Working Class Literature

As part of our work to mark the centenary of the UK's 1926 general strike, we sat down with with Charles Ferrall and Dougal McNeill, authors of the excellent Writing the 1926 General Strike: Literature, Culture, Politics to talk about some of the literature texts produced in response to the strike, both from established authors and emerging working-class writers.Our podcast is brought to you by patreon supporters of both Working Class Literature and Working Class History. Our supporters fund our work, and in return get exclusive early access to podcast episodes, bonus episodes, free and discounted merchandise and other content. Join us or find out more at patreon.com/workingclasshistoryIn our discussion, Charles Ferrall and Dougal McNeill explain why they wrote their book and what they mean when they say the strike was “a literary event.” We also discuss the works of a number of different working-class authors responding to the strike, not to mention those of more famous authors that were also affected by the strike, in particular Lady Chatterley’s Lover (1928) by DH Lawrence and To the Lighthouse (1927) by Virginia Woolf. Further reading and a transcript available on the webpage for this episode: https://workingclasshistory.com/podcast/wcl15-literature-of-the-1926-general-strike/AcknowledgementsThanks to our Patreon supporters for making this podcast possible. Special thanks to Jazz Hands and Fellow Worker.Our theme tune for this episode is Montaigne’s version of ‘When the Coal Comes from the Rhonda’, a folk song originating from Welsh miners in the early twentieth century and sung during the general strike. Download the song here. More from Montaigne: website, Instagram, YouTube.Edited by Jesse French

Following our double-episode on the Florence Working-Class Literature Festival back in February, our co-host Matt was invited to this year’s festival, recording this episode on-site at the ex-GKN factory in Florence. Featuring the various writers, researchers, organisers, and activists in attendance, this episode captures the atmosphere of the festival at this critical time for the GKN struggle.Our podcast is brought to you by patreon supporters of both Working Class Literature and Working Class History. Our supporters fund our work, and in return get exclusive early access to podcast episodes, bonus episodes, free and discounted merchandise and other content. Join us or find out more at patreon.com/workingclasshistoryTaking place on 4-6 April 2025, the opending day of the festival marked the 1367th day since the 400+ workforce at the GKN car parts factory in Florence was first made redundant. They subsequently seized the factory and remain in control of it to this day, despite receiving their third – and now final – redundancy notice in the days leading up to this year’s festival.Recorded on-site at the occupied GKN factory on the outskirts of Florence, this episode features the voices of various writers, researchers, organisers, and activists that we spoke to while at the festival. These conversations took place against a frenzy of activity, both for the festival but also the GKN struggle itself.AcknowledgementsThanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old NormOur theme tune for these episodes is ‘Occupiamola’ (or ‘Let’s Occupy It’) as sung on a GKN workers’ demonstration in 2024. Many thanks to Reel News London for letting us use their recording. Watch the documentary it’s taken from hereThis episode was edited by Jesse French

Part 2 of our double episode on working-class author Jack Hilton, with Jack Chadwick whose literary detective work rescued Hilton from almost total obscurity. This part covers his novel Caliban Shrieks in more detail and how it compares to other working-class novels from the same period; his later writing and life, and how his writing career would come to an end (despite George Orwell’s efforts); and, finally, the amazing series of events that led to the rediscovery and republication of Caliban Shrieks.Our podcast is brought to you by patreon supporters of both Working Class Literature and Working Class History. Our supporters fund our work, and in return get exclusive early access to podcast episodes, bonus episodes, free and discounted merchandise and other content. Join us or find out more at patreon.com/workingclasshistoryMore informationBuy Caliban Shrieks from an independent bookshopListen to the bonus episode to this double episode, exclusively for our supporters on Patreon: https://www.patreon.com/posts/wcl-13-1-jack-129501458Full show notes including sources, photos, and eventually a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl12-13-jack-hilton-rochdale-caliban/AcknowledgementsImage: Jack Hilton. Credit: Jack Chadwick.Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm.Our theme tune is Bella Ciao, thanks for permission to use it from Dischi del Sole. You can purchase it here or stream it here.This episode was edited by Jesse French.

