Akira (1988)

A Sensory Overload of Cyberpunk: Akira Takes Over Neo TokyoWelcome to this episode of The Most Excellent 80s Movies Podcast, where hosts Krissy Lenz and Nathan Blackwell are joined by special guest David Westlake to dive headfirst into Katsuhiro Otomo's groundbreaking 1988 anime masterpiece Akira. Buckle up—this one goes hard from frame one.Neo Tokyo Never Stood a ChanceThe crew tackles one of cinema's most ambitious and visually stunning films—a post-apocalyptic cyberpunk epic that defies easy explanation. Set 30 years after a catastrophic explosion that reshaped Tokyo, Akira follows biker gang leader Kaneda and his friend Tetsuo as they stumble into a military conspiracy involving psychic children, a mysterious godlike force, and power that no human was ever meant to wield.Krissy admits she was completely lost for most of the viewing experience, frantically taking notes and cross-referencing Wikipedia. Yet this confusion becomes part of the film's brilliance—Akira deliberately withholds exposition, letting mystery and ambiguity drive the narrative forward. The hosts wrestle with whether they enjoyed the experience, ultimately concluding that enjoyment isn't quite the right word. Instead, they felt changed by it.Nathan emphasizes that the film's true genius lies in its exploration of unchecked power and human inadequacy. Through Tetsuo's tragic arc—reminiscent of Anakin Skywalker's descent—the film asks a haunting question: what happens when a being with the emotional maturity of an angry teenager suddenly gains godlike abilities? The answer is absolute chaos. The violence is visceral, the destruction is relentless, and the moral landscape is deliberately murky. This isn't a film designed to comfort you; it's designed to challenge and provoke.David, experiencing Akira for the first time, identifies it as a foundational text for anime—a starting point that established countless tropes still used today. He notes how the film's aesthetic choices, from the distinctive art style to the passionate name-calling during intense moments, have become codified anime conventions. The hosts agree that while the character of Kaneda isn't particularly likable (he treats nearly everyone poorly), his cool motorcycle and sense of responsibility create an engaging protagonist despite his flaws.What Makes Akira Essential CinemaVisual Innovation: The animation is a technical revolutionPhilosophical Depth: Genuine philosophical inquiry about human nature, power, and moreMoral Ambiguity: Nearly every character exists in shades of grayGateway to Serious Storytelling: The perfect film for those ready for more challenging, adult narrativesA Masterclass in Trailer Difficulty: How do you sell this movie? The VerdictDavid appreciates the mystery, ambiguity, and groundbreaking artistry while wishing for a more likable lead character beyond his iconic bike and sense of duty. Nathan recognizes this as stunning cinema on an action, writing, and thematic level. While he won't rewatch it as frequently as lighter fare, he calls it the perfect gateway for curious teenagers seeking philosophical, intense storytelling. And Krissy feels genuinely changed by the experience, acknowledging that Akira is now part of her, informing her perspective going forward. This is a film, not just a movie—and one she'd enthusiastically recommend, though she'd warn viewers to put their phones away.Stay Excellent, Downtown MesaWant to catch David and Krissy performing? Visit Neighborhood Comedy Theatre in downtown Mesa. Check out Nathan's filmmaking work, including the feature film The Last Movie Ever Made, at his website. Krissy also co-hosts Gank That Drank, a supernatural drinking game podcast on TruStory FM.Join the CommunityLike what you heard? Become a member to get episodes a week early, ad-free access, and exclusive bonus content—like this episode's discussion of favorite animated films and shows beyond Akira. Rate, review, and subscribe wherever you listen. Tell your friends, your neighbors, and yes—even your local biker gang. Every five-star review helps immensely.Connect with us:Facebook | Instagram | BlueskyFor 80s movie lovers: Have you experienced Akira, and if so—did it blow your mind or confuse you senseless? Drop a comment and let us know what you thought of this cyberpunk classic. ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

