264 | Akiva Goldsman (A Beautiful Mind, I Am Legend, Star Trek): Turning Writing Into a Job (and a Life)

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so Meg was already a fan of Jeff Hiller from his Emmy-winning performance in SOMEBODY SOMEWHERE, but after listening to his moving and hilarious memoir Actress of a Certain Age, she fell completely in love with his honesty, humor, and heart. She knew she had to have him on the show — and we were deeply honored when he said yes, fresh off his big Emmy win. In this conversation, Jeff opens up about the myth of the “big break,” finding your authentic voice, navigating rejection with grace, and why it’s never too late to chase your dreams. Check out Jeff's memoir HERE: goodreads.com/book/show/220902134-actress-of-a-certain-age Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so This week, we’re joined by Maggie Kang and Chris Appelhans, the writer-directors of KPOP DEMON HUNTERS, to unpack the craft behind one of the year's biggest movies. From finding the emotional core of their story to shaping "Golden" into a late-breaking "I Want" song, Maggie and Chris share how they balanced friendship, romance, comedy, worldbuilding, and music all in one movie. We also dive into the messy joy of writing in editorial, why tiny character moments like "Couch, Couch, Couch" carry so much weight, and how specificity in both music and story can unlock something universal. Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so We’re thrilled to welcome Oscar-winner Akiva Goldsman for a masterclass on making writing sustainable. For Akiva, the real “tragedy” is living in the anxious space between drafts. His cure? Treat writing like a job: set hours, clock out, and commit to the work.Akiva unpacks his process – why a first draft should feel like seduction, why knowing the ending matters, and the simple litmus test he applies to every scene: What do you want the audience to feel? We also explore his approach to dialogue that truly listens, “smuggling” personal truth into adaptations, and his no-nonsense stance on writer’s block: just lay more bricks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out our premium TSL WORKSHOPS program here: https://tslworkshops.circle.so STORY ENGINE. Two words we so often dread, but let's be honest: the engine of your story is what POWERS your movie. It's make, or break. And today, we break down eight elements to test whether or not you are on your way to a feature film story engine that will take you from fade in, to fade out! Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to make a celebrity-free, microbudget feature and premiere at one of the most competitive festivals in the world? Filmmaker and No Film School podcast host GG Hawkins joins Jeff to share how she turned a family house in Panama, a tiny team, and a three-month timeline into I REALLY LOVE MY HUSBAND, a breakout SXSW premiere with no celebrity attachments. They break down every stage of the journey: Writing a script around what you already have Casting for chemistry Financing in waves while production is underway Festival strategy and PR on a shoestring Why specificity and “weirdness” can be your biggest assets Whether you’re a filmmaker planning your first feature, or just curious how indie films actually get made, this episode pulls back the curtain on what it really takes to crack SXSW. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join TSL Workshops: https://tslworkshops.circle.so In this episode, Meg sits down with writer, actor, and filmmaker Eva Victor to discuss their debut feature, SORRY, BABY — a darkly funny, deeply personal story about friendship, trauma, and hope. They dig into how to make a personal story feel truly cinematic, both in the writing process and on set. Eva also opens up about their determination to depict trauma without leaning on “misery porn,” instead highlighting the healing, humor, and humanity that can surround pain. Thanks to Eva for an openhearted conversation that reminds us why we tell stories in the first place. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join TSL Workshops: tslworkshops.circle.so Every writer dreams of getting their script into the right hands — but what actually makes a producer want to fight for your project? This week, Jeff sits down with powerhouse indie producer Julie Waters (Watermark Media), fresh off producing OH, HI! — one of the few films sold at Sundance this year and now playing in theaters. Julie not only shares what makes a script feel undeniable, but also demystifies the real roles of networks, studios, production companies, and producers. She breaks down who’s really buying, who’s paying, and who you’re actually pitching when you walk into the room. If you’re trying to figure out how to move from “great script” to “must-make project” — and want a clear map of how the business truly works — this episode is for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so In this episode, Meg and Lorien sit down with Kaz Firpo (Marvel’s ETERNALS, RUIN) to talk about the timeless craft lessons that make a great screenplay. From writing scenes that still land without sound, to creating emotional clarity on the page, Kaz shares why subtext is the secret engine of great dialogue, and why every character’s want and need should always be at odds. Whether you’re on draft one or draft fifteen, this conversation will help you sharpen your scenes, clarify your characters, and trust your instincts as a writer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join TSL Workshops: https://tslworkshops.circle.so In this episode, Meg and Lorien dive into a messy, magical stage of screenwriting: the barf draft — your first unfiltered pass at a script. They share how to tackle chaos on the page, whether your draft is too long, too short, tonally inconsistent (hello, surprise aliens!), or just plain confusing. You’ll learn how to shift from “fixing” to discovering, reverse-outline what you actually wrote, and surface what excites you most. Along the way, they cover structure, character agency, stakes, and the emotional rollercoaster of writing — including why finishing (even a disaster) is worth celebrating. Whether it’s your first draft or fifteenth, this episode will help you find clarity, confidence, and momentum. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join TSL Workshops: https://tslworkshops.circle.so Costume designer turned writer/director Courtney Hoffman has worked on some truly iconic films (THE HATEFUL EIGHT, BABY DRIVER) and beloved indies (CAPTAIN FANTASTIC, THE BOY NEXT DOOR). These experiences have profoundly shaped how she approaches storytelling, especially now that she’s writing and directing projects starring the likes of Laura Dern and Kaitlyn Dever. In this episode, Courtney shares what writers should (and shouldn’t) include in their scripts when it comes to wardrobe, how costume can deepen character, and how different departments will interpret your work if it gets greenlit for production. Learn more about your ad choices. Visit megaphone.fm/adchoices