Art Worlds: Bolivia

Episode 38 features Raquel Schwartz, an artist and director of Kiosko Galería, an independent art space in Bolivia’s largest city, Santa Cruz de la Sierra. On its site you’ll find exhibition galleries, a library, a communal studio area, shop and residency spaces. With thoughtful programming, including practical workshops, performances and history of art talks, Kiosko is a place where Bolivia’s arts community gravitate.  Raquel has a clear focus on using art to contribute to society. She founded her eponymous foundation with the intention of supporting projects that raise awareness of Bolivia’s social and environmental challenges. Raquel spoke to me just after concluding an ambitious 12 day micro-residency in the foothills of the Bolivian Andes.   Hosted on Acast. See acast.com/privacy for more information.

Kenia Almaraz Murillo is an artist who seamlessly blends and balances references to her diasporic experiences. Born in Bolivia and now living in Paris, she creates wall-mounted sculptures that are hand woven from Bolivian yarns and antique French thread which often incorporate found urban objects and luminous LED lights. The effect is majestic and not only draws on but also honours the spirituality associated with her Andean ancestors.Rituals are strongly evoked by Kenia’s works. At times she has integrated protective amulets and offerings, like corn blessed by shamans, into her weaving. She has also produced a temple-like room of sculptures that reference the animals significant in Andean cosmology. Kenia spoke to me from her Parisian studio about her evolving exploration of Bolivian culture.  Hosted on Acast. See acast.com/privacy for more information.

Episode 36 features Tsiriniaina Hajatiana Irimboangy, an artist-designer and researcher based between Madagascar and France. From their background in graphic design, their practice uses digital creation technologies, including AI and 3D digitisation, to highlight, preserve and give a voice to Malagasy heritage and culture. Within this framework, Tsiriniaina often seeks out stories that have been overlooked and marginalised and uses their transmedia approach to refocus attention. Tsiriniaina was the winner of Fondation H’s Prix Pari-tana in 2024 and used the awarded residency, at the Cité Internationale des Arts in Paris, to develop their project 'Ridô - Revealing memories'. Tsiriniaina joined me from Antananarivo in Madagascar where they were working on a new exhibition.  Hosted on Acast. See acast.com/privacy for more information.

Episode 35 features Joël Andrianomearisoa, an artist who straddles worlds working and living between Paris and Magnat-l’Étrange in France as well as Antananarivo in Madagascar. His work, which encompasses sculpture, installation, performance, craft and textiles, is influenced by the cultural diversity that characterises Madagascar yet it speaks beyond here. A piece like ‘The Five Continents Of All Our Desires’, made from suspended sheets of black silk paper, considers the architecture of feelings and the way emotional experiences, like desire, can be considered universal. Joël has exhibited across the globe and was the artist chosen to represent Madagascar when the country first participated in the Venice Biennale in 2019. Since then he has created exhibition opportunities for Malagasy artists through the platform Hakanto Contemporary. Set in a sprawling warehouse in Antananarivo, the initiative celebrates and supports Malagasy creativity. Joël joined me from his studio in Paris and explained the ways he likes to provoke and bring people together.  Hosted on Acast. See acast.com/privacy for more information.

Episode 34 speaks to Margaux Huille, director of Fondation H, a Malagasy organisation dedicated to contemporary art. Margaux has spent her career championing artists from Africa and its diaspora. Having helped launch the endowment fund African Artists for Development and worked with 1-54 Contemporary African Art Fair, she has been deeply embedded in the continent’s various art worlds. Fondation H, launched by patron Hassanein Hiridjee in 2017, operates in Madagascar’s capital, Antananarivo and France’s capital, Paris. From permanent spaces in both locations, the programming foregrounds the development and structuring of the Indian Ocean art scene. This is realised through supporting artists with exhibition opportunities, workshops and prizes as well as focusing on increasing public access to art. Margaux spoke to me from Antananarivo about the scope and value of these activities. Hosted on Acast. See acast.com/privacy for more information.