A Cosmic Comedy of Questionable ChoicesWelcome to this episode of The Most Excellent 80s Movies Podcast! Hosts Krissy Lenz and Nathan Blackwell are joined by special guest Robert Fata to dive into the 1988 sci-fi rom-com My Stepmother is an Alien, starring Kim Basinger, Dan Aykroyd, and a scene-stealing debut from Alyson Hannigan. When scientist Steve Mills accidentally sends a signal to another galaxy, he inadvertently attracts the attention of gorgeous extraterrestrial Celeste, who arrives on Earth with a mission—and a magical purse named Bag. What follows is a whirlwind of awkward romance, questionable parenting, and enough '80s excess to power a small planet.The trio explores how this film—written by approximately everyone in Hollywood—manages to be simultaneously charming and deeply uncomfortable. Robert, who loved the movie as a child, confronts it with adult eyes and discovers layers of subtext he definitely wasn't picking up on at age seven. Kim Basinger's committed performance shines as she navigates everything from eating cigarette butts at parties to learning about intimacy through instructional videos provided by her alien AI companion. Meanwhile, Dan Aykroyd plays a widowed scientist who somehow seems less concerned about his daughter's emotional wellbeing than about getting remarried within 48 hours of meeting someone.The conversation delves into the film's bizarre pacing, where a three-day romance feels like both a lifetime and five minutes simultaneously. They discuss Alyson Hannigan's powerhouse crying scenes, John Lovitz's relentless commitment to being turned up to 300%, and the film's curious decision to spend entire minutes on sequences that could have been trimmed while rushing through major plot points.The hosts also grapple with how this movie might be viewed through a modern lens—particularly its treatment of relationships, consent, and the uncomfortably enthusiastic daughter who tracks her father's romantic activity like a sports statistician.Additional Highlights:The scientific accuracy (or lack thereof) of brass buttons creating intergalactic signalsKim Basinger's inexplicable obsession with Jimmy Durante as the pinnacle of human achievementWhy pre-pubescent Seth Green was already fully formed Seth GreenThe film's journey from a pitch about "a dark allegory for child abuse" to... whatever this becameRobert's ratings: 10/10 as a child, 6.5/10 as an adult; Nathan's more critical 4.5/10; Krissy agrees with the 6.5Ultimately, the hosts land on My Stepmother is an Alien being an enjoyable, if deeply flawed, time capsule of '80s comedy excess. It's a film that asks the important questions like "What if rom-coms were made exclusively by and for men?" and "How many writers does it take to make a box office bomb?" The answer to both: probably too many.Deep Cut Recommendations: The hosts share their picks for films that echo themes from My Stepmother is an Alien—from the disturbing art film Under the Skin to the Mike Myers comedy So I Married an Axe Murderer, plus the late '80s TV gem Out of This World.Want more? Become a member at trustory.fm/join for early, ad-free episodes and exclusive bonus content!Connect with the show on Facebook, Instagram, and Bluesky. Learn more about the hosts at Neighborhood Comedy Theatre and Squishy Studios.Looking for your next '80s rewatch? What forgotten sci-fi comedies from the decade deserve a second look? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Gymnastics Meets Carnage: Gymkata (1985)Welcome to this episode of The Most Excellent 80s Movies Podcast! Hosts Krissy Lenz and Nathan Blackwell pommel horse their way through one of the most wonderfully absurd action films of the 1980s—Gymkata (1985). Starring real-life Olympic gymnast Kurt Thomas in his feature film debut (and finale), this Cold War curiosity follows a gymnast-martial artist sent on a CIA mission to win "the game" in the fictional country of Parmistan. The prize? The perfect location for a Star Wars satellite defense system. The obstacles? Rope courses, arrow-wielding guards, and an entire village populated by actual asylum patients armed with pitchforks.The hosts dive into the film's bizarre logic, from the conveniently placed pommel horse in a village alley to the princess who somehow knows martial arts despite never mentioning it. They discuss the film's missed opportunities—why didn't they establish the international competitors better? Why does no one ever say "Gymkata" in the actual movie? And