Horror Picture Show - Sweet Transvestite ### Dr Sam's track choices 1. Nat King Cole - Autumn Leaves 2. Cannonball Adderley - Autumn Leaves  3. Roger Williams - Autumn Leaves 4. Edith Piaf - Les Feuilles Mortes ### Andrew's track choices 1. Guns n Roses - November Rain 2. Autumn Almanac - The Kinks 3. Crowded House - Fall at your feet 4. Forever Autumn - Justin Hayward and Jeff Wayne Email us - [email protected]

In this episode of Beat Motel, Andrew and Dr. Sam attempt to discuss "Great Songs with Questionable Lyrics" but mostly end up talking about accidental calls to the emergency services and the thermal advantages of having an itchy jumper for a face. We dive into the grottier side of grindcore with Edinburgh's CHOU, wonder why Wolf Alice has a drummer singing in a thicket, and Dr. Sam tries to justify why he once owned a Limp Bizkit record. Also featuring: Slade being sued for sounding like a brickyard, Jimmy Page "borrowing" songs again, and why you should never store your Lego boxes in a greenhouse. It's less of a music podcast and more of a documented descent into madness. Riffs of the week Dr Sam's Riff CHOU - Vulnerable Blether Andrew's Riff Wolf Alice - White Horses Dr Sam's track choices Slade - Let's Call It Quits Limp Bizkit - Counterfeit Public Enemy - Sophisticated Bitch Cannibal Corpse - I Cum Blood Andrew's track choices Led Zeppelin - Babe I'm gonna leave you Steve Miller Band - The Joker Sonic Youth - Kool Thing Suede - Stay Together Email us - [email protected]

In what can only be described as a new low for the Beat Motel, Andrew and Dr. Sam dive headfirst into a theme so thin you can practically see through it: Water. What starts with Jackie Chan karate-chopping peanut packets somehow devolves into a harrowing discussion about men who refuse to wipe their backsides because it's "too gay," and the pungent aroma of a father's "beefy" morning ritual. Musically, we're forced to endure everything from Janet Jackson's "Moist" (a song that makes everyone's knees feel funny for the wrong reasons) to a Deep Purple video featuring a pilgrim on a Mad Max vehicle. We also touch on why Jimmy Carr is the Nigel Farage of comedy, the baffling rise of J-Pop sensation Ado, and why Weezer's Rivers Cuomo looks like he's constantly checking his watch for an exit strategy. It's damp, it's irreverent, and it's probably best listened to while weeping into a Victoria sponge.   ### Riffs of the week #### Dr Sam's Riff - Ado - Kura Kura #### Andrew's Riff - Zatokrev, Bolzer, Schammasch - Red Storm ### Dr Sam's track choices 1. TLC - Waterfalls 2. Aerosmith - Cryin' 3. Janet Jackson - Moist  4. Joan Armatrading - Water with Wine ### Andrew's track choices 1. The Stone Roses - Waterfall 2. Nirvana  - Territorial Pissings 3. Deep Purple - Smoke on the water 4. Weezer - Africa Email us - [email protected] Here's that Deep Purple video: https://youtu.be/Q2FzZSBD5LE?si=7lmp39n-ZpcOQPnn

We've got Drew Ailes (aka David Lunch, aka Egg Norton) from Minneapolis punk outfit Citric Dummies. We spend a suspicious amount of time talking about the horrors of SEO and marketing because, apparently, being a punk doesn't pay for the artisanal bread anymore. Drew explains how his background in "mucking about with systems" on the internet led to a career in corporate consulting, and why having a drummer who is actually a musical genius is the only reason the band hasn't folded in on itself. Expect tangents on the "blokey-bloke" culture of Oasis, the mystery of what on earth Arby's is, and why John Peel is the patron saint of record nerds. We also touch on the lighthearted topic of the political chaos in Minneapolis and ICE agents eating at the very Mexican restaurants they're supposed to be patrolling. You know, the usual cheery stuff. Drew Citric Dummie's track choices 1. Red Dons - Hard Feelings 2. Pinchers - Tonight 3. Sado Nation - Mom and pop democracy 4. Chipmonks Sludgefest - Diamond Dolls 5. Harry Chapin - W.O.L.D Dr Sam's track choices 1. Citric Dummies - Being Male is Embarrassing 2. Citric Dummies - I Can't Relate 3. Citric Dummies - Look Out World (I'm Eatin' At Arby's) 4. Citric Dummies - Life is so Horrifying