Episode 33 meets Xiaoyu Weng, a prolific and pioneering curator. From her early career working with Kadist to build their contemporary Asian art collection, to her time as an associate curator at the Guggenheim and then onto to leading the modern and contemporary art department at the Art Gallery of Ontario, she has developed interdisciplinary programming centred on new ways to conceive a globalised world and to consider its attendant challenges. Last year, Xiaoyu became the inaugural artistic director of the Tanoto Art Foundation. Based in Singapore and founded by Belinda Tanoto, the not for profit sees itself as a connector that will bring together Southeast Asia’s arts communities and nurture dialogues beyond. The Foundation has plans for a range of activities including exhibitions, international collaborations, research and publications. I spoke to Xiaoyu just after she had launched their first public symposium in a theatre at Singapore’s School of the Arts.  Hosted on Acast. See acast.com/privacy for more information.

Episode 32 features Dawn Ng, an artist preoccupied with time, memory, nostalgia and the ephemeral. This has led her to develop a unique sculpting technique that deploys ice and pigment to create beguiling images across a breadth of mediums, including photography, film and painting. When translated into moving image, like in ‘The Earth is an Hourglass’ currently showing at 11th Asia Pacific Triennial, Dawn’s icy sculptural form gradually collapses into a river of colour. The process is captivating. Dawn’s works are focused on encouraging this type of slow looking. From large-scale installations at the National Gallery Singapore to a commission for the Fondation d'entreprise Hermès, her work is characteristically poetic and elegant in its execution. Dawn joined me from her studio in Singapore and told me more about her industrial size walk-in freezers and her scientific spreadsheets.  Hosted on Acast. See acast.com/privacy for more information.

Art Worlds returns for series 4! Joining me for episode 31 is Magnus Renfrew, the Co-Chairman and Global Director of The Art Assembly, an affiliation of three major international art fairs founded in the Asia Pacific region. This includes Singapore’s leading art fair, ART SG. Magnus launched the inaugural edition of ART SG in January 2023. He has deep expertise, he was founding director of Art Basel Hong Kong (2012-2014) - serving as one of three members of Art Basel’s global Executive Committee, and before that was founding director of the fair’s predecessor ART HK: Hong Kong International Art Fair (2007-2012). He is currently Chair of the Advisory Council for Para Site Art Space.In the run up to the fair opening its doors, Magnus spoke to me from his office in Taipei about the ins and outs of spearheading such an enterprise.  Hosted on Acast. See acast.com/privacy for more information.

Natsagsuren Mangalam is the founder of Lkham, one of Mongolia’s leading contemporary art galleries. Opened in 2022, after she left her career in finance, the gallery supports a range of artists, both established and emerging from across Central Asia. Lkham has quickly built a reputation for its strong exhibitions and original education and events programme. Natsagsuren’s motivation is for the region’s artists to be recognised both at home and on a global stage. As such, she has brought in curators like Dr Christiana Bonin, invited guest lecturers and staged a major exhibition in Paris. Natsagsuren spoke to me from Athens in between planning her next international show.  Hosted on Acast. See acast.com/privacy for more information.

Episode 29 meets Baatarzorig Batjargal, an artist based in Mongolia’s capital, Ulaanbaatar, who is revered for his fastidious paintings that capture the country’s shifting character and values. Drawing on the zurag style, associated with Mongolia’s independence movement in the early 20th century, his works evoke the contradictions of a nomadic society exposed to socialism now contending with rapid urbanisation and global capitalism. In scenes somewhat reminiscent of Tibetan Buddhist painting, a spectrum of figures including deities, intellectuals, warriors and cartoon characters jostle together.Baatarzorig has exhibited widely and was included in the Bangkok Art Biennale 2020 and the Asia Pacific Triennale 2018 at the Queensland Art Gallery. He joined me from his studio to discuss how and why he converges spiritualism and consumption. Hosted on Acast. See acast.com/privacy for more information.