Making Radio History

Video (television, film, the moving image generally) is today’s most popular information medium. Two-thirds of the world’s internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively.  Drawing on decades as an educator, publisher, and producer, MIT’s Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video’s vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium’s continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White’s classic, The Elements of Style, it’s also a highly enjoyable read. Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Data and privacy have emerged as critical issues in our digitally interconnected era, profoundly influencing individual rights, societal norms, and democratic processes. In his book, On Privacy and Technology (Oxford UP, 2025), Daniel Solove provides a compelling exploration of the intersection between evolving technologies and privacy rights. Drawing on insights from law, philosophy, sociology, and communication studies, Solove unpacks the complex ways in which digital innovations challenge traditional notions of privacy and autonomy. The book advances a nuanced argument advocating for a reevaluation of how privacy is conceptualized and protected in an age dominated by data collection, surveillance, and algorithmic governance. In this episode, Daniel Solove discusses how contemporary privacy concerns—ranging from mass surveillance and data breaches to algorithmic bias and digital profiling—can be critically understood and addressed. Grounded in rigorous theoretical analysis, the conversation pushes against the narrative that technological advancement inevitably erodes privacy, instead highlighting strategies and frameworks through which privacy rights can be reclaimed and reinforced in the digital age. This interview was conducted by Shreya Urvashi, a doctoral researcher of sociology and education based in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Peoples & Things host, Lee Vinsel, talks with Lauren Bridges, Assistant Professor of Media Studies at the University of Virginia, about her work on the political, economic, and environmental politics of big data infrastructures. They focus on some of Bridges’ work on the disconnect between the promises made to localities around digital transformation and the realities of data center power demands and other material factors. They also discuss Bridges’ other projects, including “Geographies of Digital Wasting,” a global collaborative project, which Bridges was co-PI on, tracing the global flows and practices of digital wasting throughout the tech supply chain. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

It’s the UConn Popcast, and what impact will AI have on being human in the next decade? Elon University’s Center for Imagining the Digital Future just released a big report on this question, based on a survey of nearly 300 global tech experts. These insiders predict major changes in the very near future to the way we think about work, life, and ourselves. We talked with Lee Rainie, the director of the center and co-author of the report. We also discuss another center report, on the impact of AI on higher education, as well as Lee’s earlier career as a political journalist. Lee has spent decades studying expert opinion on technology - before joining Elon he spent 24 years directing the Pew Research Center’s studies of the internet. Prior to this, Lee was managing editor of U.S. News and World Report. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

It’s a common refrain: AI is neither good nor bad because that depends on how its used. Professor Anita Say Chan begs to differ. Chan is the author of Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future (U California Press, 2025). Chan is Associate Professor in the School of Information Sciences and Department of Media and Cinema Studies at the University of Illinois at Urbana-Champaign, as well as the author of a prior book Networking Peripheries on tech movements among craftwork communities in Peru. In her current book, Chan documents how the Big Data on which AI are trained are based on long-standing data infrastructures—sets of practices, policies, and logics—that remove, imperil, devalue, and actively harm people who refuse to conform to racialized patriarchal power structures and the priorities of surveillance capitalism—most pointedly immigrant, feminist, and low-income communities. Centered mostly in the United States as well as Latin America, Predatory Data shows how the eugenicist data practices of the past now shape our present. But her approach is fundamentally a politics of pluralism. Chan dedicates half of the book to amplifying and praising the small-scale, community-led projects of the past and present—from the legendary Hull House’s data visualizations to community data initiatives in Champaign, Illinois. There is much fuel for political outrage in this book and also fodder for solidarity and hope. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course, “The Politics of AI.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom. email: [email protected] . Student collaborators on this interview were Emma Bufkin, Keyonté Doughty, Natalie Dumm, Lauren Garza, Eden Kim, Michelle Kugel, Kai Lee, Sam Mitike, Hadassah Nehikhuere, Shalini Thinakaran, Logan Walsh, and Wesley Williams. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How do young people use digital platforms? In The Kids are Online: Confronting the Myths and Realities of Young Digital Life (U California Press, 2025), Ysabel Gerrard, a Senior Lecturer in Digital Media and Society at the University of Sheffield explores the understandings and experience of young people as they navigate both the online and offline world. Drawing on a range of sociological, digital and creative methods, the book punctures many myths around young people’s digital lives, showing both the potential as well as the problems of contemporary online spaces. Framed through the idea of the paradoxes of social media for young people, the book’s analysis is insightful and engaging, as well as deeply theoretically informed. The book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding contemporary digital life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Peoples & Things host, Lee Vinsel, talks with Jeremy Braddock, Associate Professor of Literatures in English and Coordinator of the Media Studies Initiative at Cornell University, about his book, Firesign: The Electromagnetic History of Everything as Told on Nine Comedy Albums. The book explores themes of media and technology through nine albums made by Firesign Theatre, an experimental, surrealistic comedy troupe formed in the mid-1960s that created art across several media forms. The theme of “technology” comes into the story in several ways, but the two major ones explored in this episode are that Firesign routinely experimented with new media technologies and that the troupe regularly explored how technologies, especially media technologies, were affecting society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

It’s the UConn Popcast, and we spoke with Duke Law Professor James Boyle about his new book The Line: AI and the Future of Personhood (MIT Press, 2024). We spoke with Boyle about how our legal and moral understandings of personhood are being challenged by advances in AI. We discussed the role of the law, popular culture, tests of sentience, and our capacity for empathy in shaping this urgent debate. James Boyle is William Neal Reynolds Professor of Law at Duke Law School and founder of the Center for the Study of the Public Domain. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener’s Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles in American Quarterly, Radical History Review, Russian Review, Journal of Cinema and Media Studies, Radio Journal, Cultural Studies, Social Media Society, and more.  Elena’s someone I’m always excited to talk to when I see her at conferences and I thought it would be fun talk to her on this podcast. In this episode we discuss some of her research interests including U.S. radio history, audience research, music recommendation and recognition algorithms, and her current book project, which centers on freeform radio station WFMU and the rise of online music.  Toward the end of the episode we talk about Elena’s research strategies as a historian working in the digital age.  And for our Patrons we’ll have Elena’s What’s Good segment, featuring something good to read, listen to, and do. You can join at patreon.com/phantompower.  Today’s show was edited by Nisso Sacha and Mack Hagood.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology