62 – “The Aesthetic Importance of Workmanship, and its Future” Pye Ch 11

In this new episode of the podcast, Joshua and Mike talk about the proverbial practice of making hay while the sun is shining – as soon as the days start to get longer in the Maine spring, it’s time to get to work. They discuss the “House by Hand” 1821 Cape house restoration project and all the progress that has been made since the start of the year, with the goal of getting the Klein family moved into a somewhat completed building by winter. But how “finished” is finished enough? And what does the previous history of this house teach us about the iterative process of living in a structure while working on it? Drawing from Nevan Carling’s upcoming Issue Seventeen article, the guys make the argument that an old house is an indispensable article of material culture, and that preserving and living in it is a way of conversing with, and learning from, the past.

In this new episode, the guys talk with woodworker and author Andy Glenn, whose new book Backwoods Chairmakers: In Search of the Appalachian Chairmaker was published by Lost Art Press. If you’re interested in handmade and vernacular furniture, this new title should be on the top of your list. Glenn covers, not only the nuts-and-bolts discussions about building these chairs, but also an intimate glimpse into the lives of these makers still actively selling chairs today.

Not everything in life needs to be “set it and forget it.” There are all sorts of things that we would do well to tend to – to care for – to pay attention to. In this episode, Joshua and Mike discuss the value of maintaining the stuff of our lives. Rather than consider it a burden that ought to be overcome, the guys argue that there is something inherently valuable in the practice of tending. Whether it’s seasonally adjusting shifting doors, maintaining old wooden windows, or repairing your own vehicles, the act of maintenance is an act of participation, rather than consumption. This podcast conversation is a call to challenge yourself to undertake things you’ve never done before, because in so doing, you may find that the more you faithfully pay attention to, the more you will grow – not to mention, the more you might learn to appreciate and enjoy the mundane details of life.

John Ruskin once said, “Fine art is that in which the hand, the head, and the heart of man go together.” In this episode, Joshua and Mike discuss the brand-new “Mechanical Arts Program” that they’ve launched in partnership with Greystone Theological Institute. Inspired by 12th-century theologian Hugh of Saint Victor, their aim is to help thoughtful learners reintegrate the work of the head with the work of the hands. The guys take this episode to discuss the first class held in their Maine woodshop this October.

This episode was recorded on the road back in September, and in it Joshua, Mike, and Eden explain the various ways they’ve sourced lumber in rural Maine. As a from-the-hip recording, this conversation traverses quite a varied terrain – from the house project status to purchasing lumber in unconventional ways to the damage solar farms have done to the state of Maine. Buckle up – this one’s taking you places you never thought you’d go.

In this episode, Joshua and Mike reflect on their time at Handworks, quite possibly the single most significant hand-tool woodworking event in the world. Part travelogue, part update, part rumination, this episode traverses a range of topics. If you weren’t there, you really missed out.

Our metaphors matter. When we are in the throes of a busy schedule, our culture encourages us to “crank it out” in order that we might emulate the hard worker who remains steadfast “like a machine”. We are encouraged to “recharge” with enough sleep and “fuel up” with caloric intake only so that we can be all the more efficient the next day. The problem with this metaphor is obvious: We are, in fact, not machines. Embodied creaturely life is organic, not mechanical. In this episode, Joshua and Mike remind us that our work should be aiming for “fruitfulness”, not efficiency, because all good work has latent within it the seeds of further fruit.

In this final episode of their tour through David Pye’s The Nature and Art of Workmanship, Joshua and Mike bring up several of their critiques of Pye’s thought. As helpful and insightful as he was, the guys both are left feeling like something was missing. See how this book comes up short of a full-orbed, holistic discussion of workmanship and it’s enduring value in a technological age.

Joshua and Mike have finally arrived at the final chapter of David Pye’s The Nature and Art of Workmanship, and it has been quite a ride. What did Pye see as the future of craftsmanship from his vantage point in 1968? Was he right? Is his assessment still valid in 2023? Listen in to this final installment to find out.

“Handmade” does not mean “shoddy.” This latest episode of the David Pye mini-series tackles chapter 10 of The Nature and Art of Workmanship in which Pye takes John Ruskin to task for his sloppy reasoning about workmanship. Pye’s motivation in writing his book was to critique the “illegitimate extensions” of Ruskin’s ideas about art and pleasure in work. He believed that a more precise analysis would clear up this muddy thinking so that the crafts could be recovered and dignified once again.