Mo Welch’s ‘Dad Jokes’ + Is ‘The Bear’ a Comedy?!?

Mo Welch spent years trying to make jokes about the father who abused her mother and abandoned her family funny without totally bumming out her audience. Now, she has perfected the art of the extremely dark “dad joke” in her new stand-up special-slash-documentary ‘Dad Jokes.’ In this episode, Welch talks about how terrifying it was to come face-to-face with her father for the first time in 20 years after he went to prison for stealing TVs and how she managed to thread the needle of turning that trauma into comedy on stage. She also reveals what she has learned about comedy from collaborators (and previous Last Laugh guests) Anthony Jeselnik and Beth Stelling and tells the story of how she dropped her microphone in a toilet seconds before her late-night stand-up debut on ‘Conan.’But first, Allegra Frank joins Matt for her final appearance on the podcast to wrap up their discussion about the big comedy categories at this year’s Emmy Awards, including what to expect from ‘The Bear,’ ‘Hacks,’ ‘Curb Your Enthusiasm’ and more. Stream Mo Welch’s ‘Dad Jokes’ on YouTubeFollow Mo Welch on Instagram @momowelchFollow Matt Wilstein on Threads @mattwilsteinFollow Allegra Frank on Twitter @LegsFrankFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

As a mainstay at New York’s prestigious Comedy Cellar for many years, Keith Robinson has long been the definition of a comedian’s comedian. But it wasn’t until he suffered two debilitating strokes over the course of four years that he finally landed his first hour-long special on Netflix. In this episode, Robinson talks about how managed to get back on stage so quickly after his first stroke (against medical advice) and how he was able to find so many cathartic laughs in what has otherwise been a truly terrifying experience. He also discusses how he felt about the standing ovation that opens his special ‘Different Strokes’—especially with so many comedian friends in the room—and looks back at the chaotic early days of his career, including stories about working with Wanda Sykes, Amy Schumer, Chris Rock and more.But first, Matt and Allegra break down the Variety Talk Series category at the Emmys, including new entrants ‘Hot Ones’ and ‘John Mulaney Presents: Everybody’s in LA.’Follow Keith Robinson on Twitter @1keithrobinson and Instagram @keithrobinson438Follow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

It’s been nearly a year since John Early released his first stand-up special, Max’s ‘Now More Than Ever.’ But it’s only now that he’s gotten the chance to talk about the go-for-broke special in-depth, with any chance at promotion waylaid by last summer and fall’s back-to-back strikes. And the comedian, best known for his work on ‘Search Party,’ ‘30 Rock,’ and with collaborator Kate Berlant, is relishing his overdue moment in the spotlight. In this episode of The Last Laugh podcast—Early’s second appearance on the show, following his 2022 visit with Berlant—he opens up about the genesis of his Emmys category-breaking special, including how he sees himself as less in step with his fellow campaigning comics and more in the mold of performers like Bette Midler.Plus, Matt and Allegra take a look at John Early’s Emmy competition in the Outstanding Variety Special (Pre-recorded) category and share their thoughts on who else deserves some love over the same old contenders.Follow John Early on Twitter @bejohnce and Instagram @bejohnceFollow Matt Wilstein on Threads @mattwilsteinFollow Allegra Frank on Twitter @LegsFrankFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

It’s been more than three decades since Wanda Sykes first stepped onto the stand-up stage. And sometimes, it feels like she’s just now getting her due. This past year, the legendary comedian received her first-ever Grammy nomination for her latest Netflix special ‘I’m an Entertainer,’ which also landed nods at the Emmys and Golden Globes. The hard-hitting hour takes on many of the most divisive topics of the year without pandering to either side or ever punching down. “It’s just noise. And I like to try to cut through that,” she says of the way her comedy reacts to the broader political conversation. In this episode, Sykes takes on everything from the problem with Dave Chappelle’s anti-trans jokes to why she was shocked Will Smith didn’t get dragged out of the Oscars for slapping her friend Chris Rock to what Joe Biden has to do to win back Black men in 2024 to how she thinks about her place in the comedy pantheon and a lot more. This episode was originally published on December 20th, 2023.Follow Wanda Sykes on Twitter @iamwandasykes and Instagram @iamwandasykesFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Since first getting what she thought was her big break on ‘Last Comic Standing’ almost 15 years ago, comedian Rachel Feinstein has been waiting for something to come along and help her achieve the next level of success. “By the time this comes, I’m going to be a star,” Feinstein says. “Hopefully after this interview, I’ll at least get a Clorox commercial or something.” In this episode, recorded just after she taped her latest ‘Tonight Show’ appearance and right before her debut Netflix special ‘Big Guy’ premiered, Feinstein reveals that she may never have gotten this breakthrough moment in her career had she not done the one thing that “scared” her the most: getting married to the New York firefighter husband she spends much of her special mocking and then having a daughter. She also shares stories about mentoring Lil Jon in stand-up comedy on Donald Trump’s ‘The Apprentice,’ roasting Gilbert Gottfried’s Hitler as Anne Frank on Netflix’s ‘Historical Roasts,’ and more. Plus, Matt and Allegra break down what makes ‘Hacks’ the only funny comedy series on TV right now—and why Shane Gillis’ ‘Tires’ on Netflix is the exact opposite.Follow Rachel Feinstein on Twitter @RachelFeinstein and Instagram @rachelfeinstein_Follow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