most importantly, why does Jonathan's dad get shot with arrows twice? Both Krissy and Nathan agree that while Gymkata delivers entertaining absurdity, it doesn't quite reach the legendary heights of so-bad-it's-great classics like Miami Connection or Ninja III: The Domination. Still, it's a fun ride through 1980s action cheese.Additional Highlights:The film was directed by Robert Clouse, who also directed Enter the Dragon—a sobering career trajectoryKurt Thomas performs genuinely impressive gymnastics throughout, even if the premise is ridiculousThe "game" has confusing rules that even the characters don't seem to understandThe movie ends with a freeze frame and text explaining the satellite placement rather than showingRating: 6.5 pitchforks out of 10—worth a watch with the right expectationsFinal ThoughtsBoth hosts land on a 6.5 rating, agreeing that Gymkata offers solid entertainment without hitting truly bananas territory. It's a honeydew melon of bad movies—pleasant enough but not the fruit you'd choose first. Nathan recommends exploring Neil Breen's filmography, particularly Fateful Findings, for those seeking more ego-driven cinema. Krissy suggests experiencing Universal Studios Halloween Horror Nights for a real-life village-of-crazies adventure.Learn More:Discover more about The Most Excellent 80s Movies Podcast and the TruStory FM network at trustory.fm. Want early, ad-free episodes plus exclusive bonus content? Become a member at trustory.fm/join.Connect With Us on Facebook, Instagram, or BlueskyAbout the Hosts:Krissy Lenz directs at Neighborhood Comedy Theatre in downtown Mesa, Arizona. Nathan Blackwell creates films with Squishy Studios.What's your favorite so-bad-it's-good 80s action movie? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

We're bringing this episode back as Hollywood unveils its reimagining of The Running Man in theatres! While audiences experience this fresh take on Stephen King's dystopian thriller, we thought it was the perfect time to revisit our deep dive into the 1987 Schwarzenegger classic that first brought this dark vision of reality TV to the screen. Whether you're a longtime fan or discovering the original after seeing the new version, join us for this exploration of spandex, explosions, and some of Arnold's most memorable one-liners.Arnold Schwarzenegger Meets Dystopian Game ShowsWelcome to this episode of The Most Excellent 80s Movies Podcast! Join hosts Krissy Lenz and Nathan Blackwell as they tackle The Running Man (1987), Arnold Schwarzenegger's campy dystopian thriller where convicted criminals fight for their lives on America's most popular game show. Set in a totalitarian 2017 where the economy has collapsed and reality TV has become bloodsport, this movie delivers exactly what you'd expect: explosions, terrible one-liners, and an absurd amount of spandex-clad dancers.From Sub-Zero to Plain-ZeroKrissy and Nathan dive deep into the film's bizarre logic, questioning everything from head-exploding collars to the geography of the deadly game arena. They discuss how The Running Man predicted our current era of fake news and manipulated media—making it surprisingly more relevant today than when it was released. The hosts analyze Arnold's performance as Ben Richards, a wrongfully accused helicopter pilot who refuses to massacre civilians and ends up forced into the deadliest game show ever created. They debate whether his character is supposed to be likable (spoiler: he's kind of an a-hole to everyone) and celebrate Richard Dawson's MVP performance as the mustache-twirling villain Damon Killian.The conversation explores the film's kinship with other dystopian classics like RoboCop and Demolition Man, highlighting how it fits into that late-'80s trend of criticizing Reaganomics through sci-fi satire. Nathan and Krissy particularly enjoy dissecting the various "stalkers"—from chainsaw-wielding Buzzsaw to the singing, electrocuting Dynamo—and debate which of Arnold's infamous one-liners actually lands. They also can't help but wonder about the logistics: How do contestants actually win without killing stalkers? Why are the Running Man dancers given so much screen time? And how did the resistance set up headquarters inside the game arena?Additional Thoughts:The movie earns bonus points for "The Justice Department, Entertainment Division" and parody shows like "The Hate Boat" and "Climbing for Dollars"Jesse Ventura's