You Can See Everything

Can a documentary reveal the truth about someone who has made a career out of deception? This week on Moving Histories, John, Kim, and Robert explore Nathan Fielder and Lance Oppenheim's You Can See Everything, a provocative documentary about Elizabeth Holmes that blurs the boundaries between observation, performance, and manipulation. From the psychology of corporate fraud to the aesthetics of surveillance and reenactment, we ask whether seeing everything really means understanding anything—and what happens when the filmmaker becomes part of the story.