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Insider Feature: Dior FW26 - This Is Escapism

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Jonathan Anderson’s AW26 show for Dior was one of the most talked about moments of Paris Fashion Week. A glass pavilion built over a fountain in the Tuileries Gardens. A runway across floating lily pads. Water lily motifs on the clothes, on the accessories, on the heels. And an invitation that arrived in the post as a miniature green chair, a tiny replica of the iconic seats found throughout the Tuileries, made by the same company that has been producing the originals since the 1920s.
Before the show started, Anderson said:
"We live in a bizarre moment. This is escapism."
And that sent me somewhere unexpected. To a museum at the edge of those same Tuileries Gardens called the Musée de l’Orangerie. Where Monet’s Water Lilies fill two entire rooms. Eight panels. Each one two metres tall. Monet began painting them in 1914, the same year the First World War started. The battlefields were 50 kilometres from his garden. Close enough to hear the artillery. And he wrote in his diary that he felt ashamed to be thinking about colour and form while so many people were suffering and dying for us.
Then he kept painting anyway.
This episode is about that impulse. About the wars being fought right now and why they touch every single one of us whether we are in Europe, in America, or anywhere else in the world. About what it means to make something beautiful inside all of that. And about why escapism is not ignorance. It is defiance. And right now, it might be one of the most important things we have.


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