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Let's go Gothick. Get your pitchfork. Get your burning brand. We're off to the castle to see the count.
The Skeleton Count; or, The Vampire Mistress
In the shadowed corridors of a remote castle, Count Rodolph has made a bargain that no mortal should contemplate. The price of eternal life is high, and the methods by which it is secured are terrible beyond imagining.
When the corpse of the beautiful Bertha is carried from her grave to his study, something moves beneath the burial shroud. Eyes that had closed in death open once more, fixed upon the Count with a gaze both empty and aware. She will be his companion through the centuries—but what hungers might stir in one recalled from the tomb? What thoughts take root in a mind that has crossed the threshold between this world and the next?
The villagers whisper of strange lights in the tower. A child is found pale and trembling in the night. And in the castle, two beings who should not exist learn what it means to be neither living nor dead.
First published in 1828 in the English periodical The Casket, this early vampire tale predates both Carmilla and Dracula, exploring the dark territory between necromancy and vampirism.
The story has been attributed to Elizabeth Caroline Grey, though both the authorship and original publication remain subjects of scholarly dispute. If the attribution holds, it represents the first vampire story written and published by a woman.
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