Conversations on Dance | Ballet & Dance Careers

Hosts Rebecca King Ferraro and Michael Sean Breeden welcome Alicia Graf Mack back to discuss her transition from leading Juilliard’s dance division (2018–2025) to becoming head of the Alvin Ailey organization. Alicia reflects on building relationships, gaining confidence in arts leadership, and pivoting during the pandemic to sustain community and support dancers. She explains how the Ailey opportunity emerged through a search process and her growing belief in “why not me,” and describes Ailey’s strong organizational and financial foundation and her holistic responsibilities across the company, Ailey II, school, and education programs. She outlines her City Center season coming December 2 - January 3: https://ailey.org/series/ailey-new-york-city-center.Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondance. If you're not a Patreon member yet, join us over there, for a free month. Click here: https://www.patreon.com/conversationsondance/redeem/2D104Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondance. If you're not a Patreon member yet, join us over there, for a free month. Click here: https://www.patreon.com/conversationsondance/redeem/2D104Rebecca King Ferraro and Michael Sean Breeden share a catch-up episode. Michael recounts recent travel and staging work: time at IU and Chicago, then Nashville for the premiere of Balanchine’s Allegro, reflecting on the ballet’s joy, difficulty, and the dancers’ investment, alongside mention of Miami City Ballet performing Allegro and Ashley Knox’s retirement. He returns to Royal Winnipeg Ballet to stage Alexei Ratmansky’s The Fairy’s Kiss, describing its personal significance, Ratmansky’s brief visit, and Ratmansky’s formative history in Winnipeg, including meeting a key supporter from that era. Michael also praises Houston Thomas’s Firebird. Now in Hamburg staging Justin Peck’s Copland Dance Episodes, he discusses seeing John Neumeier’s Cinderella and Lady of the Camellias and the company’s strong theatrical acting, with Alice in Wonderland also in repertory. Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondance. If you're not a Patreon member yet, join us over there, for a free month. Click here: https://www.patreon.com/conversationsondance/redeem/2D104Rebecca King Ferraro and Michael Sean Breeden welcome Pacific Northwest Ballet artistic director Peter Boal back to Conversations on Dance to discuss PNB’s major facilities project: building a new school four miles south (finishing in March), temporarily moving all operations there, then renovating the 1993 headquarters for a year. Boal explains the growth and inclusion-driven space needs, highlights plans to feature the costume shop prominently, and reflects on 22 seasons of repertoire building by developing ongoing relationships with choreographers (Jessica Lang, Alejandro Cerrudo, Crystal Pite) rather than one-offs, balancing familiar classics with experimentation. He discusses coaching and stagers such as Karla Korbes, updates on Balanchine works including La Sonnambula, and previews the season’s programs: “Ghost Stories” (Cerrudo, Kyle Davis’ The Raven, George Balanchine's La Sonnambula), Director’s Choice (Kyle Abraham, Eva Stone, Chris Wheeldon), Swan Lake, Midsummer Night’s Dream, and Ballet on Broadway (Twyla Tharp, Susan Stroman, Wheeldon).Explore PNB's season here: https://www.pnb.org/.____________Listen to Ballet Help Desk wherever you get your podcasts. Click here for more information. Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Welcome to our bonus episode with Merrill Ashley, which is available now on our Patreon page. If you are a member of our Supporter, Ruby or Emerald tier on Patreon, you can listen to this entire episode, as part of your membership. Here on our main feed, we are sharing an excerpt of our interview with Balanchine Ballerina and Repetiteur, Merrill Ashley.If you're not a Patreon member yet, join us over there, for a free month, and enjoy this bonus episode. Click here: https://www.patreon.com/conversationsondance/redeem/2D104Also as a Patreon member, you get early and ad-free access to other episodes, and we will be having other bonus episodes that you surely won't want to miss over there. So give it a try!Hosts Rebecca King Ferraro and Michael Sean Breeden interview former New York City Ballet star principal and Balanchine coach Merrill Ashley about her path from early training, to the School of American Ballet on a Ford Foundation scholarship and joining NYCB at 16.Ashley describes weak early technique, learning step names late, using Pilates to build strength, and being shaped by Balanchine’s precision, Monday classes, and belief that dancers can exceed what they think possible. She recounts first roles and challenges and Balanchine choreographing for her, especially Ballo della Regina, her later guesting in Sleeping Beauty, and her focus on coaching, archiving, and preserving Balanchine tradition through projects like Balanchine Essays and current work.Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

ccess upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondanceConversations on Dance hosts Michael Sean Breeden and Rebecca King Ferraro interview choreographer Houston Thomas. Houston recounts starting dance in Chicago inspired by Savion Glover, shifting from tap to ballet through Joffrey community classes, then training at the School of American Ballet and joining Dresden Semperoper Ballet, where he danced for 10 years. He describes growing choreographic ambitions through SAB’s workshop and Dresden’s young choreographers program. After winning the Emergence Choreographers Contest, he pursued commissions by widely sharing work, ultimately leaving Dresden as choreography opportunities grew in the U.S. In Winnipeg, he premieres a new, corporate-America reimagining of Firebird aimed at drawing audiences from streaming to live theater.Royal Winnipeg's 'Stravinsky Stories' program runs in Winnipeg October 8 - 11th, 2026. Tickets and more information available here.Listen to Ballet Help Desk wherever you get your podcasts. Click here for more information.Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondanceConversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden welcome back Ashley Wheater, Artistic Director of The Joffrey Ballet, to discuss the company’s upcoming tour to Houston (Performing Arts Houston, Oct. 23–24) with Alexander Ekman’s Midsummer Night’s Dream and preparations for the season. He explains Joffrey’s marketing approach, long-range planning and budgeting through 2029, and balancing risk with audience draws like Christopher Wheeldon’s streamlined Sleeping Beauty. Wheater details Ekman’s Swedish Midsummer concept, hay-covered stage, surreal dinner party structure, and commissioned music featuring singer Anna von Hausswolff, and reflects on 20 years building Joffrey’s artistic identity, finances, community ties, and dancer wellness support.If you are in the Houston area, don't miss the Joffrey Ballet at Performing Arts Houston. Tickets available here.Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Welcome to our first Bonus episode of Conversations on Dance, which is available now on our Patreon page. If you are a member of our Ruby or Emerald tier on Patreon, you can listen to this entire episode, as part of your membership. Here on our main feed, we are sharing an excerpt of our interview with choreographer William Forsythe. If you're not a Patreon member yet, join us over there, for a free month, and enjoy this bonus episode. Click here: https://www.patreon.com/conversationsondance/redeem/2D104Also as a Patreon member, you get early and ad-free access to other episodes, and we will be having other bonus episodes that you surely won't want to miss over there. So give it a try!Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondanceToday on Conversations on Dance, hosts Rebecca King Ferraro and Michael Sean Breeden welcome choreographer Alysa Pires, who's new work for New York City Ballet will be premiering October 1 as a part of NYCB's fashion gala. Alysa who shares how she gravitated to dance as a child, discovered contemporary dance in high school, and began choreographing early. She discusses mentorship at Toronto Metropolitan University and explains her creative process: coming into ballet settings highly prepared with music charts and organizational planning while developing steps collaboratively in the studio. Byers describes managing imposter syndrome, the people-focused side of choreographing, and a career turning point when the National Ballet of Canada opened its choreographic workshop to outside artists, leading to bigger opportunities. She previews her second NYCB commission, inspired by motherhood, protection, and sacrifice. Tickets and more information: https://www.nycballet.com/season-and-tickets/fall-2026/fall-fashion-gala00:00 Support on Patreon00:40 Meet the Hosts01:29 Early Dance Roots03:14 Finding Contemporary Path06:34 Choreography Takes Hold09:28 Mentors and Ballet Return11:46 Prepping a New Work14:25 Music Charts and Logistics18:57 Discovery in the Studio20:55 Leading the Room24:37 Breakthrough Commissions28:53 City Ballet Nerves30:10 Family Sacrifice Balance31:48 Who Gets Choreography36:06 Second Commission Process37:49 Casting For Collaboration43:59 NYCB commission Inspiration48:19 Fashion And Motherhood53:51 Title And Bird Imagery55:49 Premiere Dates And Runs56:57 Thanks And CreditsInterested in signing up? Enjoy one month access to our Patreon for free: CLICK HERE.Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondanceHosts Rebecca King Ferraro and Michael Sean Breeden welcome American Ballet Theatre principal dancer James Whiteside, who announces he will retire from the ABT stage on June 30, 2027, dancing Giselle with Isabella Boylston at the Metropolitan Opera House.Whiteside explains the decision felt simple after 25 professional years, post-COVID recovery and a knee injury, and seeing peers retire, while emphasizing he values new colleagues and feels his body is ready. He reflects on industry changes, his growth as a dancer, and his early social media trailblazing that supported queerness in ballet and created income beyond the company, though he’s largely stepping away from being an influencer.He discusses future plans in choreography and writing, including a new Indiana University work inspired by George Platt Lynes and Debussy titled Stone Blossom, upcoming premieres, a restaging of City of Women, and his ABT fall performances including Ballet Imperial, Petal, and Petite Mort, plus final California Nutcracker shows.Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Access upcoming BONUS episodes plus listen ad-free when you join our Patreon page. Membership starts as low as $3 a month and every dollar helps support the future of the podcast. Thank you for your support. https://www.patreon.com/cw/conversationsondanceInterested in signing up? Enjoy one month access to our Patreon for free: CLICK HERE.Conversations on Dance: Patreon Updates, Vail Highlights, and Michael’s First Balanchine StagingRebecca King Ferraro and Michael Sean Breeden discuss a format shift for Conversations on Dance, encouraging listeners to support the podcast via Patreon to help sustain production while keeping three free episodes per month and the full back catalog free. They outline tiers—Emerald ($3, ad-free episodes), Ruby ($8, ad-free plus one monthly bonus episode), and Diamond ($15, same as Ruby)—and offer a free one-month trial link in the show notes. They recap their 10th year at the Vail Dance Festival, highlighting guests including Alexei Ratmansky, Caroline Shaw, Hermán Cornejo, and an episode with four pianists. Michael shares staging his first Balanchine ballet, Allegro Brillante, at Nashville Ballet, and previews upcoming work at Indiana University, Royal Winnipeg Ballet, and Hamburg Ballet. They also share details on Miami City Ballet’s Young Patron Society (ages 26–45) and its upcoming events.00:00 Iconic Guests Teaser01:01 Patreon Format Change02:00 Tiers and Bonus Episodes04:06 Why Support Matters05:34 Social Media and New Listeners08:05 Vail Festival Highlights11:21 Interviewing Without Cards13:31 Staging Balanchine Debut17:39 Working With Familiar Dancers25:18 Upcoming Projects Tour27:12 Jeanette Delgado Appreciation31:03 Miami City Ballet Young Patrons34:12 Final Patreon Reminder35:05 Show Credits and OutroConversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.