The tension in the air whenever Anne and Captain Wentworth are in each other’s presence could be cut with a knife, not that anyone else is paying attention to Anne. All the ladies are enamoured by him and hope that he will pursue a suit for one of them. Alas other men currently pursuing the Musgrove girls are put out at this supposed new competition. Wentworth finally notices Anne, coming to her rescue from the rambunctious actions of her nephew. Why does this affect Anne so?
We hope you enjoyed this episode of Ballarat National Theatre’s adaptation of Jane Austen’s Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.
This episode features the voices of:
Alix Roberts as Anne Elliot
Jack Emond as Captain Frederick Wentworth
Tim Murphy as Admiral Croft
Joanna Lippold as Mrs Croft
Breanna Geer as Mary Musgrove
Emil Freund as Charles Musgrove
Casey Bohan as Louisa Musgrove
Eleanor Golding as Henrietta Musgrove
Barry Kay as Mr Musgrove
Emil Freund as Charles Hayter
This podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson, mastered by Charlie Hughes.
This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians, the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present.
This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes.
Thank you from the director for supporting access to technology that allowed this podcast to be made.
This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.
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