David Wilcox Can Heal Your Heart in Two Minutes, ep. 329

Asheville-based songwriter David Wilcox has been through some s-h-i-t. A difficult childhood in Northeast Ohio sent him seeking answers – mostly on his bicycle – in an attempt to get away. He has spent his lifetime leaning into his problems and digging into their roots at the source: his own heart. He decided to see what lessons his heart had been trying to teach him and, at 67 years old, he's still listening and learning. He claims to have the answer of how to heal your heart and how to do it in two minutes; he lays it out in our conversation.We also talk about his new album, 'The Way I Tell the Story,' which continues his exploratory journey through the lens of his wife's Parkinson's diagnosis, retelling the story of his childhood, and staying calm in an emergency and in the aftermath of Hurricane Helene, which has devastated his community. We discuss how David was able to walk the line of acknowledging his talents without getting too caught up in the hot-and-fast success he experienced at the start of his career. He explains when it's best to feel the depths of sorrow versus disassociate and he talks about his lifelong love of cycling and how it continues to be a meditation and a life-saver. David is full of gems and wisdom – I think I'll be listening back to this edition of Basic Folk many times over.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Kathleen Edwards claims that she's now a pretty frequent crier after not crying for the first 30 years of her life. One reason for this change is the connectedness she has been feeling since leaving music and starting her coffee shop, Quitters. In our Basic Folk conversation, Edwards tears up talking about the cover of her new album 'Billionaire,' which was shot by a former Quitters employee, Riley. Riley – along with a fellow employee Amanda – traveled to Nashville in 2019 to watch Kathleen perform. The event was a pinnacle moment in her adult life, especially since, sadly, Amanda has since passed away.Kathleen also discusses her folk music roots, which began during her days at a bucolic childhood summer camp where her counselor suggested that she could make a career out of writing and performing songs. She gives a hat tip to Ani DiFranco, who she cites as a major influence musically and personally. Through Ani's example, she learned that success in the music business meant being self-reliant.Edwards talks about overcoming clinical depression, her decision to take a hiatus from music to open Quitters cafe, and how that period impacted her life and career. She delves into the making of the new album, highlighting the contributions of Jason Isbell and other collaborators to the project. Throughout our chat, Kathleen emphasizes the importance of authenticity, self-reliance, and the role of humor and vulnerability in her music – and life.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Legendary Massachusetts-born, California-based musician Peter Rowan is best known for his bluegrass roots. A practicing Buddhist, he did time in Bill Monroe's Blue Grass Boys as well as in the short-lived and epically important Old & In the Way with Jerry Garcia and David Grisman. However, his latest album 'Tales of the Free Mexican Airforce' celebrates the music of the Southwest and draws a throughline from Tex-Mex to bluegrass. Rowan has a long history with this music from his very first solo record, which includes the original recording of "The Free Mexican Airforce" as well as "Midnight-Moonlight." Both of those classic Rowan compositions got re-recorded for the new record and feature the late great Flaco Jiménez (as did the original 1978 recordings), who just passed away in July of 2025.In our Basic Folk conversation, we talk about Flaco's enthusiasm for Peter's music, the many collaborations they recorded. and why he included a recording of Flaco speaking on the album. Peter speaks about how immigrants and musical culture from Latin America are constantly inspiring him and keeping him patriotic. He also spoke about what keeps him aging well, what his energy and enthusiasm look like at 83 years old, and, of course, Bill Monroe's baseball team.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

This time on Basic Folk, we are checking in with country singer-songwriter and Color Me Country radio host Rissi Palmer and Americana country artist Miko Marks. The two close friends both came up as Black women in country music in the early part of the 21st century where they experienced gatekeepers and discrimination in the industry, but undeniable love from listeners. Both stepped away from music for several years, but have since come back and found their audiences, artistic grooves, and industry independence. We last spoke with the pair in 2023 (you gotta go listen to that convo if ya missed it!) and have wanted them back on ever since!Rissi and Miko dive into who they think is making waves and positive change in country and Americana. We talk about rising pop-country singer Adell Tanner and