S02E05 Alice Frick, German speaker - From Vienna, Austria 🇦🇹

Donatas Kveselys is the second Lithuanian comedian featured on this podcast. This episode, however, feels half-dedicated to the Kingdom and the people of Sweden, for Gothenburg, Sweden is where Donatas currently lives and where he started performing stand up comedy (in English).Donatas is a London Comedy Store Gong Show winner. He also secured the 3rd spot in the Roast Battles’ 2024 International Western Division League table.Having already left his Eastern European homeland Lithuania to move to Sweden for work, Donatas gave stand up comedy a go in his adopted country where the majority of population do not speak English as their mother tongues (but are known to proficient English speakers). Talking about layers of cultural and linguistic code switching!Donatas discusses how he got to understand the reserved Swedish folks inside out from a foreigner’s perspective. He talks about doing Swedish jokes for Swedish crowds - If you don’t know already, you should definitely google “SNUS” and “SWEDEN” - but also explains why he is now travelling and gigging elsewhere in Europe for a broader reach. Content warning - from 34:47 onwards there's a brief mention of suicidal feelings as part of a discussion on anxieties---------------------------------Follow Donatas on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:02 Intro04:12 A Lithuanian comedian performing English stand up comedy in Sweden05:18 An East European accent07:13 The odd foreign performer who performs in English at Swedish comedy shows10:18 Lithuania in Swedish people’s eyes12:57 Dissecting the “Chernobyl Survivor” joke and Lithuanian stereotypes16:21 Lithuanians’ views of HBO’s series Chernobyl being shot in Vilnius19:20 A white comedian with a foreign accent vs a Swedish comedian from ethnic minority backgrounds23:45 Lithuanian as an East European language but not a Slavic language - it’s a Baltic language25:11 Swedish people in Donatas’ words28:30 Jokes for Swedish audience only; “SNUS” in Sweden30:41 Travelling around to perform to difference audiences32:03 What does Donatas like about performing for the Swedish audience33:10 Bad at imitating his comedy idols, finding his own voice34:47 Penchant for dark humour37:35 Returning to his home country to perform in Lithuanian?40:09 Donatas’ social media--------------------------------Podcast intro music by @Taigenkawabe

Winner of the prestigious So You Think You Are Funny competition in 2023, Samira Banks is a bright new star making waves on the UK comedy circuit. Her trademark jokes include her family’s journey fleeing their homeland as refugees. The crowd’s laughters are often raucous but some sensitive souls amongst them also pull their faces wondering. “Are we supposed to joke about refugees?”On stage, Samira refers to her heritage as a broad “from the Middle East.” She never specifies which specific country that is. This question thus forms the central discussion of this episode and explains why in the episode title, both her mother tongue and her native country remain unspecified.Growing up in Germany and moving to the UK for work, Samira is another guest with an international accent that is hard for others to associate it with a specific place. Samira shares her family’s stories and why a reunion of her extended family would turn into a mishmash of accents.---------------------------------Follow Samira on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:58 Intro03:58 An international accent that is hard to pin down06:58 Picking up multiple languages growing up08:31 Why Samira chooses not to specify her home country when performing13:09 Family history of fleeing and becoming refugees settling in different western countries16:51 A closely-knit family and the elders’ funny views on romance and marriage18:39 Between the English language, the German language and her mother tongue19:48 German speakers refusing to see Samira as German20:50 Some other complaints about German speakers23:50 German v.s. British25:22 Samira’s past naive assumption of anyone with accents from the north of England27:04 Middle class refugees’ “privileges”29:29 Difficulties of handling refugee experiences as comedy materials31:52 What does Samira think about her position telling her parents’ life experiences?35:59 Samira’s social media--------------------------------Podcast intro music by @Taigenkawabe

How do you perform and progress on the comedy circuit, when you as a native English speaker already moved to an Asian country where the population does not speak English as their mother tongue (and there really isn’t much stand up comedy going on)?Such is the story of Sam Yarb, co-founder of the leading comedy club in Taiwan - Two Three Comedy Club 二三喜劇. Sam started by arranging road trips to cities and towns of all sizes on the East Asian island to target the scattered English-speaking expats. Gradually, along came the Taiwanese people.As stand up comedy becomes more popular and the Mandarin scene outgrows the English scene, Sam becomes the instrumental figure in bringing international acts to the island and connecting the English performers with neighbouring Asian countries.We hear from Sam how he manages a comedy club in a foreign land and Sam’s observations on the local Taiwanese v.s. expat audienceThe Firelight Chat podcast episode with Sam quoted in this episode:On Apple PodcastOn Spotify---------------------------------Follow Sam on InstagramTwo Three Comedy Club on Facebook Two Three Comedy Club on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:44 Intro02:51 Sam’s accent05:03 How Sam started performing comedy in Southern Taiwan (a short Northern v.s. Southern Taiwan debate)06:36 Comedy road trips in Taiwan08:51 Audience make-ups in small Taiwanese towns and tailoring materials10:57 A self-deprecating American comic in front of a Taiwanese audience15:50 Expat v.s. Taiwanese audiences19:56 Taiwanese approaching stand up comedy shows with curiosity23:07 Taiwan - China relations as comedy material?26:12 Expat audience in Taiwan v.s. US audience26:57 Nationality comparison based comedy materials28:34 Being a comedy promoter/producer in Asia30:31 How the small town gigs are organised and promoted31:31 Writing all funny ideas that come to mind and making selections later35:03 Sam’s Social Media and 23 Comedy Club in Taipei--------------------------------Podcast intro music by @Taigenkawabe

