Per Nørgård, pt. 1

Absolute Masters takes a deep dive into the lives and work of the great composers. This week we begin a two-part exploration of the music of the great English composer Sir John Tavener. In this first instalment, Wise Music Group Creative Director Gill Graham and award-winning journalist, author and broadcaster Stephen Johnson focus on some of Tavener's most popular works, including:The LambThe WhaleThe Protecting VeilSong For Athene, famously sung at Princess Diana's Westminster Abbey funeralPrayer Of The Heart, commissioned by Björk, inspired by The Chain Of Hope which supports those affected by Marfan's Syndrome, of which John was a suffererEternity's SunriseFragments Of A Prayer-----------------------------John Tavener was born in 1944. His musical education took place in the midst of Modernist fervour, a movement of which he felt an instinctive and increasing mistrust. The first work that brought him to widespread attention, The Whale (1966), was premiered in 1968 by the London Sinfonietta at their inaugural concert and released on The Beatles' Apple Records label. Although many of his early works were inspired by the mystical aspects of Roman Catholicism, his interest in tradition had led Tavener to believe that the Western Christian Church was a corrupted and corrupting force. Following his conversion to Orthodox Christianity in 1977, Tavener produced a slew of works heavily influenced by Orthodox liturgical texts, Russian and Greek writers and themes, and the Orthodox tone systems. During this period, Tavener had largely cut himself off from the contemporary music scene, withdrawing into himself and his faith in the hope of achieving a clarity worthy of his preferred subjects. Throughout his life Tavener suffered periodically from extreme ill health, one serious instance occurring in the 1970s, another in the early 1990s and another in the mid-2000s. In between he continued to write pieces strongly influenced by Orthodoxy and by literature. Though still an Orthodox Christian, the Universalist belief that all organised religions are simply different interpretations of the same underlying forces informed most of Tavener's work of this period and beyond. Emergency heart surgery in Switzerland, followed by many months in intensive care subsequent to the completion of Towards Silence in 2007 halted his progress for a time, and also caused him to withdraw somewhat from spiritual themes. In his final years, he returned to his love of Tolstoy and Mozart, and continued to be deeply influenced by Hindu metaphysical thought. Some of the resulting works are Three Shakespeare Sonnets (2010), La Noche Oscura (2012), Three Hymns of George Herbert (2012), The Death of Ivan Ilyich (2012), and Krishnalila (The Play of Krishna) . At the end of his life in 2013, Tavener finished Requiem Fragments which concerned suffering and existence, another of his perennial themes.  Hosted on Acast. See acast.com/privacy for more information.

Part Two of our deep-dive into the life and work of Danish composer Per Nørgård with Wise Music Group Creative Director Gill Graham, award-winning journalist, author and broadcaster Stephen Johnson and former Chief Executive of Sound & Music Susanna Eastburn. They discuss the mysteries of The Divine Circus, its relationship to Swiss artist Adolf Wölfli, and its precarious straddling of the knife edge between catastrophe and idyll. Listen to Nørgård’s sense of playfulness, Susanna’s unyielding love for Pastorale from Gabriel Axel’s Babette’s Feast film, and Nørgård himself’s sage, ominous composing advice to Stephen: “finish the piece of music you will, and you will not be happy!" Hosted on Acast. See acast.com/privacy for more information.

Join us for Part One of a riveting walk through the life and work of Per Nørgård, as Wise Music Group Creative Director Gill Graham discusses the Danish composer’s extraordinary music with award-winning journalist, author and broadcaster Stephen Johnson and musician and former Chief Executive of Sound & Music Susanna Eastburn. A celebration of the man as much as the music, we go beyond Nørgård's peerless compositions to discover why his most important influences aren’t musical, his inspired development of the infinity series composition method and much, much more. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the second part of our exploration of the life and music of Jean Sibelius, presented by Wise Music Group Creative Director Gill Graham and award-winning journalist, author and broadcaster Stephen Johnson. Featuring excerpts of the great Finnish composer’s work, the conversation explores:- how - and why - he stopped writing - the music he composed for theatrical productions including the first Danish staging of Shakespeare’s The Tempest- how he designed his symphonies and tone poems to be interpreted in different ways- Lemminkäinen Suite’s delicate, masterful balance as half- symphony, half- tone poem- the unique way in which Sibelius’ symphonic palette was able to evoke nature in all its magnificence and subtletyMusical Excerpts:Sibelius The Tempest, Op. 109 - Overture, The Ship Sinks Beneath The Waves - Lahti Symphony Orchestra / Osmo VänskäSibelius The Tempest - 2. The Oak Tree - Orchestre National de la Radiodiffusion Française / Thomas BeechamSibelius En Saga, Op. 9 - Lahti Symphony Orchestra / Osmo VänskäSibelius Lemminkäinen Suite, Op. 22 - The Swan Of Tuonela - Lahti Symphony Orchestra / Osmo Vänskä Hosted on Acast. See acast.com/privacy for more information.

In this first enthralling episode of Absolute Masters, Wise Music Group’s Creative Director, Gill Graham, and the composer, broadcaster and scholar Stephen Johnson, take a deep dive into the life and work of Jean Sibelius. In this first of a two-part conversation as dynamic and elemental as Sibelius’ music itself, we learn about the man as composer and human being; the influence and impact of his wife Aino and her rock-like strength; how the First World War and the Russian Revolution affected Symphony No 5; the way in which one of the greatest transitions in music absolutely enthralled the young Sibelius - and what that transition is; how he utilised Wagner’s liberating of dissonance and saw Schoenberg as a challenge he had to face, and the moment he stepped into nature’s inner sanctum and forever changed his approach to composition.https://www.wisemusicclassical.com/https://stephen-johnson.co.uk/Musical Excerpts:Sibelius Symphony #7 in C, Op. 105 - Lahti Symphony Orchestra / Osmo VänskäSibelius Symphony #5 in E Flat, Op. 82 - 1. Tempo Molto Moderato - London Symphony Orchestra / Colin DavisSibelius Symphony #5 in E Flat, Op. 82 - 3. Allegro Molto - London Symphony Orchestra / Colin DavisWagner Das Rheingold - Scene 1, Prelude 1 - Vienna Philharmonic Orchestra / Georg SoltiSibelius Symphony #6 in D Minor, Op. 104 - 2/ Allegretto Moderato - Lahti Symphony Orchestra / Osmo Vänskä Hosted on Acast. See acast.com/privacy for more information.