Part 1 of our double episode about Jack Hilton, a working-class author, World War I veteran, unemployed movement organiser, and trade union activist from Rochdale, north-west England.For this episode, we spoke to Jack Chadwick whose literary detective work rescued Hilton from almost total obscurity. We discussed Hilton's life growing up in Rochdale's slums, starting work at nine years old, and his activism in the National Unemployed Workers' Movement. We also talked about how he began writing, how Caliban Shrieks was celebrated within the London literary scene, and his long-term (and complex) relationship to George Orwell.More informationBuy Caliban Shrieks from an independent bookshopFull show notes including sources, photos, and eventually a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl12-13-jack-hilton-rochdale-caliban/AcknowledgementsImage: Jack Hilton. Credit: Jack Chadwick.Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm.Our theme tune is Bella Ciao, thanks for permission to use it from Dischi del Sole. You can purchase it here or stream it here.This episode was edited by Jesse French.

Part 2 of our double-episode about the Working-Class Literature Festival held every year in Florence, at the former GKN car parts factory, which was taken over by the workers after they were made redundant in 2021.We're joined again by working-class author and one of the main organisers of the festival, Alberto Prunetti, and former GKN worker, Dario Salvetti. We also talk to another two working-class writers who have participated in the festival: Claudia Durastanti, who helps organise the festivals, and Anthony Cartwright, who has attended the last two.In this episode, we discuss what went on at the last two festivals and what made them different from conventional literary events: from the attendees and various events and presentations to the participation of GKN workers not just in logistics but in readings and performances. We also discuss the possibilities for the future of the festival - and for the GKN struggle itself.Full show notes including further reading, photos, a documentary about the GKN struggle, and a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl10-11-florence-working-class-literature-festival/AcknowledgementsMany thanks also to Alberto Prunetti and Edizioni Alegre for giving us permission to reproduce photos from previous years' festivalsThanks to all our patreon supporters for making this podcast possible. Special thanks to Jamison D. Saltsman, Jazz Hands, Fernando Lopez Ojeda and Jeremy CusimanoOur theme tune for these episodes is ‘Occupiamola’ (or ‘Let’s Occupy It’) as sung on a GKN workers’ demonstration in 2024. Many thanks to Reel News London for letting us use their recording. Watch the documentary it's taken from hereThis episode was edited by Tyler Hill

First of a double-episode podcast about the Working-Class Literature Festival held every year in Florence, at the former GKN car parts factory, which was taken over by the workers after they were made redundant in 2021.In this episode, we talk to working-class author and one of the main organisers of the festival, Alberto Prunetti, as well as former GKN workers Dario Salvetti and Tiziana De Biasio. We discuss the history of the struggle at GKN from the redundancies to the workers' takeover and 'permanent union assembly' at the factory.We also dive into how the idea for the Working-Class Literature Festival at the factory began, and how the first two events were organised (despite repeated attempts at sabotage).Full show notes including further reading, photos, a documentary about the GKN struggle, and a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl10-11-florence-working-class-literature-festival/AcknowledgementsMany thanks to Antonella Bundu for doing the voiceover for Tiziana's audioMany thanks also to Alberto Prunetti and Edizioni Alegre for giving us permission to reproduce photos from previous years' festivalsThanks to all our patreon supporters for making this podcast possible. Special thanks to Jamison D. Saltsman, Jazz Hands, Fernando Lopez Ojeda and Jeremy CusimanoOur theme tune for these episodes is ‘Occupiamola’ (or ‘Let’s Occupy It’) as sung on a GKN workers’ demonstration in 2024. Many thanks to Reel News London for letting us use their recording. Watch the documentary it's taken from hereThis episode was edited by Tyler Hill

