Woman in Mind. In Conversation with Rebecca Trehearn and Frances McNamee

In this episode, Darren and Natalie unpack the latest West End revival of Woman in Mind, Alan Ayckbourn’s 1985 psychological comedy now marking its 40th anniversary. Starring Sheridan Smith and directed by Michael Longhurst, the production revisits a story of fractured reality, imagination and domestic dissatisfaction - but does it still resonate today? Natalie and Darren share their thoughts on the play’s dated themes, standout design elements, and whether star power alone is enough to justify its return to the London stage.The conversation then shifts backstage as Darren Zooms with Rebecca Trehearn and Frances McNamee, stars of the new folk musical Ballad Lines. In this behind-the-scenes chat, they discuss bringing traditional ballads to life, performing new writing, and the joy - and challenge - of telling intimate stories through music.  Hosted on Acast. See acast.com/privacy for more information.

In our first episode of 2026, Darren and Natalie dive into one of the most innovative and nerve-shredding productions currently on the London stage - A Ghost in Your Ear at Hampstead Theatre.Written and directed by Jamie Armitage (An Interrogation, SIX) and created in collaboration with acclaimed sound designers Ben and Max Ringham, this two-hander places the audience inside a haunting using binaural 3D sound technology. Wearing headphones, spectators are immersed in a chilling ghost story that unfolds both inside a recording studio and deep within the imagination. Darren reviews how the production uses sound, performance and atmosphere to deliver genuine jump-scares, skin-crawling tension and an emotional story about family, grief and buried secrets - all while pushing the boundaries of what theatre can do.Natalie also brings us a backstage chat with Jonathan Livingstone, who plays Sid, the studio technician opposite George Blagden’s increasingly unravelling actor. Jonathan talks about performing in a show where every line triggers a sound cue, how comedy becomes a lifeline inside horror, and what it’s like to scare an audience who are wearing headphones and completely locked into the world of the play.From comparisons to The Woman in Black to the current wave of theatrical horror sweeping the West End, this episode explores why A Ghost in Your Ear is fast becoming one of the most talked-about and fear-inducing shows in London - and why it proves that sometimes the scariest place of all is your own imagination.  Hosted on Acast. See acast.com/privacy for more information.

In the final episode of Season 5, Darren and Natalie look back on an extraordinary year in theatre, sharing the productions that moved them, thrilled them, and stayed with them long after the curtain fell. From bold new writing and immersive experiences to reimagined classics and unforgettable performances, this episode is a love letter to the shows that defined 2025.They revisit standout moments from Retrograde, Quadrophenia: A Mod Ballet, Grease Immersive Movie Musical, KENREX, This Bitter Earth, Daniel’s Husband, A Midsummer Night’s Dream, Till The Stars Come Down, Evita, and The Midnight Bell -celebrating the artists, stories, and risks that made this theatrical year unforgettable.A fitting farewell to 2025 - and the perfect curtain call to Season 5. 🎭 Hosted on Acast. See acast.com/privacy for more information.

In this special stand-alone episode, Darren sits down with Damon Gould, currently starring as Noel in the cult musical Ride the Cyclone at Southwark Playhouse.Ride the Cyclone is a darkly comic, offbeat musical that has built a devoted global following. After six teenagers die in a freak roller-coaster accident, they find themselves in limbo, offered one final chance at life. Strange, hilarious, and unexpectedly moving, the show explores identity, longing, fantasy, and the versions of ourselves we wish the world could see.In this conversation, Damon talks about stepping into one of the show’s most iconic and complex roles, balancing comedy with vulnerability, audience reactions, and what draws him to bold, unconventional theatre. He also reflects on his career so far - from Cabaret in the West End to Newsies - and what continues to excite him about performing live.A thoughtful, funny, and insightful chat with one of theatre’s most exciting performers, diving deep into a truly singular musical. Hosted on Acast. See acast.com/privacy for more information.

