483 - Dave Brandwein: Playing with Forrest Blakk, Working His Way Up from Chicago to LA to Nashville, "Learning the Language of the Person in Charge",,

Martina Barakoska is a drummer and musician who in her considerably short career has gained notable achievements. Deep and thoughtful yet energetic and playful, her style reflects her love of modern music and her fascination with the power of the drums. Throughout the years, she has maintained continuous growth of success preaching individuality, quality, and persistency.Winning an award for the best drummer at “T’k Tak” drum competition when she was only 17 was followed by many successful music projects. She is actively involved in North Macedonia's music scene, currently working and touring with Funk Shui. She's also worked with artists like Swindle, Emmy Meli, Luboyna, Vladimir Chetkar, MPNG, Efterklang, Duper, Luboyna, Vladimir Chetkar, etc. Her projects have taken her on tours across Europe and the Balkans.In 2022 she released her second solo album named "Sunrise” and took part in the “Yamaha Drum Days” Festival in Paris. She was also a part of the line-up at the workshops in Salzgitter Drum Meeting 2022, Berlin Drum Days 2023 and Dresden Drum and Bass Festival 2024. Martina is also featured in the newly released Yamaha documentary “Way Up House - Portugal”. ​ In this episode Martina talks about:    ◦   The power of meditation    ◦   Touring southeastern Europe    ◦   Using social media to connect with musicians, not impress drummers    ◦   Diving deep into Ringo’s drum parts to better understand his musicality    ◦   Fine tuning and cultivating creativity Here's our Patreon Here's our Youtube Here's our Homepage

Caleb Whitlock grew up in Charlotte and has been based there for two years after having attended the University of North Carolina at Chapel Hill. He tours nationally with singer/songwriter Ethan Regan, plays locally with a variety of acts, records in his home studio, and also works as a post-production engineer. Making part of his living doing post-production and editing, and how that differs from mixing How doing post production on acapalla vocal music has influenced how he hears and records drums Neutralizing his room acoustically rather than try to make it sound amazing The Charlotte scene and how he returned to it after college, a couple years of work in "The Triangle" (Raleigh/Durham Chapel Hill), and a few months in a Catholic monastary. Being clear-eyed about finances, how much different types of work earn, and saying yes and no to gigs according to your lifestyle goals Here's our Patreon Here's our Youtube Here's our Homepage

Chad Wackerman’s professional career began in 1978 with the Bill Watrous Refuge West Big Band. Since then he has amassed a remarkable body of work including a seven year association with Frank Zappa, with whom he toured the USA and Europe and recorded 27 albums including the London Symphony recordings. He has also recorded 8 albums and toured with guitar legend Allan Holdsworth, played on the ‘One Voice’ album and video with Barbra Streisand, and recorded albums and toured with artists as diverse as James Taylor, Steve Vai, Andy Summers, Steven Wilson, Men At Work, Ed Mann, Albert Lee, Colin Hay, Dweezil Zappa, Pasqua/Holdsworth/Haslip/Wackerman Group, Terry Bozzio, Carl Verheyen, David Garfield,John Patitucci, Jennifer Batten, Joe Sample, Robbie Kreiger, Banned From Utopia and The World Drummers Ensemble (Bill Bruford, Luis Conte, Dou Dou Ndiaye Rose and Chad Wackerman) . As a band leader and composer Chad has five critically acclaimed CDs: ‘Forty Reasons’, ‘The View’, ‘Scream’, ‘Legs Eleven’ and his latest release, ‘Dreams Nightmares and Improvisations’. Chad has written music for the television show ‘The Dennis Miller Show’, as well as composing music for Allan Holdsworth’s ‘Secrets’, ‘Wardenclyffe Tower’ and ‘Sixteen Men of Tain’ CDs. His trio has a performance DVD, ‘Hits Live’. In this episode, Chad talks about:    Working with Allan Holdsworth    The amazing story behind recording Allan’s record “Road Games”    “Improvising at the highest level sounds like composition”    Interpreting charts efficiently    Auditioning for Frank Zappa    How to make a band sound better    Learning from Murray Spivack    Figuring out what’s important for each gig and artist Here's our Patreon Here's our Youtube Here's our Homepage

