Color in Ancient Art

In Part 2 of a two-part episode, Kara and multiple Emmy-nominated Executive Producer and novelist Neil Laird continue their conversation about their experiences making television documentaries about the ancient world, how things get done behind the scenes, whether or not romanticizing the past is a bad thing, and what the future may hold for documentary programs.About Neil LairdNeil Laird is a multiple Emmy and BAFTA-nominated creator and Executive Producer on long-running series such as Brain Games, Mysteries of the Abandoned, Border Wars, Through the Wormhole With Morgan Freeman, What on Earth?, How It's Made, Secrets of the Underground, Expedition Unknown With Josh Gates and Survivorman.Neil has worked extensively on both the network and production side of non-fiction TV since 1996. He has developed, overseen, and produced over 1,000 hours of non-fiction programs and specials in nearly every genre, with a particular passion, expertise, and professional contacts in history, mystery, science, and adventure.Neil’s novels Prime Time Travelers and Prime Time Pompeii are slated for release in 2024. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

In Part 1 of a two-part episode, Kara and multiple Emmy-nominated Executive Producer and novelist Neil Laird talk about their experiences making television documentaries about the ancient world, how things get done behind the scenes, and what the future may hold for documentary programs.Secrets of Egypt's Lost QueenOut of EgyptDigging for the TruthAbout Neil LairdNeil Laird is a multiple Emmy and BAFTA-nominated creator and Executive Producer on long-running series such as Brain Games, Mysteries of the Abandoned, Border Wars, Through the Wormhole With Morgan Freeman, What on Earth?, How It's Made, Secrets of the Underground, Expedition Unknown With Josh Gates and Survivorman.Neil has worked extensively on both the network and production side of non-fiction TV since 1996. He has developed, overseen, and produced over 1,000 hours of non-fiction programs and specials in nearly every genre, with a particular passion, expertise, and professional contacts in history, mystery, science, and adventure.Neil’s novels Prime Time Travelers and Prime Time Pompeii are slated for release in 2024. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

This week Kara and Amber discuss color (also known as polychromy) in ancient Mediterranean art and how it is studied and understood today. What role did color play in ancient art? How does polychromy affect the way modern audiences view ancient art? What are the origins of the aesthetic preference for plain white marble sculpture in Western art? The Color of Life exhibition (Getty Villa)Kelsey Museum (University of Michigan) resources on color in ancient artBibliography for color in ancient artThe Metropolitan Museum of Art resources on color in ancient artSeated statue of Hatshepsut (Metropolitan Museum of Art)Statue of Leda and the Swan (Getty Villa)Curator and artist jill moniz Get full access to Ancient/Now at ancientnow.substack.com/subscribe

In this episode Kara and Amber talk about the veneration of ancestor kings in the late 20th-21st Dynasties. During this period the coffins of ancestor kings were manipulated, buried, and reburied in caches like that of Theban Tomb 320 (also known as Deir el Bahri 320). Who was reburying and caching these royal ancestors together and why? Using the coffin of Thutmose III as a case study, they discuss the interplay of the religious, political, and economic factors behind these royal caches. Kara’s forthcoming book, Recycling for Death: Coffin Reuse and the Theban Royal CachesMore about Theban Tomb 320Amber’s post on presidential homes and America’s historical landscape Get full access to Ancient/Now at ancientnow.substack.com/subscribe

CW// self harm and suicide In this episode Kara and Amber discuss the death of Cleopatra VII and whether or not we should trust the ancient Roman accounts regarding the circumstances of her death. Did she really commit suicide, as Roman historians tell us? Or were the accounts of her death by suicide part of a cunning Roman propaganda campaign?Read more about the death of Cleopatra and the ancient sources on it here and here.Listen to our other episodes on Cleopatra:Episode 57 | Reception, Ownership, and Race: Netflix’s ”Queen Cleopatra”Episode 60 | Part II: Reception, Ownership, and Race: Netflix’s ”Queen Cleopatra” Get full access to Ancient/Now at ancientnow.substack.com/subscribe