This episode celebrates two completely different - but equally exhilarating - nights at the theatre. From sweeping, cinematic dance storytelling to full-throttle historical chaos, we explore why live performance continues to thrill, surprise, and transport. One is a five-star festive classic - The Red Shoes -  that dazzles the senses; the other - Oh Mary! - is a riotously funny West End sensation that gleefully tears up the rulebook.The Red Shoes - New Adventures / Matthew BourneInspired by Hans Christian Andersen’s dark fairy tale and the legendary 1948 Powell and Pressburger film, The Red Shoes is a five-star triumph and the perfect Christmas theatre treat. Matthew Bourne’s visually sumptuous, emotionally sweeping production explores obsession, ambition, and the intoxicating cost of artistic perfection. We delve into the fascinating history behind the story, the revolutionary impact of the original film, and the legacy of Bourne and his company New Adventures — whose bold, narrative-driven approach has transformed dance theatre and brought new audiences flocking to ballet for decades.Oh Mary! - West EndFrom festive spectacle to feral farce, Oh Mary! is riotously funny, gloriously unhinged, and gleefully inaccurate. A cult New York hit turned Tony-winning Broadway smash, this West End transfer delivers relentless laughs under Sam Pinkleton’s razor-sharp direction, with Cole Escola’s anarchic writing skewering power, ego, and historical mythmaking. We discuss the play’s journey to the West End, its awards success, and why this fearless, five-star comedy has become one of the most talked-about nights out in town — all completely spoiler-free. Hosted on Acast. See acast.com/privacy for more information.

Today on the podcast, Darren is joined by trailblazing drag artist, actor and cabaret star Victoria Scone - a performer who made herstory on RuPaul’s Drag Race UK and went on to wow audiences internationally on Canada’s Drag Race: Canada vs the World. From redefining drag on screen to commanding stages across the UK, Victoria’s career is a joyful collision of theatre, comedy, music and fearless self-expression.Currently, Victoria is bringing full dame energy to the festive season as Dame Trott in Jack and the Beanstalk at the King’s Head Theatre, and in this chat she dives into the glorious tradition of panto, the art of playing a dame, audience chaos, and why drag and panto are such perfect bedfellows.The conversation also spans Victoria’s wider stage career. Along the way, Victoria talks cabaret, comedy, music, and creating new work - including sold-out solo shows Jam Packed.It’s a funny, generous and insightful conversation about performance, visibility, tradition, and carving out a career on your own terms - with plenty of laughs, warmth, and a little festive mischief along the way. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three strikingly different productions - each asking big questions about love, belief, bravery and connection - from intimate relationship drama to festive comedy and razor-sharp contemporary writing. Daniel’s Husband, Gawain and the Green Knight and Most Favoured with backstage chat with actor Alexander Arnold.Daniel’s Husband – Marylebone TheatreDaniel and Mitchell appear to have it all: successful careers, a beautifully curated home, devoted friends, and a deep love for one another. But when an unexpected crisis threatens their future, their relationship is pushed to its limits. Tender, intelligent and quietly devastating, Daniel’s Husband is an unflinching exploration of love, morality and where our strongest convictions truly live - in our hearts, or in our minds.Gawain and the Green Knight – Park TheatreFrom the comedy writers behind The Nag’s Head and Sniff, this riotous reinvention of the classic legend swaps medieval castles for corporate Camelot. Meet Gawain: an office everyman hoping for a promotion and the courage to ask out his crush - until a mysterious green figure crashes the Christmas party and launches him into a quest of temptation, danger and destiny. Expect laugh-out-loud comedy, multi-rolling madness, festive chaos and heroic silliness in equal measure.Most Favoured – Soho TheatreFrom award-winning playwright David Ireland (The Fifth Step, Cyprus Avenue), this sharp, funny and unexpectedly profound two-hander stars Lauren Lyle and Alexander Arnold. After a one-night stand in a Travelodge, Mary and Mike reveal the truths they’ve been hiding - leading to a bold exploration of faith, loneliness and vulnerability, with a twist you won’t see coming. Directed by Max Elton, Most Favoured proves that a short play can still pack a huge emotional punch.Backstage InterviewDarren goes backstage with Alexander Arnold, currently appearing in Most Favoured, to talk about tackling David Ireland’s writing, holding a tight two-hander, navigating that unexpected twist, and why risk, faith and short plays can still leave a lasting impact. Hosted on Acast. See acast.com/privacy for more information.