John R. Beck, Professor of Percussion at the University of North Carolina School of the Arts, also teaches at Wake Forest University. He is the principal percussionist of the Winston-Salem Symphony and is a member of the Greensboro Symphony, Brass Band of Battle Creek, and the Philidor Percussion Group. A former member of the United States Marine Band, for 10 years he performed regularly with the National and Baltimore Symphonies, Washington and Baltimore Operas, and the Theater Chamber Players of the Kennedy Center. Beck has toured the United States as a xylophone soloist with the Jack Daniel's Silver Cornet Band, Brass Band of Battle Creek, and the New Sousa Band. John is a Past President of the Percussive Arts Society and presents clinics endorsing Yamaha percussion instruments, Zildjian cymbals, Innovative mallets, and is a Remo Endorsed Drum Circle Facilitator in the Health and Wellness community. In this episode, John talks about: What it means to play credibly How his thoughts on versatility vs. specialization have evolved  Questioning the relevance of knowing how to read a big band chart How getting good at drumset gives percussionists a better sense of internal time The advantages and baggage that came with being John Beck’s son Valuing sound over everything, regardless of instrument or genre His time as president of PAS and helping the organization become more inclusive and outward-looking Here's our Patreon Here's our Youtube Here's our Homepage

As a performer, session player, instructor, producer and clinician, Matt Crowning is more than a "drummer's drummer.” He is a "musician's drummer" that brings a wealth of talent, experience, and style to each situation. Matt's diverse performance background ranges from Country, Pop, Rock, Big Band, Jazz and R&B. His work includes performances with various Curb Records, Disney Records / Disney Channel artists, Love and Theft, College 11, Kiki Sanchez, Vanilla Monk, Matt Farr and Kerrie Roberts. Currently, Matt is performing with Country Artist, Amber Leigh, on tour and in the studio. These shows include support act performances with Kenny Chesney, Trace Adkins, Lady Antebellum, Gloriana and many others. In this episode, Matt talks about:    Navigating the remote tracking world    Buying a house with a home studio built in    Playing drums with his wife Amber Leigh    Maintaining a family/work balance    Making a good impression as a sub    Running tracks in a live show    Using traditional grip Here's our Patreon Here's our Youtube Here's our Homepage

Originally from the Bay Area, Martin Diller spent over a decade on the LA scene, touring, recording and playing locally with a wide range of acts including Post Modern Jukebox and his own quartet. Over the pandemic, he went back to school and became a licensed therapist, and returned to the Bay Area where he still maintains an active performance schedule alongside his therapy practice. In this episode, Martin talks about: The 7-day-a-week grind of freelancing in LA Playing with Post-Modern Jukebox and other LA artists How his career shift coincided with a desire to relocate back home to the Bay Area How he incorporates music and drumming into his therapy practice Developing intentional ways of maintaining mental health and balance as a musician, especially on the road

World-renowned, Grammy-winning musician John "J.R." Robinson is widely considered the most recorded drummer in history, playing on albums that have sold well over 500 million copies. He is the drummer on 20 number-one pop songs by artists such as Michael Jackson, Whitney Houston, Lionel Richie and Steve Winwood, and has been the drummer on more than 100 Grammy-winning tracks. Rolling Stone Magazine featured J.R. in their list of The Top 100 Drummers of All Time. J.R. is the drummer on many other Top-40 hits with artists such as Madonna, Lady Gaga, Diana Ross, Daft Punk, David Lee Roth, Rufus & Chaka Khan, The Pointer Sisters, Wilson Philips, Peter Cetera, George Benson, and Quincy Jones. In this episode, JR talks about:    His new book “King of The Groove”    Reflecting back on his previous episode #424    The process of writing the book Here's our Patreon Here's our Youtube Here's our Homepage