her 2023 hit "Buckle Bunny," a song that's clearly written for a different kind of country music fan (read: young Black women). Rissi mentions having Mississippi country sensation KIRBY on her show recently and promises her upcoming 'Miss Black America' to be a monster of an album. There was a lot of consensus on the podcast that Madeline Edwards has released the best album of 2025 with her record 'Fruit,' where she digs into the extreme grief and extreme joy she experienced after her brother passed away.Elsewhere, we also touch on the pair's experiences at Rhiannon Giddens' inaugural Biscuits & Banjos fest in Durham earlier this year, an event dedicated to reclamation and exploration of Black music. We talk about Alice Randall's new compilation, 'My Black Country - The Songs of Alice Randall,' a collection of Randall compositions recorded by Black women – including selections performed by both Miko and Rissi. We talk about audiences in London versus the US, a contrast BF co-host Lizzie as well as Rissi and Miko have experienced first hand. In fact, Rissi has been curating a Color Me Country stage at The Long Road Festival in Leicestershire, England for the past four years. We hope you learn something new, get some insight into what's happening in Americana for musicians who are Black, and gain some joy from listening to Rissi and Miko's hilarious banter.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Maya de Vitry, Ethan Jodziewicz, Joel Timmons, and Shelby Means are on Basic Folk today talking about their new collaborations. Maya produced both Shelby and Joel's debut solo albums this year; Joel and Ethan play in Maya's band; and the two couples (Joel & Shelby are married and Ethan & Maya are partners) are all very close friends. They met in Nashville, where Maya & Ethan still live, while Joel & Shelby live in Charleston. Joel talks about the huge gesture Shelby made in leaving Nashville behind for his hometown of Charleston. He also talks about the elated feeling they both got when Shelby, who also used to tour with Della Mae, got the chance to play upright as a member of Molly Tuttle & Golden Highway.Big themes of this friend group include trust, lifting each other up, and being one another's "vibe coaches." In our conversation we talk about choosing love, connecting with your music friends in non-musical ways, and, of course, the most epic hair in Americana: Joel Timmons and his mullet. The group shares insights on how they are still close and able to connect and spend time with each other despite the distance. Short flights and drives are worth it when you've got friends like this.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Bob Dylan once called Paul Brady a "secret hero" and meant it as a compliment. The Irish songwriting legend has not been bothered by the fact that his profile has not risen as high as some of his peers. Starting off in the world of traditional Irish music, Brady spent time in the hugely influential Irish group Planxty until they disbanded in 1975. After that, he and bandmate Andy Irvine recorded a record of trad music together. In 1981, he released an album of original songs titled 'Hard Station,' that was based on his experience of growing up during The Troubles in Northern Ireland. It was a huge left turn for him stylistically and in being so personal with his writing. After that, Brady's songwriting career took off; he has written songs for Bonnie Raitt, Santana, Tina Turner, and many others.In our Basic Folk conversation, he reflects on his upbringing and how music served as his reliable companion. He also discusses his parents' artistic influences, particularly his father's passion for acting and how it shaped his own stage performances. We touch on themes of perfectionism, imposter syndrome, and the inherent pressures of the music industry. Additionally, Paul talks about his latest massive box set, 'The Archive,' which features rare demos, live recordings, and unique collaborations, offering a comprehensive look at his extensive body of work.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Originally from northern Minnesota, Joe K. Walsh grew up in Duluth and became enthralled with the mandolin (his primary focus, currently) after hearing the first David Grisman Quintet record. His dad got the young Joe his own mando. He ended up getting very serious about the instrument and found himself studying at Berklee College of Music in Boston (where he is now on faculty in the string department). Joe, in fact, was THE FIRST mandolin student at Berklee in a town that is now flooded with amazing mandolin players. His already strong sense of community and collaboration led him to becoming a main player in the Boston scene with his string band Joy Kills Sorrow and the Gibson Brothers. He now resides in Portland, Maine and plays solo as well as with Mr. Sun, a group led by fiddler Darol Anger.In our conversation, we talk about taking over at Berklee after the death of professor John McGann, a beloved Boston trad player who recorded with David Grisman, Mark O’Connor, Tim O’Brien, and the Boston Pops, among others. Joe addresses the question of whether bringing folk music into a college setting is "academizing" it or perhaps “folking” music academia. Also he gets into hot button issues like improv, simplicity, and restraint. And, of course, he finally reveals his true feelings about the "other" Joe Walsh. Joe's new instrumental album, 'Trust and Love,' is a peaceful listen in these wild times. I'm happy to know Joe and have already benefited from his friendship! He and his wife gave my family a TON of baby hand-me-downs that have proved SO useful. Everyone has a friend in Joe. K Walsh.