It’s the most theatrical time of the year, and Theatre Audience Podcast is celebrating the festive season with a Christmas Show Special packed full of pantomime, parody and seasonal spectacle. Darren and Natalie discuss their views on; Beauty and the Beast at Churchill Theatre, Ebony Scrooge at Sadler’s Wells East, The Fit Prince and Jack and the Beanstalk - both at King’s Head Theatre and Cinderella at the Rose Theatre. Beauty and the Beast – Churchill TheatreThis lavish festive spectacular brings fairy-tale magic to Bromley, starring national treasure Su Pollard alongside Samantha Womack. With dazzling sets, big laughs and all the traditional panto ingredients audiences love, Beauty and the Beast delivers festive fun for the whole family, led by two powerhouse performers who know exactly how to work a crowd.Ebony Scrooge – Sadler’s Wells EastA bold, brilliant reimagining of Dickens’ classic, Ebony Scrooge fuses spoken word, music and movement to tell a fresh, culturally resonant version of A Christmas Carol. Set to a vibrant soundtrack and staged with Sadler’s Wells flair, this production offers a soulful, contemporary take on redemption, generosity and community.The Fit Prince – King’s Head TheatreFresh from its Fringe success, this adults-only festive hit delivers outrageous laughs, filthy innuendo and fearless audience interaction. Created by Linus Karp and Joseph Martin, The Fit Prince gleefully dismantles fairy-tale tropes with camp abandon, proving once again that King’s Head Theatre is the home of festive mischief.Cinderella – Rose Theatre, KingstonA sparkling, family-friendly panto packed with heart, humour and high production values. Cinderella at the Rose Theatre delivers classic storytelling with modern wit, bringing magic, romance and plenty of laughs to audiences of all ages in this beautifully staged festive favourite.Jack and the Beanstalk – King’s Head TheatreIslington’s favourite naughty panto returns, starring Victoria Scone as a sensational Dame. Expect filthy jokes, fabulous guest appearances and full-throttle camp chaos in this adults-only version that has become a festive institution in its own right.Join Darren and Natalie as they celebrate the joy, variety and sheer brilliance of Christmas theatre - from family pantos to boundary-pushing festive reinventions - proving there’s truly something for everyone this season. Hosted on Acast. See acast.com/privacy for more information.

In this exclusive backstage-with session, Darren sits down with award-winning composer, producer, and performer John Patrick Elliott. Originally from West Yorkshire, John has done everything from touring across Europe with his project The Little Unsaid to creating live electronic scores for major theatre productions. He won “Best Composer” at the Stage Debut Awards 2022 for his work on Cruise - and he’s also composed for the Royal Shakespeare Company and has a whole catalogue of genre-hopping, boundary pushing music. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three thrilling productions shaking up London’s stages -  from the dark corners of digital desire with Porn Play, to an eternal whodunnit – The Mousetrap and a macabre new comedy with a supernatural twist – The Grim.Porn PlayA sell-out world premiere that’s as provocative as it is powerful. Ambika Mod (One Day, This Is Going to Hurt) stars as Ani, a rising academic whose secret addiction to violent pornography threatens to unravel her entire world. Directed by Josie Rourke (Donmar Warehouse, Bush Theatre) and written by Sophia Chetin-Leuner (This Might Not Be It), this funny, unsettling and fearless new play dives deep into shame, desire and the digital age of intimacy. Featuring Will Close, Lizzy Connolly and Asif Khan, with design by Yimei Zhao and movement by Wayne McGregor.The MousetrapA cultural institution that needs no introduction. Agatha Christie’s legendary The Mousetrap has kept audiences guessing for over 73 years - making it the world’s longest-running play. When seven strangers find themselves snowed in at a countryside guesthouse after a shocking London murder, suspicion turns to panic as they realise the killer might be among them. With twists, secrets and surprises at every turn, this iconic whodunnit remains as gripping as ever. Millions have seen it - have you?The GrimFollowing sell-out runs at the Edinburgh Fringe and Old Red Lion Theatre, Edmund Morris’s (You’re Dead, Mate) spine-tingling dark comedy The Grim lands at Southwark Playhouse. It’s 1964, and undertaker Shaun (played by Morris) is just trying to get through another day with his hapless assistant Robert (Louis Davison). But when the body of notorious gangster Jackie Gallagher (Harry Carter) refuses to stay dead, chaos - and comedy - ensue. A fast-paced, supernatural farce that’s equal parts hilarious and heartfelt. Hosted on Acast. See acast.com/privacy for more information.