Baby We Are back!

In this podcast, recorded in a New York City yellow cab weaving through traffic, the host recounts their delayed arrival from an airplane-themed perspective, shares thoughts on the oppressive city heat, and compares JFK, LaGuardia, and Newark airports. The discussion meanders into a detailed preview of upcoming art shows in the galleries of New York, reflecting a mix of enthusiasm and critique about commercial art. The narrative then pivots to a critique of the art industry, focusing on the high-profile move of Hauser & Wirth’s owners from the UK to Switzerland amidst tax changes, finding dark humor in the logistics of art storage and LA's gentrification struggles. The monologue concludes with reflections on authenticity in art appreciation, emphasizing the value of personal connection over commercial validation.

In this segment of Art Smack, Hilde Lynn Helphenstein recounts her latest adventures in Georgia, from battling mold in historic hotels to exploring local art galleries. She stumbles upon a macabre painting titled 'The Sisters of Salem,' which intriguingly adds to her art collection. Hilde transitions between her personal anecdotes, such as bonding with her nephew and enduring the southern heat, to insightful observations about the commercialization of art. Critiquing how poorly art is marketed compared to luxury goods, Hilde advocates for more engaging, immersive art experiences. She emphasizes the importance of discovering art organically instead of relying on the conventional, often impersonal, art market mechanisms. Amidst these reflections, Hilde humorously navigates small-town charm, quirky shop offerings, and different religious practices, ultimately planning her departure to New York.

In this episode of Art Smack, Hilde recounts recent adventures and observations, blending anecdotes from a serendipitous discovery of a diamond bracelet on an airplane to the frustration of finding a yoga studio and the quirky charm of antique shops in Georgia. The adventure narrative dovetails into a critique of the contemporary art market's commercialization and the absurdities of maintaining multiple gallery locations and art fairs. Hilde underscores the need for a significant overhaul, more candid pricing strategies, and a shift toward authentic engagement and artistic weirdness, culminating in a call for more genuine, unfiltered experiences in the art world.Change is well underway, so who will radically adapt to not just keep up, but to get ahead and to a model that is financially viable and thriving?That is very much possible if people would stop complaining about doing all the fairs no one forced them to do and opening all the gallery locations no one forced them to do. Am I right?

In this episode of Art Smack, Hilde grapples with their own artistic identity while offering a vivid commentary on the rapidly changing art world. Struggling with doubts about continuing their podcast, they discuss an upcoming episode featuring Taylor Morrison, whom they liken to a compassionate, insightful contemporary art critic. The host emphasizes the transformative power of genuine engagement with art, contrasting it with the commodification and market-driven aspects prevalent today. As they critically reflect on industry shifts, such as Tim Blum closing his gallery due to disillusionment, they predict a future where the dematerialization of art and experiential engagements dominate. All of this unfolds during a rambling thrift store adventure in Georgia, peppered with personal anecdotes and reflections on the commercialization, accessibility, and the future of art.

In this episode, Jerry and Magnus dive into the growing commercialization of the art world. After relocating to South Florida, Jerry shares his frustrations with the high costs and unpredictable weather of New York. Magnus, on the other hand, passionately defends New York's vital role in the art scene, arguing that the physical presence in the city is essential for networking and success, even amidst the financial challenges.They discuss intriguing developments like artist residencies at the World Trade Center, backed by the Silverstein family, which provide free studio space but also raise questions about branding and intent. The conversation also touches on significant shifts in the industry, including Ari Emanuel’s acquisition of Frieze, Art Basel’s expansion to Doha, and the merger of Artnet and Artsy under private equity. These changes reflect a landscape where financial interests are increasingly at the forefront.Throughout their discussion, Jerry and Magnus grapple with the delicate balance between commercialization and artistic integrity, shedding light on the evolving dynamics that are shaping the future of the art world.

In this riveting episode, Hilde and Magnus dive deep into the latest UBS/Art Basel report by Dr. Clare McAndrew, revealing a stark reality: the art market has plummeted to 2009 levels. But don't hit the panic button just yet!While Magnus brings his signature practical wisdom to navigate these turbulent waters, Hilde unleashes her unconventional, forward-thinking strategies that could transform crisis into opportunity. Together, they explore:• The unexpected parallels between economic indicators and art market performance• Creative survival strategies for galleries in a downturn• Revolutionary approaches for artists to thrive despite market conditions• Fresh perspectives on market adaptation that might just be crazy enough to workWhether you're an artist, collector, or gallery owner, this episode offers both sobering insights and innovative solutions for reimagining success in today's challenging art market. Join us for a candid conversation that balances hard truths with hopeful possibilities—and maybe even a few of Hilde's characteristically bold predictions that might just reshape how we think about art market resilience.Essential listening for anyone invested in the future of the art world. Prepare to be challenged, inspired, and possibly even a little shocked!

Magnus Resch and Jerry talk about LA Art Week and all the fun little things going on in our psycho art world.

In this episode, Hilde Lynn Helphenstein and Magnus Resch discuss the beautiful nebulous of what it feels like to truly love and connect with artists which in turn can amalgamate into a real, meaningful art collection.

Adam Lindemann stands as one of the art world's most dynamic forces, seamlessly bridging the realms of collecting, entrepreneurship, and gallery ownership through his renowned Venus Over Manhattan gallery. His trajectory from finance to becoming a pivotal figure in contemporary art has been marked by bold decisions and prescient insights, perhaps most notably captured in his influential book "Collecting Contemporary," where he turned the tables by interviewing other major collectors. His unique position as both a collector and gallerist has given him an invaluable dual perspective on the art market's mechanics and evolution. I was absolutely thrilled to have Adam join me on Art Smack, where he brought his characteristic candor and deep market knowledge to our discussion. During our engaging conversation, he shared fascinating insights about the current state of the art market, his collecting philosophy, and his vision for the future of traditional galleries in an increasingly digital age. One of the most memorable moments was when I couldn't resist asking him if Andy Warhol would have liked me, given Adam's personal connection to the iconic artist. His ability to articulate complex market dynamics while maintaining an authentic passion for art made him an exceptional guest, offering our audience a masterclass in how to navigate the contemporary art world with both business acumen and genuine appreciation for the medium.

Great news: WE FIXED OUR AUDIO SITUATION on Art Smack . This week Jerry dragged Matt to come on the podcast to not talk about art. Instead they discuss all of the things around the art i.e. The Substance, Beetlejuice, Beetlejuice, Luigi Mangioni, "subtle foreshadowing" videos, those creepy drones all over the east coast, movies that opened our eyes as teenagers, and our collective hangover from GenX'ers like Peaches and Le Tigre. This is not a hard hitting episode about art. Opposite. Its a very dumb episode. Enjoy.