Captain Freedom has the second-biggest character arc in the film (which isn't saying much)The crowd's ability to flip loyalties on a dime strains credibility, even for a ridiculous action movieNathan gives it a 7 out of 10 (but warns first-time viewers will probably rate it lower)The film failed the "Rocket Test"—Krissy's son bailed halfway through his first viewingFinal VerdictBoth hosts agree that The Running Man isn't objectively great, but it's undeniably fun—the kind of movie that gets better with repeat viewings as you embrace the camp. Nathan describes it as a "picante lime potato chip" that you have to get addicted to first. For deep cut recommendations, Nathan suggests Death Race 2000 (1975) as the perfect double feature, while Krissy recommends marathon-watching all four Expendables movies for similar over-the-top action glory.Want more Most Excellent 80s Movies content?Visit TruStory FM to explore The Most Excellent 80s Movies Podcast and other great shows. Members get early, ad-free episodes plus exclusive bonus content—learn more at trustory.fm/join.Connect with the hosts: Check out Krissy at Neighborhood Comedy Theatre and Nathan at Squishy Studios. Follow the show on Facebook, Instagram, and Bluesky.What's your favorite Arnold Schwarzenegger one-liner from The Running Man—or do you think you could write a better pun than "Sub-Zero, more like Plain-Zero"? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Can a Gang of Kids Really Save the World from Classic Monsters?Welcome to this episode of The Most Excellent 80s Movies Podcast, where hosts Krissy Lenz and Nathan Blackwell venture into completely new territory with The Monster Squad (1987)—a film neither had seen before. This nostalgic cult classic brings together Universal's greatest monsters in what should be the ultimate horror crossover, but does it hold up without those rose-tinted glasses of childhood? Join these first-time viewers as they dissect whether the magic works when you're encountering Dracula, Frankenstein's monster, and the Wolfman for the first time as adults.Coming at The Monster Squad cold, both hosts find themselves intrigued by the premise but puzzled by the execution. While the movie looks great and delivers some genuinely fun moments—like Dracula's lightning-rod cane and the mummy's slow-motion chase scenes—they struggle to connect with characters who feel more like archetypes than actual kids. The film's reliance on nostalgia for both 1980s adventure films and classic Universal monsters creates a double-edged sword: those with childhood memories may overlook its flaws, but newcomers are left wondering why the scary German neighbor is so accommodating and where all that dynamite came from. Still, they appreciate the earnest effort and Shane Black's co-writing credits, ultimately landing on a solid 6 out of 10 rating.Additional insights from the discussion:The problematic language choices feel particularly jarring to modern ears, even accounting for 1980s contextFat Kid's pizza-as-weapon moment raises questions about just how sensitive vampires are to garlicThe film's treatment of individual monsters feels uneven, with Wolfman getting a complete arc while the Mummy serves mainly as comic reliefFrankenstein's redemption and the portal mechanics create unexpectedly emotional momentsThe army showing up because of a letter written in crayon perfectly captures the film's toneBoth hosts acknowledge that The Monster Squad clearly resonates with those who grew up watching it, even if it didn't quite capture their adult hearts. The movie delivers on spectacle and has undeniable charm, making it a worthwhile watch for anyone curious about this slice of 1980s monster movie nostalgia.Want more retro movie magic? Visit TruStory FM to explore The Most Excellent 80s Movies Podcast and other great shows. Members get early, ad-free episodes plus exclusive bonus content—learn more at trustory.fm/join.Connect with the hosts: Check out Krissy at Neighborhood Comedy Theatre and Nathan at Squishy Studios. Follow the show on Facebook, Instagram, and Bluesky.What's your favorite 1980s monster movie that deserves a fresh look? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