Polish stand up comedian Kat Nip is a Berlin-based but globe-trotting performer. She runs her own comedy show in Berlin but is also a regular at comedy clubs in London, including the popular Top Secret Comedy Club.Winner of London Comedy Store gong show, Kat Nip has written for and acted in Comedy Central Poland’s “Mini-Mock” series in 2022 and 2023. She has also appeared on Arte and Buzzfeed UK.Having lived half of her live outside her native Poland, Kat’s native slavic sound is quite hard to detect. Yet her accent morphs where she moves to, so she ends up with a funny scenario of a faint German accent even if she does not speak fluent German.Kat also shares how changes in her health and lifestyle led her to reflect on her comedy materials and directions as well as her stage persona.Kat's comedy special "Traitor" can be seen on OUTtv---------------------------------Follow Kat Nip on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:37 Intro01:51 Guessing Kat’s nationality based on her accent03:45 A Berlin-based polish comedian who lived in the UK and almost everywhere, hence the confusing accent07:45 Ending the podcast policy09:41 Unfiltered10:34 Polish stereotypes12:45 More of a Berlin girl than a Polish lady on stage?15:25 Quit drinking but continuing to do a show about jokes on drinking19:00 Moving on from the easy jokes21:53 Traumatic experience of performing in Polish to the kind of Polish crowd that made her leave Poland24:46 Specific type of fellow Polish netizens that are easily offended28:13 Is the “Polish builder” stereotype still valid?31:12 Kat’s journey and why she left her village32:48 Difference being a Polish comedian between London and Berlin35:03 Comedy reflecting life’s changes (moving on from typical Berlin expat lifestyle)39:14 Just live your life the way you want41:43 Why choosing “Kat Nip (presents)” as stage name?43:49 Hastag gross food on Instagram45:07 Kat’s social media--------------------------------Podcast intro music by @Taigenkawabe

As one of the founding members of Becomedy - a comedy show production team in the English as well as Italian languages in both Italy and the UK - Tiziano La Bella is a stand up comedian performing professionaly in both languages. He has appeared on Comedy Central Italia and Amazon Prime and only just recently relocated from London back to his home town Rome. Tiziano came to the UK with a clear objective to hone his craft, at a time when there simply wasn’t much stage time for stand up comics - Italy was not yet familiar with the concept of modern stand up comedy and would confuse it with their traditional cabaret. (He definitely did not come for the British weather and sky!)As a result of the migration of Italians in the UK, Becomedy has been able organise stand up comedy shows in Italian in London and Tiziano has performed more frequently in Italian in recent years, leading to more gigs booked in his native Italy. Tiziano has made use of what he learned from English stand up to shift more focus on performing in Italian and eventually decided to move back as the stand up comedy scene in Italy is now fast growing.On the eve of his relocation, this podcast invited Tiziano to talk about his accent which carries a hint of Australian English, his creative process in both languages and how he dissect the audience into four different groups. We also talked about the Italian stereotypes and how the Italian accent is the endless bottom of the joke, even though Tiziano does not find doing accents particularly offensive.---------------------------------Follow Tiziano on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:46 Intro04:14 An evolving accent and now a hint of an Aussie accent08:03 The W-word between British English and Australian English and how Americans and British audiences perceive the C-word differently10:56 Foreign/minority comedians doing accents on stage?12:35 Young Italians’ improved English fluency15:13 Italian stereotypes mined by influencers on social media16:43 Choosing the funny-sounding words and the formality level of words20:06 Weird Duolingo scenarios21:13 Italian immigrants not necessarily able to improve their English fluency27:05 Forced to use English regularly during Erasmus and starting to perform stand up comedy29:54 Start of stand up comedy journey and how Tiziano never intended to settle in the UK32:06 Returning to Italy; shifting to content and performance in Italian35:19 The reality of living in Roma (Garbage collection) v.s. garbage collection in Taiwan36:07 “Is this joke about Chinese offensive?”37:50 Italian accent being the only accent everyone is comfortable with doing42:10 Not having a stereotypical Italian appearance (based South Italians)44:23 Differences between performing in different languages to difference crowds47:47 BeComedy with Italian/English shows in the UK and in Italy49:17 Tiziano’s social media--------------------------------Podcast intro music by @Taigenkawabe