We're back, and frankly, if you've stuck around this long, you only have yourself to blame. After our first-ever break, Andrew and Dr. Sam return to discuss why cats don't actually like dope beats, despite what Aaliyah told us in 2000, and why fireworks and techno are a bad mix for pets. In this episode, we dive into the legendary Eric B. & Rakim, Japanese garage rock icons Thee Michelle Gun Elephant, and the "emotional grindcore" of Swarrrm. There's also a deeply unnecessary deep dive into The Queers' lyrical nuances from 1999 and a story about a band that split up because the singer decided to use the drummer as a urinal. We also explore why boredom is actually quite fast, the joy of "institutional Finnish pasta", and why Beat Motel is effectively just a sticking plaster on the gaping wound of your personal issues. Riffs of the Week Dr Sam's Riff Thee Michelle Gun Elephant - "The Birdmen" Andrew's Riff Blood Incantation - "The Stargate [Tablet 3]" Dr Sam's Track Choices 88 Fingers Louie - "Newspaper" Swarrrm - "13" The Queers - "No Tit" HIRS - "Public Service Announcement" Andrew's Track Choices System of a Down - "Chic 'N' Stu" Buzzcocks - "Boredom" Sub Focus and Grimes - "Entwined" The Bluetones - "Fast Boy" Email us - [email protected] Gabba dancing: https://youtu.be/FUD-HExh9ow?si=Kaq8OykylcVEUosL

If you've ever wondered why some bassists look like they're having a conversation with a ghost or why your favorite punk record sounds like it was recorded in a cupboard, Mike Watt is here to explain it all. We sat down with the Minutemen and Stooges legend to talk about everything from the physics of why playing too many notes makes you "smaller" to the absolute bigotry drummers face in the industry. Watt walks us through his "third opera," why he wrote an entire album on a Telecaster instead of a bass just to spite himself, and how he ended up playing with the Stooges for 125 months. We also get into the weeds on the early Hollywood punk scene, the "autonomy" of major labels (or lack thereof), and why the internet is basically just a tool for collaborating with people in Peru. It's rambling, it's philosophical, and it's probably the most intellectual we've ever been on this show. Don't get used to it.

Welcome to a truly unhinged episode, where Andrew's cold-ridden brain meets Sam's particular brand of chaos. This week, we're diving into Musicians in Odd Places—which, let's be honest, is mostly an excuse for us to get wildly off-topic and fact-check things on the fly (and usually get them wrong). Andrew even managed to misspell the theme title on his notes. We kick off by debating the horrors of modern parenting and screen time, reminiscing about the simple joy of having the TV just... turn off. From there, it's a short, unsettling skip to a discussion about Conkers, which, inevitably, turns into a mention of "Bollock Conkers". You're welcome. The main theme gets a slightly more musical start with Sam's Riff of the Week—a deep, pumping slice of dub that Andrew associates with summer. This somehow leads Andrew to mix up Jeff Lynne and Jeff Wayne (an ongoing national embarrassment). ### Riffs of the week #### Dr Sam's Riff - Jacob Miller - Keep on Knocking #### Andrew's Riff - Buggery Act - Rusted Pliers ### Dr Sam's track choices 1. Mike Patton - Teenage Mutant Nina Turtles Theme 2. Johnny Cash - Don't Take Your Ones to Town 3. D.O.A. - That's Why I Am An Atheist 4. Tiny Tim - Living in the Sunlight, Lovin' in the Moonlight ### Andrew's track choices 1. The Wombles - Remember You're A Womble 2. War of the worlds - The Spirit of Man 3. Labi Siffre - I Got The... 4. Public Image Ltd - Rise On the Menu of Oddness: * Mike Patton's Paycheck: Faith No More's Mike Patton pops up where he has no business being: singing the theme for a video game version of Teenage Mutant Ninja Turtles. He said he did it so his nieces could enjoy something he was involved in. * Wombles Rock: Andrew's choice of session musicians in unusual places is Chris Spedding lending his guitar skills to The Wombles. * Johnny Cash vs. His Ones: Sam digs up the horrifyingly earnest Sesame Street parody of "Don't Take Your Guns to Town," where Johnny Cash sings about the little cowboy Billy Joe trying to take his number ones (as in toys and cookies) to school instead of sharing. * The Jeff Wayne Fiasco: Andrew confesses a lifelong belief that Jeff Wayne's War of the Worlds was an ELO side project, before Sam sets the record straight that the producer/composer is actually a TV theme tune guy. Also, a surprisingly passionate and improvised vocal performance from Phil Lynott is on the album. * Joey Shithead for Council: The legendary frontman of hardcore band DOA is now a local politician, serving as a city council councillor in Burnaby, British Columbia. * Chas and Dave: Funk Brothers: The unlikely Cockney duo were session musicians (the 'fuckbrothers', apparently) for Labi Siffre's fantastic tune "I Got The...". * The Tiny Tim / SpongeBob Connection: The ukulele-wielding oddball is apparently part of a kid's playlist because his song "Tiptoe Through the Tulips" was on an early SpongeBob episode. This leads to the discovery of his truly offensive Christmas single, "Santa Claus Has Got The AIDS This Year". * PIL's All-Star Band: A surprising lineup for Public Image Ltd's "Rise" featured Tony Williams (Miles Davis's drummer) and Steve Vai (guitar) on the album version. A lot of questionable facts and even more questionable chat. Get stuck in, you awful people.