When Ninjas Ruled the 80s: A Deep Dive into Daytime WarriorsWelcome to this episode of The Most Excellent 80s Movies Podcast. Prepare yourself for a crossover extravaganza as hosts Krissy Lenz and Nathan Blackwell team up with special guest Professor Dustin Morrow from The Long Rewind Podcast to tackle one of the 80s' most inexplicable obsessions—ninjas! This isn't just any ninja discussion; it's a deep exploration of Revenge of the Ninja (1983) and Ninja 3: The Domination (1984), two Canon Films masterpieces that defined the era's fascination with mystical warriors who apparently preferred fighting in broad daylight.The Canon Films Ninja RevolutionThe hosts dive into how Israeli production company Canon Films single-handedly weaponized America's ninja obsession, churning out genre-defining films starring Sho Kosugi—the first Asian actor to headline major American action films. From Salt Lake City doubling as Los Angeles to ninjas scaling palm trees to fight helicopters, these movies redefined what action cinema could be on a shoestring budget. Revenge of the Ninja emerges as the "Citizen Kane of ninja movies," featuring some of the most jaw-dropping stunt work ever captured on film, all accomplished with just a few fearless stunt performers and zero CGI.Possession, Aerobics, and V8 JuiceNinja 3: The Domination takes the conversation into even stranger territory, combining ninja action with Flashdance-inspired aerobics sequences and full-blown demonic possession. Lucinda Dickey's telecom worker/aerobics instructor becomes possessed by an evil ninja spirit, leading to some of the most bewildering cinema of the decade. The hosts explore how this unholy mashup of genres created something uniquely, unforgettably 80s—complete with neon-soaked apartments, Patrick Nagel paintings, and one of cinema's most disturbing love scenes involving tomato juice.Additional Highlights:The mystery of ninja costume storage capacity and infinite weapon suppliesWhy "daytime ninjas" were apparently a legitimate career pathCanon Films' breakneck production schedule that gave us three Lucinda Dickey movies in one yearThe Village People fight sequence that has to be seen to be believedHot tub death scenes as the ultimate 80s ninja execution methodFinal VerdictThe hosts agree these films represent peak 80s absurdity while delivering genuine thrills. Whether you're seeking unintentional comedy (Ninja 3) or surprisingly solid action filmmaking (Revenge of the Ninja), both movies offer essential viewing for understanding how ninjas conquered American pop culture one throwing star at a time.Connect & ExploreCheck out The Long Rewind podcastDiscover more about The Most Excellent 80s Movies Podcast and TruStory FM at trustory.fm. Want early, ad-free episodes plus exclusive bonus content? Join the community at trustory.fm/join.Follow the fun: Facebook | Instagram | BlueskyLearn more about the hosts' creative work: Neighborhood Comedy Theatre | Squishy StudiosWhat's your first memory of discovering ninjas in 80s pop culture? Was it through movies, toys, or those mysterious martial arts supply stores that seemed to exist in every strip mall? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

When Childhood Nostalgia Meets RealityKrissy Lenz and Nathan Blackwell are joined by special guest Jordan Collier to revisit the 1985 spy comedy Spies Like Us, starring Chevy Chase and Dan Aykroyd. What happens when a beloved childhood favorite gets the modern rewatch treatment? Sometimes the results are as bumbling as the protagonists themselves.The Verdict: When Memory Lane Takes a DetourOur hosts discovered that Spies Like Us suffers from an identity crisis—never quite deciding whether it wants to be silly slapstick or serious espionage. While Jordan and Nathan remembered loving the film as kids, their adult viewing revealed a movie that couldn't nail down its tone, leaving characters without clear motivations and comedy that felt more meandering than memorable. The film's training montages and "Doctor! Doctor!" scenes still delivered laughs, but the lack of genuine tension between Chase and Aykroyd's characters left much to be desired.The consensus? Spies Like Us earns a middling 5 to 5.5 missiles out of 10—a film that works better as a nostalgic memory than a current viewing experience. Sometimes childhood classics are best left in the vault of fond recollections.Additional Takeaways:The movie needed a third character to complete the comedic trioChevy Chase's character came across as surprisingly unlikable with modern eyesThe film's tonal shifts from broad comedy to serious nuclear warfare felt jarringDan Aykroyd's spy skills were inconsistent—sometimes brilliant, sometimes bumblingThe Bob Hope cameo represented the kind of absurdist comedy the film needed more ofConnect With the HostsLearn more about this show and the TruStory FM network at trustory.fm. Want early, ad-free episodes plus bonus content? Check out membership options at trustory.fm/join.Follow the podcast: Facebook | Instagram | BlueskySupport the hosts: Neighborhood Comedy Theatre | Squishy StudiosWhat's your take on rewatching childhood favorites? Do they hold up, or are some movies better left as treasured memories? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