The final episode of our three-part series about migrant worker poetry in China. We speak to Maghiel van Crevel, Professor of Chinese Language and Literature at Leiden University. Maghiel has travelled extensively in China, meeting with and writing about the work of Chinese migrant worker poets.In this episode, we look at questions of censorship in China and the importance of unofficial publications for the spread of migrant worker poetry (not to mention the wider Chinese poetry scene as well). We also discuss how some working-class writers come to be left out of what is considered 'working-class writing' with a specific look at the work of gay migrant worker poet, Mu Cao.Full show notes including sources, further reading, photos, films and eventually a transcript are here on our website: https://workingclasshistory.com/podcast/wcl-7-9-chinese-migrant-worker-poetry/AcknowledgementsAs always, huge thanks to our patreon supporters who make this podcast possible. A special thanks to Jamison D. Saltsman, Jazz Hands, Fernando Lopez Ojeda and Jeremy Cusimano.Our theme tune for these episodes is ‘A Young Man from the Village’ by the New Labour Art Troupe, from the Migrant Worker Home. Stream it here.This episode was produced by Jack Franco and edited by Jesse French.

Part 2 of our three-part series about migrant worker poetry in China. We speak to Maghiel van Crevel, Professor of Chinese Language and Literature at Leiden University. Maghiel has travelled extensively in China, meeting with and writing about the work of Chinese migrant worker poets.In this episode, we look at the work of the Migrant Worker Home, a self-organised space run by and for migrant workers on the outskirts of Beijing, which taught migrant workers about their rights, hosted a museum, and ran literary and cultural groups, until they were evicted last year. We also look at two more migrant worker poets, including Xu Lizhi, whose suicide in 2014 propelled him to global fame.Full show notes including sources, further reading, photos, films and eventually a transcript are here on our website: https://workingclasshistory.com/podcast/wcl-7-9-chinese-migrant-worker-poetry/AcknowledgementsAs always, huge thanks to our patreon supporters who make this podcast possible. A special thanks to Jamison D. Saltsman, Jazz Hands, Fernando Lopez Ojeda and Jeremy Cusimano.Our theme tune for these episodes is ‘A Young Man from the Village’ by the New Labour Art Troupe, from the Migrant Worker Home. Stream it here.This episode was produced by Jack Franco and edited by Jesse French.

First of the three-part series on migrant worker poetry in China. In these episodes, we speak to Maghiel van Crevel, Professor of Chinese Language and Literature at Leiden University. Maghiel has travelled extensively in China meeting with and writing about the work of Chinese migrant worker poets.In this episode, we discuss the concept of the 'migrant worker' in China, and how it relates to the internal hukou system and China's relationship to global capitalism. We also discuss what we mean by 'migrant worker/migrant worker poetry' in relation to the Chinese words dagong and dagong shige. We also look at two migrant worker poets, Wu Xia and Zheng Xiaoqiong.Full show notes including sources, further reading, photos, films and eventually a transcript are here on our website: https://workingclasshistory.com/podcast/wcl-7-9-chinese-migrant-worker-poetry/AcknowledgementsAs always, huge thanks to our patreon supporters who make this podcast possible. A special thanks to Jamison D. Saltsman, Jazz Hands, Fernando Lopez Ojeda and Jeremy Cusimano.Our theme tune for these episodes is ‘A Young Man from the Village’ by the New Labour Art Troupe, from the Migrant Worker Home. Stream it here.This episode was produced by Jack Franco and edited by Jesse French.

Concluding part of our double-episode in conversation with author, DD Johnston, about his new novel, Disnaeland.In this part, Darren discusses the novel’s relationship to the Scots language, the apocalyptic prophecies of radical, pre-Enlightenment Christianity, and his focus on mutual aid as a response to disaster. Darren also performs two further readings from the novel.Full information, sources, further reading, acknowledgements and eventually a transcript on the webpage for this episode: https://workingclasshistory.com/podcast/wcl-5-6-dd-johnstons-proletarian-apocalypse/Get books mentioned in this episodePeace, Love and Petrol Bombs: https://bookshop.org/a/80203/9781849350617Disnaeland: https://uk.bookshop.org/books/disnaeland/9781909954533AcknowledgementsOur theme tune is Bella Ciao, thanks for permission to use it from Dischi del Sole. You can purchase it here: http://www.alabianca.it/en/store/bravo-records-en/le-canzoni-di-bella-ciao-aa-vv/