Ep 25 - Editing

In this episode, Heather and Jules dive into theme, thesis and meaning in improv. Exploring how to create shows that are about something, why that matters, and how focusing on ideas (not just scenes) can make your work richer, bolder and more satisfying to play and watch.

In this episode Heather and Jules unpack the joys, frustrations, and hidden complexity of narrative improv. Improvising stories with a beginning, middle, and end. They explore why improvised storytelling is harder than it looks, how memory and expectation can quietly derail a show, and why trying too hard to "make the story work" often does the opposite. Along the way they introduce the Plot Monster, talk about teaching narrative later rather than sooner, and remind us that it's completely okay to love improvised stories… or decide they're not for you. A thoughtful, funny conversation about why narrative improv is addictive, fragile, and absolutely worth respecting.

In this slightly different episode, Heather and Jules talk candidly about the challenges around opening a theatre in Brighton, and what's happened since they started saying those challenges out loud. There are practical realities, improv lessons, and a lot of love from the community. Plus Heather very much trying (and failing) not to cry.

In this episode, Heather & Jules discuss how to get good at improv –  as quickly as possible, but without losing the fun.

In this episode, Heather & Jules discuss monologues, specifically, Armando monologues. True-life monologues: what makes them great, how to do them, and then how to deconstruct them afterwards to make the scenes. It's quite a technical one, so strap in!

In this episode, Heather is joined by Damian Robertson to explore the unique role of the improv technician. They discuss the vital behind-the-scenes work that keeps performances running smoothly, from managing technical elements to supporting performers and enhancing the audience experience. A fascinating look at an often overlooked but essential part of improv.