Our first returning guest is Singaporean comedian Sam See, previously featured in Episode 25 of the first season.Since the last recording in January 2023, Sam has uprooted himself and relocated from Singapore to the UK as - in his own words - he has reached the ceiling in Singapore. Sam shares his gentle criticism of the comedy audience in Singapore.Sam also just finished supporting Ed Byrne on tour in 17 locations, including some well-off towns and some run down places. The bulk of this episode focuses on Sam’s approach to perform as a newly settled immigrant act in these small English towns in front of audience that are predominantly old and white.Sam is at Edinburgh Fringe Festival this year (2024) with two shows:The Asian Comedy Showcase Sam See: And I Can't Feel at Home in This World Anymore---------------------------------Follow Sam on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:44 Intro; why Sam is invited back03:37 Sam moving from Singapore to the UK05:04 The tour - opening for Ed Byrne06:53 The reason Sam swapped Singapore for UK08:54 Has Sam considered US or Australia instead?09:40 First time Sam living on his own13:17 How Sam was asked to be Ed Byrne’s tour support act15:48 More on the actual tour16:46 Winning over an older, predominantly white audience19:32 Research fun facts before arriving in a new town for performance28:16 Some British cities/towns with tricky pronunciations29:35 Audience demographic31:00 Singaporean audience trained Sam to always write generally33:00 Example of Sam employing local references in his jokes34:19 Sam’s own touring plan37:45 Sam’s shows at 2024 Edinburgh Fringe Festival and his social media--------------------------------Podcast intro music by @Taigenkawabe

Marjolein Robertson is a Shetlandic comedian, actor and storyteller. She was Scots Speaker of the Year in 2022, ranked number three in The List’s Hot 100 as one of the top Scottish cultural contributors. Hey 2023 Edinburgh Fringe show “Marj” also received award nominations and was one of the best reviewed show at the Fringe. Technically, Marjolein is this podcast’s second guest from Scotland, but same with every other island, Shetlanders see themselves as Shetlanders first and Scottish second.The interview largely revolves the concept of “knapping”. The verb “to knap” for Shetlanders means to change the way you speak to accommodate the listener, as you do not expect the listener would understand your original way of talking. It is an equivalent to code-switching, but the process is probably more automatic when a Shetlander meets a non-Shetlander. It explains Marjolein’s accent shift as she performs and gets interviewed down south.We also talk about how Marjolein weaves Shetland folktales into her comedy and takes advantage of general audience’s ignorance when it comes to her native island.This is probably the episode with the densest discussion on linguistics and cultural identity to date; it is therefore slightly longer.Marjolein is performing at Edinburgh Fringe this year! Her new show “O” is at Monkey Barrel The Hive at 17:40 daily (except Aug 12th). Reserve your tickets here.---------------------------------Follow Marjolein on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:48 Intro03:10 On Shetland and islanders’ identities06:34 How Shetland is indicated on a map09:41 Marjolein’s comedy CV & her Wikipedia page11:34 “Knapping” - a Shetlandic word meaning changing one’s way of speaking to make oneself better understand for the other person15:51 Marjolein’s “American voice” v “Shetland voice”18:48 How Marjolein’s accent shits on stage21:40 New movement in Shetland - the “No Knapping” badge———25:15 Shetland’s extinct old tongue “Norn”26:53 “Scots” as a language tangled with Scottish independence28:53 How A Faroese man - Jakob Jacobsen - helped preserve evidence of the old Norm language30:37 Audience in England knows Shetland even less than Scottish audience33:04 Marjolein plays with people’s ignorance when it comes to Shetland38:50 On her Shetlandic not being “broad” enough for some fellow Shetland’s46:29 A Storyteller52:44 Marjolein’s 2024 Edinburgh Fringe show “O”54:31 A poem in Shetlandic--------------------------------Podcast intro music by @Taigenkawabe

This is a special episode recorded in Mandarin with our guest Blank Peng from last week前一集的英文訪問 Blank 提及她在中國喜劇圈表演的一些經驗，第二段用中文訪談，主持人與來賓都能比較自然地暢所欲言（但也不能到太暢所欲言啦......這就點到為止就好）。Blank 解釋為何她的普通話在中國被視為不夠標準，甚至她的閩北口音會被其他省份的中國人嘲笑為『台灣口音』，主持人一同討論台灣與中國一些中文用語和發音的差別。在表演部分，Blank 也剖析為何她會在台上稍微觸碰政治的議題，為何她現在在英國選擇先專心發展英文的單口喜劇演出，以及她對倫敦當地中文單口喜劇的觀察。The next English bi-weekly episode will be available on Tuesday 30 July