Born and raised in Georgia, Marlon Patton is a New York-based drummer and music producer/engineer. Hailing from a long line of drummers dating back to his grandfather, Phil Patton who played in the Chicago big band circuit, Marlon keeps his schedule interesting and packed full of all types of music. He is the first call for so many musicians not just because of his impeccable time, but because of the incredible musicality of what he delivers. He plays within a huge dynamic range, making him the perfect match for quiet piano jazz performances to hard- hitting rock gigs. He can play with everything from precision to reckless abandon and make it truly his own. He currently is a member of Kenosha Kid, Weisshund, Nelson Patton, Lonnie Holley, The Trey Wright Trio and The Mace Hibbard Quintet. He has toured, performed and/or recorded with Liv Warfield, The Atlanta Symphony Orchestra, Jim White, Larkin Poe, Lonnie Holley, Jeff Coffin, Shahzad Ismaily, Col. Bruce Hampton, John Patitucci, Randy Brecker, Rufus Reid, Marcus Printup, and Wycliffe Gordon. He has recorded for labels such as Sony, Universal, Jagjaguwar, RH Music, Yep Roc, Ropeadope plus many more independent releases. His drumming has been in soundtracks on Adult Swim, ABC, and HBO.  In the studio, Marlon has carved a name for himself recording, mixing, and producing. Some recent projects he's worked on are Lonnie Holley’s MITH, Liv Warfield’s Live at Cafe Wha, Jim White's Where It Hits You, Leah Calvert’s Satellite, Daniel Clay's 10,000 Things, Kenosha Kid's Fahrenheit 451, ILL's Gotten Gains, and Blair Dunlop/Larkin Poe's Killing Time.  In this episode, Marlon talks about: Being willing to abandon "correct" technique in favor of a sound, feel, or idea How New York has changed his musical priorities and identity What true collaboration really means Improvising vs. "composing in the moment" Moving away from Atlanta with the goal of expanding, personally and musically Tapping into old relationships in a new place Sharing studio space with Jordan Rose and mixing Liv Warfield's latest record Here's our Patreon Here's our Youtube Here's our Homepage

Ken Coomer is a producer best known for his drumming in Uncle Tupelo and later Wilco. He was the drummer and co-founder of the Nashville-based band, Clockhammer, in the late 1980s/early 1990s. As a member of Wilco, Coomer has performed on A.M., Being There, Summerteeth, and Yankee Hotel Foxtrot. Ken has also played on or produced albums by Steve Earle, Frontier Ruckus, Arlo McKinley, Sons of Bill, Tim Finn, Will Hoge, Jars of Clay, Emmylou Harris, Toy Horses, Malcolm Holcombe, Josh Hoyer and Soul Colossal and Shaver. In this episode, Ken talks about:    Drumming skills that hold value in the studio    Why drummers can make great producers    Touch and feel over fancy gear    How he started producing    Working with latin artists    Mixing remote tracking with in-person recording Staying focused on the future Here's our Patreon Here's our Youtube Here's our Homepage

Sam Merrick is a Nashville based drummer, currently holding the drum set chair at & Juliet on Broadway at the Sondheim Theater in New York City. Previously, he spent nearly five years and played over 1200 performances with the national tour of Hamilton: An American Musical. He has also recorded and/or performed with Sharon Jones and the Dap Kings, Toots and the Maytals, Jalen Ngonda, Saun & Starr (Daptone Records), The Denver Symphony, People's Champs, Kendra Morris (Colemine Records), and many more. Commercial clients include HBO, Levi Strauss, Chase, AT&T, and This American Life Podcast Network. In this episode, Sam talks about: Balancing maintaining a Broadway chair with other musical opportunities Relearning how to trust his instincts outside the highly controlled environment of a Broadway show Moving from the note-for-note specificity of Hamilton to the longer leash of & Juliet Working with producer Max Martin Maintaining a "healthy ecosystem" of subs