Calloway: "I Wanna Be Rich" (and have just a little love, peace and happiness)

This one is a special one for Bill. We hope you enjoy our trip through If I Had Words, beginning with Camille Saint-Saëns' (Organ) Symphony No. 3 in 1886 and arriving at the movie "Babe" in 1995.   Yvonne Keeley & Scott Fitzgerald Video James Cromwell Version Mice Version Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review on the podcast provider of your choice, and don’t forget to share our podcast with your friends! We have lots of episodes - stay awhile and listen to some more ;) Our theme music is by the incredibly talented Ian McGlynn.

Only Lionel could lead with "I love you" when finding the girl of his dreams. We discuss why he can pull this off and why "Hello" is so amazing. We also do so much more! Get ready for an emotional ride.  Links: The Number Ones by Tom Briehan The Epic Music Video Singing with Jimmy Fallon Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review on the podcast provider of your choice, and don’t forget to share our podcast with your friends! We have lots of episodes - stay awhile and listen to some more ;) Our theme music is by the incredibly talented Ian McGlynn.

It's refreshing to hear the bold honesty of Calloway. What do they want? They want to be rich! (And also for/full of love, peace, and happiness.) For this episode, we discuss money, lots and lots of money, we explore some incredible categories (the Hallmark movie is back!), and we also dive into the history of Calloway. From what we've learned, they got their wish in the end. Links:   Official Video In Living Color Version New Version Flute Edit Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our platonic love theme music is by the incredibly talented Ian McGlynn.

We’ve never tried this before, but we’re going for it: today’s song is an instrumental. We kept a slight safety net, since a version with lyrics does exist, but the 'Love Theme from St. Elmo’s Fire' is best known for the way its keys, synths, and sax evoke their own kind of poetry. Join us for a journey involving dewy meadows, aggressive unicorns, and ski movie villains. Buckle up, friends. Link:  Promotional Video Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our platonic love theme music is by the incredibly talented Ian McGlynn.

Dave Kitchen brings us what he feels to be a "quintessential guilt-free pleasure." Joe Jackson's "Steppin' Out" is undeniably of its time, but what a glorious time that was. We discuss the backstory of the song as well give a close reading of its lyrics. We also discuss the New York City of 1982, which is nearly a world away from the NYC of today. Be prepared to be transported back to another time as we step out into the night! Links: Music Video Live version with original drum machine Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our theme music is by the incredibly talented Ian McGlynn.

This is a big moment for Frank - he's been wanting to do Lou Bega's giant signature tune for a long time. Bill isn't nearly as enthused, but this is not Hate Month, and so it's time to let a little bit of Angela, Pamela, Sandra, Rita, Monica, Erica, Tina, Sandra, Mary, and Jessica into our lives. Ladies and gentleman: here is our episode on "Mambo No. 5!" Link: Official Video Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our theme music is by the incredibly talented Ian McGlynn.

We're very excited to have The Julies back as guests! "Hold Me Now" suits both the aesthetic of our show as well as the taste of our friends. Beyond exploring the musical layers of the Thompson Twins' biggest hit, we unpack the memories tied to the track: namely, Frank's childhood longing for his babysitter.  The Julies have a great new album out. You can find and buy Cherisher here and stream it on whatever service you use. Follow the Julies on Instagram or Facebook! More helpful links: Hold Me Now official video Hold Me Now Live Aid performance The Julies' Summermouth on youtube Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Today's special theme music is by The Julies.

While often remembered as a catchy novelty track, Was (Not Was)’s “Walk the Dinosaur” is actually about our own imminent extinction through nuclear annihilation. Who knew the song would continue to be relevant almost forty years after its release? We trace the band’s humble beginnings in Michigan to their surprising success throughout the 80s, with guest vocalists that included Leonard Cohen, Ozzy Osbourne, Madonna, Frank Sinatra Jr. and Kim Basinger (!). For us, and maybe to the chagrin of the Was brothers, we believe the highlight of it all is this way smarter-than-people-realize hit whose video was continuously on our TV sets in 1989.   Links Music Video Frank Sinatra Jr Performance Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our theme music is by the incredibly talented Ian McGlynn.  

Mick Hucknall may be a polarising figure in the British media (well, I guess it mostly is only the "hate" pole), but how can anyone deny the power of "Holding Back the Years"? It's a song birthed in a stream of consciousness writing exercise but steeped in a history of childhood sadness. We discuss our own sadness, give a deep analysis of the song and video, and we also discuss why we refuse to pair a wine with this Simply Red. Links: Official Video Frantic Elevators version Simply Red Live from Santiago Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our theme music is by the incredibly talented Ian McGlynn.

Today, we dive into Dan Hill’s 1977 mega-ballad, "Sometimes When We Touch." Often labeled the ultimate "weeper," this track explores themes of masculine fragility and raw vulnerability. These concepts commonplace today but groundbreaking for the late 1970s. We discuss how a 19-year-old Hill penned these intense lyrics to compete for the affection of a polyamorous woman who was simultaneously dating a professional football player and a photographer. We also examine the song's unlikely collaboration with songwriter Barry Mann, which helped propel the track to number three on the Billboard Hot 100 during a week otherwise dominated by the Bee Gees. From death-defying encounters involving a gun in the Bahamas to a hostage-like bowling incident, we explore how Hill endured his "albatross" until he recognized it as an open door to a world of opportunities. Join us as we analyze the lyrics and determine if this polarizing hit is truly a guilt-free pleasure or simply "too effing intense" for the average listener! 1970s video 1990s video SCTV "High Q" Sketch Thank you for listening! Connect with us on Instagram, Facebook, etc., or send us an email at [email protected]! We’d love your feedback—please rate and review, and don’t forget to share our podcast with your friends! Our theme music is by the incredibly talented Ian McGlynn.