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Olive Klug and I (Cindy) recorded this interview in my closet while they were in Portland, Maine to play a show. They stayed along with their band Cori, Haley, and Payton and it was a real pleasure to be around them for a few days. You can tell that Olive is at their best around their band and it is a true collaboration on stage. Shoutout to the whole crew for leaving such a remarkable impression on me and my wife and for assembling some baby furniture while they were staying at our house. In our conversation for Basic Folk, Olive takes us on a journey through their musical upbringing, exploring their childhood influences, including their father's eclectic taste in '60s and '70s rock and folk. Olive discusses their love for Joni Mitchell and Taylor Swift, which inspired them to learn guitar and develop their own musical tastes. They provide insights into their early internet presence on platforms like YouTube and Tumblr, and how these shaped their creative expression and online identity.Olive also touches on their experience of transitioning to a music career, going viral on TikTok, and the emotional and practical challenges that come with it. Additionally, they delve into how their psychology background and neurodivergence inform their songwriting, live performances, and day-to-day life. Our conversation wraps up with thoughts on the productive chaos of touring, the importance of community in the folk world, and their aspirations for long-term, sustainable growth in the music industry. Everyone belongs at the Olive Klug show. They leave their glow wherever their travels take them.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

New bestie Gina Chavez speaks about her journey in music, her deep love for connecting with people, and the influence of her mixed cultural background on Basic Folk. Her parents are of Mexican and Swiss-German descent. Her father, although second generation Mexican-American, was not raised with Spanish language or any Mexican culture. Gina discusses growing up in Austin, Texas, and the role music – or the absence of it – played in her household. She talks about being a choir kid in the '90s before it was cool, about discovering her Latin roots later in life, and how singing in Spanish feels spiritually significant to her.Gina also shares her experiences studying abroad in Argentina, running a college fund for girls in El Salvador, and the moment she unlocked her true singing voice in the studio. We hear about how she met her wife, Jodi Granado, at the Catholic Student Center at the University of Texas. Then, we get into her complex relationship with Texas, her Catholic upbringing, her advocacy work, and the joy of performing on Olivia Travel cruises. Throughout the interview, Gina emphasizes the importance of being true to oneself and learning to embrace and express all parts of her identity.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

You may recognize the voice, face, and vibe of wonderful human being Tony Kamel from his acclaimed bluegrass group, Wood & Wire. But Tony is on Basic Folk today to talk about his wonderful solo albums, including his latest, 'We're All Gonna Live.' The album, which just came out, is a realist-optimist's guide to navigating a complex and often heartbreaking world. There's something remarkably encouraging about the songs, which are so humane and so empathetic. The music is rooted in bluegrass, but I found it to be really well-rounded contemporary country/folk with great singing and songwriting. It's actually a super fun album even though it deals with some heavy topics.One of the parts of the interview that was most thought provoking for me was talking to Tony about the differences between being in a band and being a solo artist. When he got into bluegrass, he really just wanted to be able to gel with and collaborate with other musicians. He claimed that they let him hang out because he was a great singer and then he started really figuring out the guitar. There's a culture in bluegrass where people really want to master being a picker and Tony didn't wanna show up and not have the goods. He had his voice to get his foot in the door, then he just got to work and honing all of his skills. While he says he's still not a good guitarist, I really enjoyed his playing on this album.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands