THE COUNT OF MONTE CRISTO (CHAP 56) ANDREA CAVALCANTI

This chapter marks the beginning of the Count’s grand dinner at Auteuil. Bertuccio has decked out the home in preparation, save for one room, which the Count will show his guests after the food has been served. The Count sees that Lucien Debray, Chateau-Renaud, the Baron Danglars (angry from his losses on the market), Hermine Danglars, Villefort and Heloise, and Major and Andrea Cavalcanti arrive. As in the previous scene in the theater, the narrator (and the Count) have arranged things so that all the most important characters are present in the same place. Of course, the Count has also made sure that this is not just any location, but the house in which Villefort and the Baroness Danglars had their illicit tryst many years ago. Active Themes Justice, Revenge, and God’s Will Theme Icon Changes of Identity and Station Theme Icon Debt and Gratitude Theme Icon Literary Devices Imagery   As he calls for Bertuccio, the Count reveals how these characters intertwine with the servant’s story of a Corsican vendetta. Bertuccio, shocked, sees that Hermine Danglars, the Baron’s wife, is in fact the woman with whom Villefort was having an affair, and who bore a child out of wedlock. Furthermore, Villefort is in fact still alive, which means that Bertuccio did not murder him when he stabbed him in the garden, and Andrea Cavalcanti is really Benedetto himself, Bertuccio’s adopted son who caused so much mayhem in his home life. At this, however, the Count demands that Bertuccio silently serve the dinner, betraying nothing of what he’s learned.

The Count does as he said he would do and goes on a trip to visit the telegraph operator nearby. First, he notices that the operator spends a great deal of time tending the garden at the foot of the telegraph tower. Then, when he observes the man working in the tower, he learns from the man that operators are paid very little, and that, if they make any mistakes in relaying information to the next post, they are docked a substantial amount of their next month’s pay. The Count is especially skilled at getting people to do what he wants, by convincing them that their interests align with his own. Here, the Count demonstrates what could potentially be a reason for the operator to mind his station at all times – that he is punished if he misses a message. Then, in the next scene, the Count will make an offer that would more than compensate for any penalty the operator might suffer in this scenario.       

The Count arrives, again paying a visit to Villefort and his wife. He finds them both dismayed at the idea that their daughter has been disinherited from 900,000 francs, but Villefort insists to his wife and the Count that the marriage between Valentine and Franz is to go on, and that to change it now would be to bring down rumor and scorn on Valentine’s name. Heloise notes that Noirtier, a wealthy man, is giving away money that could go to Edouard, who carries on the family name. But Villefort insists that the right course here is to ensure that Valentine and Franz marry. The Count asks why Villefort cares so much about this wedding, and Heloise notes that the D’Epinay family, who are Royalists, have had a long-standing dispute with the Noirtiers, who are Bonapartists, and that he hopes to bury this dispute with the marriage. It is revealed why Villefort cares so much about the wedding of Franz and Valentine – he hopes to move beyond the hatreds of Royalists and Bonapartists that have existed in his family for some time. And indeed, these hatreds have existed in France for at least two generations, as the novel has demonstrated in other contexts. What was in France a problem of two different governments and approaches to democracy, becomes here a problem between two different families, which Villefort hopes to reconcile via his daughter’s marriage. Villefort has therefore taken one of the primary preoccupations of his professional life, and made it one of his personal and family life.     The Count agrees that this is the best course, then takes his leave from the Villeforts, saying that he is off to indulge a strange pastime of his—he is going to go observe a telegraph structure in Paris, a technology of which he is enamored. Before he leaves, he confirms that the Villeforts will be joining him that weekend in Auteuil, at the house of the former Saint-Merans family. Villefort expresses surprise and trepidation that the Count has bought this structure, as even his wife knows that Villefort never wanted anything to do with Auteuil. It seems clear that Villefort is somehow involved in the strange business of murder and mayhem recounted by Bertuccio some weeks ago to the Count. But Villefort swallows these objections and promises that he and his wife will be present that Saturday.