EPISODE 81 | This episode is a recording of a live zoom Q&A with our listeners. Thank you to everyone who attended and submitted questions!Show notes* Byblos * Baal and Seth * Prof. Dani Candelora – Her research focuses on interactions between Egypt and West Asia.* Prof. Marian Feldman, Diplomacy by Design* Amarna Letter 23 – A Goddess Travels to Egypt* 1 3 - 1 7 Thus Sauska of Nineveh (goddess statue), mistress of all lands: "I wish to goto Egypt, a country that I love, and then return." Now I herewith sendher, and she is on her way." (Moran 1992)* Hathor and the Myth of the Heavenly Cow* Spalinger Anthony, “The Destruction of Mankind: A Transitional Literary Text,” Studien Zur Altagyptischen Kultur 28: 2000, 257–282. https://www.jstor.org/stable/25152827* Amenhotep III’s Mortuary Temple & Sekhmet Statues* Kara’s Cambridge Elements – Coffin Commerce * Judith Flanders – “Rites of Passage: Death & Mourning in Victorian Britain”* Peter Saris – “Justinian”* Lady Sennuwy, Boston Museum of Fine Arts * Augustus Meroë Head* Great Sphinx of Tanis, Louvre* Vatican Phases of Construction* Demon Bes – Coptic Magical Papyri* End of the ancient Egyptian Religion, Christian Erasure * Egyptian obelisks * Egyptian object outside of Egypt – Egypt’s Dispersed Heritage Project * Maat* Eloquent Peasant – status dynamics, misuse of Maat* Lichtheim, M. (1992) Maat in Egyptian autobiographies and related studies  / Miriam Lichtheim. Freiburg, Schweiz: Universitätsverlag.* Teeter, Emily. (1997) The presentation of Maat : ritual and legitimacy in ancient Egypt  / by Emily Teeter. Chicago, Ill: Oriental Institute of the University of Chicago.* Isfet* Kemp, B. J. (1995) How Religious were the Ancient Egyptians? Cambridge archaeological journal. [Online] 5 (1), 25–54.* James C. Scott, “Weapons of the Weak” Get full access to Ancient/Now at ancientnow.substack.com/subscribe

EPISODE 80 | In this episode, Jordan and Kara interview Malayna Evans, author of Neferura, about the inspiration behind the story, her writing process, and how her knowledge of Egyptology factored into the choices she made as she was writing the book.About the authorMalayna Evans was raised in Utah and spent her childhood climbing mountains and reading Sci-Fi. She moved to Chicago in her early twenties where she earned an M.A. in the ancient history of the Mediterranean, an M.A. in the ancient history of the Near East, and a Ph.D. in ancient Egyptian history. She enjoys sharing her passion for the ancient world with readers, adores travel, and plays a mean game of cards. A single mom, Malayna lives in Oak Park, IL, with her two children and two very spoiled Frenchies. You can learn more about her on her website or connect with her on Twitter, or Instagram. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

EPISODE 79 | In this episode Kara and Jordan answer this month’s listener questions. They discuss which ancient Egyptians they would like to see a tv show about, colonialism in the ancient world, extreme climate events in ancient Egypt, and more. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

EPISODE 78 | In this episode Kara and Jordan talk with archaeobotanist and Assistant Professor of Archaeology Claire Malleson (American University in Beirut) about agriculture in ancient Egypt. What can archaeologists learn about the way ancient Egyptians lived from botanical remains? What are the traditional narratives about agriculture in ancient Egypt and how is our understanding of it changing? How was the profession of farming seen in ancient Egypt? Scorpion macehead (Ashmolean Museum) The Satire of the Trades“Tiger nut” - Cyperus esculentus and Cyperus rotundusAbout Professor Claire MallesonAfter a short career in contemporary dance as a designer and technical manager, Claire started Egyptological studies at the University of Liverpool in 2002, and completed her PhD there in 2012 (published in 2019 by AUC Press). Throughout her studies she trained and worked in Egypt as an archaeobotanist at numerous settlement excavations, following graduation she re-located to Cairo to pursue work as a free-lance archaeobotanical specialist, working for multiple international archaeological projects all over Egypt. In 2018 she was appointed as an Assistant Professor of Archaeology at the American University in Beirut, where she teaches Egyptian Archaeology and Archaeobotany. She continues to work as archaeobotanist all over Egypt, gathering data for studies on ancient Egyptian agriculture, and working towards a new book. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

EPISODE 77 | Professor Maggie Geoga joins Kara and Jordan to discuss ancient Egyptian wisdom literature (also known as instruction texts), specifically “The Teaching of Amenemhat,” a Middle Egyptian poem from ca. 1550 to 500 B.C.E. in which the murdered King Amenemhat I advises his son from beyond the grave. They discuss the challenges of studying this ancient text, who the intended audience for this text might have been, and how its reception by the the ancient Egyptians changed over the centuries.Learn more about “The Teaching of Amenemhat”Read a translation of “The Teaching of Amenemhat”Read Prof. Geoga’s article: “New Insights into Papyrus Millingen and the Reception History of The Teaching of Amenemhat”Read about Emily Post and check out the website dedicated to her rules of etiquetteMaggie Geoga is Assistant Professor of Egyptology at the University of Chicago and a Junior Fellow in the Society of Fellows in Critical Bibliography. Her research focuses on ancient Egyptian literature, scribal culture, textual transmission, and reception in both ancient Egypt and later periods. Maggie earned her PhD in Egyptology from Brown University, where she also completed a concurrent MA in Comparative Literature. She is currently working on a monograph on the reception history of the Middle Egyptian poem The Teaching of Amenemhat from ca.1550 to 500 BCE. She also maintains an ongoing project on Jean Terrasson’s 1731 novel Séthos, whose depiction of Egypt strongly influenced numerous eighteenth-century authors, artists, and thinkers and still underlies many contemporary beliefs about ancient Egypt. Get full access to Ancient/Now at ancientnow.substack.com/subscribe