Making headway to big comedy clubs’ paid spots within two years of arriving in the UK, Blank got into almost all the major Comedy New Act Competition finals and collected gong show wins like a dedicated Pokemon player collecting the Poke gym badges.“Blank is an incognito bilingual stand-up comic,” so goes her comedy profile on some of London’s top comedy clubs’ websites. It is not by accident she’s named Blank; it’s a deliberate choice of a stage name to keep her quite literally incognito - for understandable reasons, given part of Blank’s stand up incudes commentary on her native China. Your host to this day does not know her full real name in Mandarin.Blank shares a more nuanced picture of her home country’s censorship on the burgeoning stand up comedy scene, how comedians work with the script pre-approval compliance requirements and why places like her more obscure province’s scene allows more leeway.Having started performing stand up comedy in Mandarin first (and already doing very well), Blank is one of the fewer guests of this podcast who did not start performing in English. Instead, she had to transition into an English stand up comedy performer. She talks about why her Mandarin and English jokes are separate and why she is happy to stick to just English stand up comedy in the UK, despite the growing number of Chinese students and immigrants.---------------------------------Follow Blank on InstagramFollow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:57 Bonus episode in Mandarin01:25 Intro02:24 A Chinese national considered having a Taiwanese accent?04:00 More British than American influences05:31 Unsolicited feedback on her accent from audience members06:12 Mandarin stand up comedy performer before English stand up08:34 Coming from a “third-rate” Chinese city10:54 Comedy New Act Competitions and Gong Shows13:40 Comedy censorship in China22:12 Turning into a more unique performer in the UK23:17 Separate comedy materials between Mandarin and English stand up24:56 Blank’s stage persona in Mandarin stand up26:29 Ethnic minority comedy performers and hack jakes31:05 Blank’s racially self-deprecating jokes and the principle of fairness32:20 No longer performing Mandarin stand up in the UK35:51 Why “Blank”?36:40 Why “Blank404” for Instagram>--------------------------------Podcast intro music by @Taigenkawabe

Describing her accent as “a beautiful mess”, comedian Micky Overman’s show “The Recipe” was amongst the best reviewed shows at the Edinburgh Fringe in 2023. The excellent show is now free for viewing on Micky’s Youtube channel and forms the basis of this interview.Micky has one of those accents of a proficient non-native English speaker that not everyone can work out what her mother tongue is. Despite this, unsolicited advice still found its way to Micky, that she should play up her foreignness and even present herself as a Dutch cliché on stage.Except it is clear to Micky she does comedy for herself and wants to be herself performing comedy rather than a caricature. Micky was fed up with notion that a person could be largely definite merely by their nationality, she even wrote a show to mock this idea in 2018.But Micky’s latest critically acclaimed show does quite the opposite. “The Precipice” has little to do with her being Dutch. It has to do with her thinking about mental health, motherhood amongst other subjects that most other millennials would be wondering. The writing is sharp; the humour is universal.Watch Micky’s show “The Precipice”---------------------------------Follow Micky on InstagramMicky will perform at the Edinburgh Fringe in 2024 with a new show “Hold On”. July 30th to Aug 25th (no Aug 13th) daily at Monkey Barrel The Tron at 5:50. For Tickets, click here.Follow your host Kuan-wen on Instagram---------------------------------If you like the episode, please share it and leave a review. For any comments or suggestions, please contact us on Instagram or email [email protected]:43 First Impression of Micky’s accent02:19 Intro05:35 Everyone interprets Micky’s accent differently07:40 Micky’s accent shifts based on the people she talks to08:35 Micky’s opting for British pronunciation in her comedy sets for jokes to land10:38 Deliberately mispronouncing words to make them funnier12:55 Why would someone pretend to be Dutch? On national stereotypes15:55 Foreign comedians SHOULD use their “otherness”?21:11 Practicing not to over-introduce herself in the 2023 show25:07 Micky in English not having the same perceptions by others when speaking Dutch26:38 Micky’s critically acclaimed 2023 show “Precipice”: her worldview through how the jokes were structured28:22 Micky’d turns of phrase30:48 Show not tell; trust your audience and do not talk them down33:23 Comedy writing as music34:02 Enjoying being dumb, not taking herself too seriously35:36 Micky performed in a deadpan style at the very beginning37:14 Micky’s 2023 show Precipice on Youtube37:25 Micky at Edinburgh Fringe in 2024--------------------------------Podcast intro music by @Taigenkawabe