
I'm afraid the rumours are true... we have officially all gone troppo. George Harrison throws out the rulebook with this oft-forgotten, happy-go-lucky record. Is it truly forgettable, or a diamond in the rough? Would it have been better if George had recorded the whole thing on an acoustic guitar into a dictaphone? And why does he suddenly hate bridges? Amongst some varying opinions on the record, we discuss the mythical Rodina Sloan, Weezer's best albums and Cameron goes on an insane rant about how deep voiced men aren't real singers.
Our cover of the week is the fabulous title track.
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