18: “This Way brouwn”: Tracing stanley brouwn’s Conceptual Practice

Our season concludes with a discussion about David Medalla, an internationalist who – much like his work – resists easy categorization. Best known for his kinetic sculpture series Cloud Canyons, David Medalla’s whimsical art invites people to see beyond borders and limitations.  Jane England, the director and founder of the gallery England Co, and Contemporary Art Professor at McGill University Chanon Kenji Praepipatmongkol join Dr. Donna Honarpisheh to discuss the life, philosophy, and art of David Medalla.  Tomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.

stanley brouwn is one of the most enigmatic and elusive artists of this century. brouwn created performative conceptual experiments in identity, perception, scale, and relation, among other topics. Almost as important as his conceptual practice is his refusal to share biographical information and requests for his work to never be photographed, replicated, or even analyzed. In other words, what we don’t know about brouwn is almost as important as what we do know.  Host Dr. Donna Honarpisheh is joined by Adrienne Edwards, the Ingalls Speyer Family Senior Curator and Associate Director of Curatorial Programs at the Whitney Museum, E.C. Feiss, Assistant professor of modern and contemporary art at Providence College, and writer, art historian, and editor, Annie Ochmanek to discuss this enigmatic artist.  Tomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.

Tomorrow is The Problem, kicks off its fifth season with a deep-dive into the groundbreaking work of conceptual artist, Charles Gaines. Over the course of his ongoing career, Gaines repeatedly revolutionized understanding of art: how it can be made, what makes it meaningful, and why art criticism consistently fails Black artists.  Host Dr. Donna Honarpisheh sits down with art historian and curator Ellen Tani, contemporary artist Edgar Arceneaux, and Charles Gaines himself to discuss Gaines’ prolific work.  Tomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.  Zapatista Orchestration recording courtesy of Charles Gains and the Hammer Museum.

Tomorrow Is The Problem, is back! This season, Dr. Donna Honarpisheh will explore the works of three conceptual artists: Charles Gaines, stanley brouwn, and David Medalla.  Tomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.

This last episode of the season is dedicated to a singular artist whose layered portrayal and use of humor to relate to issues of belonging, home, racism, and brutality are part of a lifelong dedication to telling stories.

Haiti’s relationship to time goes back and forth along a spiraling line that repeated patterns while identifying them. Artists have long played a role in calling out failings and offering paths to rectifying trajectories. In the face of mounting crises, who will listen to the voices of the past and the call for home-grown resilience?

The fractures left by inside and outside forces following Haiti’s double revolution against racial slavery and colonialism are still felt today. Analyzing history through a contemporary interpretive lens empowers a nuanced narrative that informs the present moment. It also reminds the present of the potential of revolution.

Haiti has had a definite role in shaping the Miami cultural and physical landscape. As we explore the growing root system that gives rise to the singular cultural hub that is Miami, we dive into both its diasporic past and the climate changes its future is signaling.

Art functions as a perception prism, aiming to divert and change how we experience our world. As psychedelics take root in white America, an appropriation shift occurs. From meditating with paintings, to representations of altered states, we probe the nature of the relationship of the artist with themselves and with the viewer and finally between art and our senses.

From a young age, Betye Saar collected objects as a form of ritual, to hone their energy and activate their spirit. To protect and potentialize them. Today’s episode explores ritual as a methodology for healing and power. From the ritualization of Betye Saar’s installation sites to the reclamation of the black body by Krista Franklin we follow, and deconstruct the Brookes Ship.