When Calculus Meets Heart: Stand and Deliver Gets the Math TreatmentWelcome to this episode of The Most Excellent 80s Movies Podcast! Hosts Krissy Lenz and Nathan Blackwell tackle the 1988 inspirational drama Stand and Deliver, starring Edward James Olmos as real-life teacher Jaime Escalante. This episode dives into whether this classroom classic still holds up or if it's just another case of sitting through endless math problems.The Good, The Bad, and The CalculusThe hosts appreciate Edward James Olmos' committed, Academy Award-nominated performance—he even underwent hair thinning for the role and followed the real teacher around for research. Lou Diamond Phillips also shines as Angel, the charismatic bad boy with hidden depths. However, Krissy and Nathan find themselves wanting more emotional depth and character development. They argue that while the movie succeeds as inspiration, it fails to show the real struggles and motivations that would drive these students to commit so deeply to advanced mathematics.The discussion takes an interesting turn when they question the practicality of teaching calculus versus life skills like tax accounting. They also critique the film's structure, noting that despite being billed as a comedy, it's more of a straightforward drama that keeps viewers at arm's length from the action. The hosts give Stand and Deliver a solid 6 out of 10, appreciating its heart while acknowledging its limitations.Additional Thoughts:The movie should have been called "Sit and Calculate" given how much sitting and math occursMore scenes showing students' home lives and personal struggles would have strengthened the narrativeThe ending needed more follow-up on what happened to these students after passing their AP examsEdward James Olmos deserved the Oscar over Michael Douglas that yearThe film lacks the dramatic tension found in other inspirational teacher moviesFinal VerdictWhile Stand and Deliver remains an earnest tribute to dedicated educators and student potential, the hosts feel it plays things too safe. It's a movie that works better in memory than on rewatch, though Olmos' powerhouse performance still delivers the goods.Ready to join the conversation about your favorite 80s movies? Learn more about The Most Excellent 80s Movies Podcast and get early, ad-free episodes plus bonus content by becoming a member at trustory.fm/join. Connect with the show on Facebook, Instagram, and Bluesky. Check out Nathan's filmmaking at Squishy Studios and catch Krissy live at the Neighborhood Comedy Theatre.What's your take on inspirational teacher movies—do they still motivate you, or do you find them lacking in real-world practicality like our hosts? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

By the Power of Grayskull... This Movie ExistsWelcome to this episode of The Most Excellent 80s Movies Podcast! Hosts Krissy Lenz and Nathan Blackwell are joined by special guests Jordan Collier and Derrick Tesson to tackle the 1987 sci-fi fantasy spectacle Masters of the Universe. What happens when you take beloved toys, add Dolph Lundgren in a furry loincloth, and let Cannon Films work their budget magic? A movie that should have been good but becomes a fascinating study in wasted potential.The Cosmic Key to This DiscussionThe crew dives deep into this He-Man adaptation that somehow makes its titular hero a supporting character in his own movie. While Franklin Langella chews scenery magnificently as Skeletor, delivering Shakespearean gravitas to lines like "Tell me about the loneliness of good, He-Man—is it equal to the loneliness of evil?", the film suffers from an identity crisis. Is it Star Wars? Is it Conan? The answer: it's a Cannon Films production that tries to be both and succeeds at neither.Nathan defends his childhood favorite while acknowledging