Brian Jones with Bettina L. Love and Jesse Hagopian: Black History Is for Everyone

In this episode of Library Talks, acclaimed novelist Gish Jen joins Library Talks to discuss her latest book Bad Bad Girl. She is joined by fellow novelist Weike Wang.   Bad Bad Girl began as a memoir of her late mother, Loo Shu-hsin, before evolving into a fictionalized portrait of their turbulent mother-daughter relationship. As a child Shu-hsin learns how little her life is valued as a woman in 1930s Shanghai and is constantly reprimanded, "Bad bad girl! You don't know how to talk!" Years later, struggling to keep her own family together as an expat in America, she finds herself incanting the same refrain to her own strong-willed, outspoken daughter. Spanning continents, generations, and cultures, Bad Bad Girl weaves fragments of memory with careful invention to create an intimate portrait of the complex bonds between mothers and daughters.

In this episode of Library Talks, join Dua Lipa for a live discussion of Flesh by David Szalay, a book club pick for Service95—the global lifestyle platform and weekly newsletter she founded.   Longlisted for the 2025 Booker Prize, Flesh tells the rags-to-riches story of Istvan, a lonely young man raised on a Hungarian housing estate, whose rise from obscurity to success is ultimately derailed by events beyond his control.

In this episode of Library Talks,  Educator NYPL staff member and author Brian Jones joins Library Talks to discuss his new book Black History Is for Everyone. He is joined by Dr. Bettina L. Love and Jesse Hagopian.   In Black History Is for Everyone, Brian Jones offers a meditation on the power of Black history, using his own experiences as a lifelong learner and classroom teacher to question everything—from the radicalism of the American Revolution to the meaning of "race" and "nation."

In this episode of Library Talks , in honor of The New Yorker's 100th anniversary, editor David Remnick is joined by Henry Finder, Tyler Foggatt, Susan Morrison, and Daniel Zalewski for a rare editorial roundtable. They offer an insider's view into how articles are assigned, crafted, and brought to life—from first pitch to final publication—and how the magazine reflects and builds on its storied past.   Presented in conjunction with The New York Public Library's major exhibition A Century of The New Yorker, on view through February 21, 2026, which draws on NYPL's collections, including the magazine's voluminous archives and the papers of many of its contributors, to bring to life the people, stories, and ideas that made The New Yorker.

In this episode of Library Talks, American historian Jill Lepore joins Library Talks to discuss her latest book We the People: A History of the U.S. Constitution. She is joined by constitutional law expert Jamal Greene.   On the eve of the 250th anniversary of the nation's founding, Jill Lepore's We the People reexamines this foundational text not as a static artifact but as a living document shaped—and often stalled—by the will of the people. Drawing on research from the Amendments Project—a searchable archive of all the proposed amendments to the Constitution from 1789 to the present—Lepore traces more than two centuries of attempts, mostly by ordinary Americans, to amend a document designed both to resist change and to permit it through peaceful, democratic means.

In this episode of Library Talks, multidisciplinary artist and theologian, Tricia Hersey joins Library Talks to discuss her latest book We Will Rest!: The Art of Escape. She is joined by Glory Edim, author of Well Read Black Girl.  Tricia Hersey is the founder of The Nap Ministry. She is the global pioneer and originator of the "rest as resistance" and "rest as reparations" frameworks, and collaborates with communities all over the world to create sacred spaces. This talk was recorded as part of the Schomburg Centennial Festival.

In this episode of Library Talks, Author and editor Lauren O'Neill-Butler joins Library Talks to discuss her latest book, The War of Art: A History of Artists' Protest in America.    The War of Art tells the history of artist-led activism and the global political and aesthetic debates of the 1960s to the present. In contrast to the financialized art market and celebrity artists, the book explores the power of collective effort — from protesting to philanthropy, and from wheat pasting to planting a field of wheat.

In this episode of Library Talks, Miriam Toews, the internationally bestselling author of Women Talking and Fight Night discusses writing about her own life in nonfiction for the first time.   Miriam Toews had written nine books, but when the organizer of a literary festival prompted her to answer the question "Why do you write?" Toews found that every attempted response only proved that the question might not be possible to answer. Her new book, A Truce That Is Not Peace, is a memoir of the will to write and a surfacing of new layers of guilt, grief, and futility connected to her sister's suicide. It explores the uneasy pact a writer makes with memory and the silences in her family she struggles to understand.

In this episode of Library Talks,  Research scientist Joshua Miele joins Library Talks to discuss his memoir Connecting Dots: A Blind Life. He is joined by Andrew Leland, author of the memoir The Country of the Blind.   Throughout his life, Miele has found increasingly inventive ways to succeed in a world built for the sighted, and to help others to do the same. At first reluctant to even think of himself as blind, he eventually embraced his blindness and became a committed advocate for disability and accessibility. Connecting Dots delivers a captivating first-person perspective on blindness and disability as incisive as it is entertaining. Joshua Miele's story is one of one ordinary blind life with an indelible impact.

In this episode of Library Talks, award-winning writer and multidisciplinary artist Eloghosa Osunde joins the podcast for a conversation about their new novel Necessary Fiction with the editor of Necessary Fiction Jake Morrissey. Necessary Fiction takes place across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde's characters seek out love for self and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As they work to establish themselves in the city's lively worlds of art, music, entertainment, and creative commerce, we meet their collective and individual attempts to reckon with the necessary fiction they carry for survival.