The notary arrives, and wonders if he will be able to serve a man in Noirtier’s condition, as he fears that Noirtier’s disability is not only physical but mental, and that, therefore, he would not be in a position to make a change to his will and testament. But Valentine demonstrates that she is in fact capable of interpreting Noirtier’s speech, and Noirtier himself shows that he is sound of mind by accurately accounting for the 900,000 francs that he has in government bonds—doing this by means of nodding and blinking to Valentine’s and the notary’s questions. The notary is therefore satisfied that Noirtier is in a position to draw up a new will. The notary is a representative of official authority, and he insists on performing this addendum to Noirtier’s will by the book. The novel has an interesting under-layer of institutional life, as depicted in Villefort’s encounters with the French crown early on and in the Count’s dealings with various bankers and real estate officials. Although oftentimes these officials lay down rules that other characters skirt around, here the notary insists on being scrupulous in his dealings. Active Themes Justice, Revenge, and God’s Will Theme Icon Changes of Identity and Station Theme Icon Love, Devotion, and Redemption Theme Icon Debt and Gratitude Theme Icon   Through more nodding, Noirtier expresses that he will disinherit everyone in his family, including Valentine, should Villefort proceed with his wish of marrying Valentine to Franz. Noirtier suggests that he objects to this marriage on principle, and that, should it be done, Noirtier will instead give all his money to the poor.

The elder Nortier, who now is almost totally debilitated with the exception of hi eye movements, is told by his son that Vantine is to marry Franz . When they leave, he calls for Valentine to let her know he is enraged about the decision...but where does she stand? For all our Sherlock episodes, to join our newsletter, or to leave a review- visit us at www.bestof1001stories.com

Maximilian Morell and Valentine meet in Max's hay patch (Lucerne is a nutrient rich version of hay feed for horses) to share opinions and news- and he tells her that Franz is returning soon. Her parents have promised her to Franz but she's all against it.

The Count introdes Major Cavalcanti to his newly found "son" Andrea, gives them money and their story with the promise of more money coming, and send them on the way. They will become important pawns in his scheme, one part of which will be to bankrupt Danglars.    

The Count stays busy here and in chapter 56 weaving together false identities for Major Cavalconti and the young man who will assume the identity of the Majors son Andrea for what purpose we are not sure at this point- but both are supplied with money and are quite willing to be used for purposes they are not aware of.    Check out our 12 podcasts at www.bestof1001stories.com 

The Count’s plans for vengeance are moving more swiftly. Now that the Count has gotten to know the families of Fernand, Danglars, and Villefort, he can begin the long-term chess-match that will result in the revelation of their crimes. The house in Auteuil is an important setting for these revelations, since the Count now owns it, and Villefort and his mistress, as-yet unnamed, committed their crimes there.     Albert also reports that Franz, who is to marry Valentine de Villefort, is bored in Italy and will soon be returning to Paris. The Count’s servant Baptistin arrives in the room to announce that a man named Cavalcanti, the descendent of an old and wealthy Italian family and a friend of the Count’s from Italy, will soon be visiting Paris. Albert leaves, but not before asking the Count if he will dine with him and his mother. The Count does not agree, saying that he is busy with other matters, and Albert asks himself why the Count is so hesitant to make his mother’s acquaintance more thoroughly.

Robert Le Diable is the name of a play to which Paris society has flocked- and here the author uses this gathering of highbrows to describe how these nabobs acted in their day. This chapter, a portrait of society gathering at a theatrical performance, is short on exposition of plot and long on dialogue. All the members of Parisian society so far described in the novel are present: Baroness Danglars, who is revealed to be having an affair with Lucien Debray; Hermine and the Baron’s daughter, Eugenie, whom Albert has been considering marrying; Morcerf and the Countess G, who has returned to Paris from Italy; and, eventually, the Count of Monte Cristo and Haydee, who make a grand appearance much to the chattering of others in the house.. When the Count leaves their private box to socialize she sees him with a man for whom she carries a deep hatred-   Check out the beginning of our narration of Anne of the Island now at 1001 Stories From The Gilded Age now playing every Sun and Wed noon ET and narrated by Gizelle Ericksen for 1001. This is the third in the classic 'Anne " series and a GREAT story.. Apple link here:https://podcasts.apple.com/us/podcast/1001-stories-from-the-gilded-age/id1485751552