its flaws, giving it a nostalgic 7 out of 10 cosmic keys. The other hosts are less forgiving, with ratings ranging from 3-6, all agreeing that the movie's biggest sin is having too much plot crammed into its runtime. The discussion reveals how Masters of the Universe exemplifies the late-80s trend of studios trying to manufacture Star Wars-level franchises without understanding what made that saga work.Additional Cosmic Revelations:Gwildor (Billy Barty) somehow became the real protagonist while He-Man watches from the sidelinesDolph Lundgren dubbed his own lines despite not being fluent in English during filmingThe film's budget constraints forced most action to Earth, making it less a He-Man movie and more a sci-fi fish-out-of-water storySkeletor's mask was later recycled for Star Trek: The Next GenerationThe movie features unexpected connections to Friends and Back to the FutureThe Final VerdictDespite universal agreement that the movie fails to live up to its potential, the hosts find entertainment value in its ambitious campiness and Langella's committed villain performance. It's a movie that epitomizes the "so bad it's almost good" category—emphasis on almost.Ready for More 80s Movie Magic?Join the conversation at trustory.fm where members get early, ad-free access plus exclusive bonus content! Connect with us on Facebook, Instagram, and Bluesky.Learn more about our hosts and guests: Squishy Studios and Neighborhood Comedy TheatreWhat's your take on 80s movies that had all the right ingredients but couldn't quite make the recipe work? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Swing for the Fences: A Deep Dive into Bull DurhamWelcome to this episode of The Most Excellent 80s Movies Podcast! Join hosts Krissy Lenz and Nathan Blackwell as they welcome special guest Nate McWhortor—a self-proclaimed superfan—to discuss the 1988 baseball romance Bull Durham. This isn't your typical sports movie; it's a sultry, quotable journey through minor league baseball that explores love, mentorship, and the religion of America's pastime.The Church of BaseballThe hosts dive deep into what makes Bull Durham unique among sports films. Unlike major league fantasies, this movie captures the gritty reality of minor league baseball—from shitty buses to $20,000 salaries. Guest Nate McWhortor brings real-world perspective, having worked for the Montgomery Biscuits after college, inspired by this very film. The discussion reveals how writer-director Ron Shelton's own minor league experience creates authentic moments that resonate with anyone who's lived the unglamorous side of professional sports.The trio explores the film's adult themes and memorable dialogue, from Kevin Costner's gruff wisdom as Crash Davis to Susan Sarandon's Annie Savoy—a poetry-loving baseball groupie who mentors young players. They analyze the unique love triangle that develops and how the film balances romance with genuine baseball storytelling. The conversation touches on everything from the film's hard R rating to its Academy Award nomination for Best Original Screenplay.Key Discussion Points:The authenticity of minor league baseball portrayal and its impact on small communitiesKevin Costner's evolution from leading man to "grumpy Costner" in this breakout roleThe film's adult themes and quotable dialogue that baseball fans still use todayHow Bull Durham differs from other 80s baseball movies like Major League and Field of DreamsThe unique perspective of having a female narrator in a male-dominated sports genreFinal VerdictThe hosts deliver their "garter ratings" with Nate giving his favorite film a perfect 10/10, while Krissy and Nathan both land on a respectable 7/10. Despite some pacing issues in the final act, everyone agrees the film holds up as both a baseball movie and a romance, though they warn it's definitely not for young viewers despite its quotable nature.Connect with the ShowDiscover more episodes and get early, ad-free access plus bonus content by becoming a member at trustory.fm/join. Learn more about the podcast and TruStory FM network at trustory.fm.Follow us: Facebook | Instagram | BlueskySupport our guests: Check out Nathan's films at Squishy Studios and catch both Krissy and Nate performing at Neighborhood Comedy Theatre in Mesa, Arizona.What's your favorite baseball movie quote that you still use in everyday conversation? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.