With his delightfully silly roles on shows like ‘The League,’ ‘Veep,’ ‘The Good Place’ and many others, comedian Paul Scheer has always projected a sense of unencumbered fun. That’s partly why, as he explains in both his new memoir ‘Joyful Recollections of Trauma’ and on this episode, he was so hesitant to reveal the very real pain that dominated much of his childhood. Scheer talks about how comedy helped rescue him from the violently abusive household in which he was raised and has continued to be an essential part of his life as he raises children of his own. He also tells some unbelievable stories about his bizarre run-ins with celebrities like Christopher Walken and Bill Cosby, describes the unique experience of improvising opposite Larry David on ‘Curb Your Enthusiasm’ and explains how he was able to emotionally move past a whopping four unsuccessful auditions for ‘Saturday Night Live.’ Buy ‘Joyful Recollections of Trauma’ by Paul Scheer on AmazonFollow Paul Scheer on Twitter @paulscheer and Instagram @paulscheerFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Live from Netflix Is a Joke Fest in Los Angeles this past week, comedian Mae Martin returns to the podcast to share stories about making out with ‘Ted Lasso’s’ Brett Goldstein on stage, making Jon Stewart laugh on ‘John Mulaney Presents: ‘Everybody’s in LA’ and the exhilarating feeling when a new stand-up bit that kills for the first time. Martin also looks back on the surreal experience of watching their autobiographical show ‘Feel Good’ take off on Netflix at the very start of the pandemic and teases their new narrative series for which they are strongly considering becoming a brunette. And make sure to stick around until the end of the show to hear a very special acoustic performance by Claud. Plus, ‘John Mulaney Presents: ‘Everybody’s in LA’ wildly exceeded our expectations, leading Matt and Allegra to wonder whether we deserve more or should just be happy with the perfect six episodes that streamed during the festival.Follow Mae Martin on Instagram @hooraymaeFollow Claud on Instagram @claud.mp3Follow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

The last time Nikki Glaser was on The Last Laugh podcast, our conversation ended up producing material for her stand-up act. Now, in her return to the show, she apologizes for throwing me “under the bus” before sharing even more unfiltered thoughts about her objections to motherhood, struggles with suicidal thoughts and the very tricky balance between self-censorship and saying something she knows could get her “canceled”—all of which are integral to her latest HBO special ‘Someday You’ll Die.’ The comedian also reveals her approach to roasting Tom Brady at Netflix’s epic live event, explains why she decided to leave it all on the table with her jokes about Ted Cruz, Majorie Taylor Greene and other political figures while guest-hosting ‘Jimmy Kimmel Live’ and shares how she’s feeling about turning 40 next month. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8.Follow Nikki Glaser on Instagram @nikkiglaserFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

The massive, sprawling Netflix Is a Joke Festival kicks off in Los Angeles today and host Matt Wilstein is joined by The Daily Beast’s Allegra Frank and Sean L. McCarthy to preview what comedy fans can expect—including a starry roast of Tom Brady, a live Katt Williams stand-up special, a John Mulaney-hosted late-night show and a lot more. They also delve into how Netflix came to dominate the streaming comedy world—for better and, occasionally, for worse. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8.Follow Matt Wilstein on Threads @mattwilsteinFollow Allegra Frank on Twitter @LegsFrankFollow Sean L. McCarthy on Instagram @thecomicscomicFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Laura Benanti has been nominated for five Tony Awards (with one win) and appeared in dozens of TV shows and movies since making her Broadway debut at 19 years old as Maria in ‘The Sound of Music.’ But as the title of her new solo stage show attests, she still reminds herself on a daily basis that ‘Nobody Cares’ about her many accomplishments. In this episode, Benanti talks about mining her most embarrassing life stories for musical comedy in her new show, which returns to the New York stage and premieres on Audible next month. She also reveals how playing Melania Trump on ‘The Late Show with Stephen Colbert’ finally made people take her “seriously” as a comedic actress and what she thinks is going through the former first lady’s head as her husband stands trial for paying hush money to porn star Stormy Daniels.But first, Matt and Allegra break down Conan O’Brien’s triumphant (or is it?) streaming premiere after his decades-long run on late-night TV with the new travel series ‘Conan O’Brien Must Go’ on Max. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8.Get tickets for Laura Benanti: Nobody Cares at Audible.comFollow Laura Benanti on Instagram @laurabenantiFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.