Weekend Passes

It was only a matter of time before the Sin Syndicate covered…a 3-D film! Shot in OptoVision and featuring a bevy of familiar sexploitation beauties, Prison Girls (1972) was not a project that director Tom DeSimone looked back at with fondness. Before his passing in October, DeSimone chatted with our very own Casey Scott in a wide-ranging interview that touched on the entirety of his career: early student film work, producing gay pornography, as well as his more mainstream films such as Chatterbox (1977) and The Concrete Jungle (1982). That interview has never seen the light of day until now, and is included in edited form after a classic Sin Syndicate discussion about the major players both behind the scenes and in front of the camera of Prison Girls. Some of the key cast members being: Jacqueline Giroux (Erotic Adventures of Zorro), Annik Borel (Werewolf Woman), and Tracy Handfuss (All-American Girl). But somehow, surprisingly, maybe the most interesting of all is the information we’ve dug up on John Barnum, the bare-it-all male star of The Adult Version of Jekyll & Hide (1972). So soap yourself up real nice and prepare for a two-day furlough, we’re giving out Weekend Passes for good behavior.Episode Specific:Purchase Prison Girls from Kino LorberPre-Order I Used to Be Uschi from Severin FilmsLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

Meet Granny Good, she's the head mistress at a finishing school for girls, where the curriculum includes reading the dictionary, taking showers for gold stars, and drawing Bob Cresse. Just don't go in the basement, where there's a werewolf cooking up death-proof elderberry wine.The nudie-cutie genre is full of some incredible highs, and some incredible lows. We've previously confessed our love for the wonderfully mad monster-nudie, Kiss Me Quick! in episode 12 ("Too Much Sex Fizz"), and we're back to cover another entry from the same stupid source. You may know House on Bare Mountain for its eye-popping monstie-filled marketing campaign, which only slightly exaggerates the creature content, but you may not know the history behind its making, which saw Bob Cresse and frequent collaborator Lee Frost swooping in to save a well-intentioned, but poorly planned production.To tell the tale, we are once again joined by Canadian degenerate and 4D-Witch possessed Alex DiSanto, who helps us sail the turbulent waters of early Frost/Cresse, study the state of the nudie in 1963, as well as aid us in correcting some misinformation about the Mountain. There will be spiked punch, sexless nudity and the best goddamn Twist you've ever seen (both plot and dance). Join us for the second and final film in this month's special spooky Haunted House Duology, where everyone's a sudspect. Episode Specific:Watch the 2017 restoration of House on Bare MountainFind Alex in the paperbackgrindhousePurchase Maple Syrup Pix, Vol. 1Get tix to Nikkatsu's Golden Age of ErosCheck out the Lurid Cove KickstarterLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

This house is not a home, but all our friends are here. For the first in our Haunted House Duology for the 2026 Halloween season, The Syndicate is joined by the artist formerly known as Spicy Goldman to discuss a mad and mysterious transitioner distributed by "The Professionals" and directed by a red Corvette driving Edward D. Wood Jr.If you've never heard of The Only House in Town, there's probably a reason. If you have heard of The Only House in Town, you may be wondering what there is to say about this seemingly unfinished bump 'n grinder with about 2% plot and 98% softcore orgy. Well, we hope you'd know by now that there is something to say about even the most ineptly made, bottom-of-the-barrel sexploiter (except maybe those Cosmos Films). Now, we're not saying that The Only House in Town is one of those, well, maybe Casey is, but nevertheless, we were excited to bring Shawn "Spicy" Langrick back on the show to let him do what he does best: educate.Shawn provided a commentary for the 2024 release of House that appeared on Severin's 3-disc "Hard Wood" set, in which he and Greg Dziawer dropped a research bombshell about the location of the titular house. And it all came down to a window. In between the recording of that commentary and the street date of that set, Shawn kept digging, and found even more information about the production of the film and some of the key players in it. We were happy to provide an outlet for that information, and of course, to get the chance to talk about some of our favorite girls: Lynn Harris, Jane Tsentas, Neola Graef and Uschi Digard.Oh, and the guys are alright too. In fact, Shawn has some interesting background into a couple of them. Let's just say, maybe unsurprisingly for this Hollywood, CA film, The Church of Scientology is involved. Join us for House Part 1, it may not be the spookiest choice of film, but the sound quality sure is frightening.Episode Specific:Purchase Hard Wood from SeverinPickup Outlaw Ladies from MelusineVisit the Capri Show WorldListen to archival episodes of The Ed Wood Summit PodcastLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

Few women in "the industry" left more of an impression than the young, squirrelly, sometimes buxom, Rene Bond. Born Rene Ruth Bond on October 11, 1950, the Queen of Porn was one of the first superstars of the nascent, still-illegal industry. In this episode we chart Rene's relatively short but memorable career in both the hard and softcore adult film industry, with a special emphasis on her role in the Ed Wood-scribed women-on-the-run sex 'n action film, Fugitive Girls. Directed by Stephen C. Apostolof, a friend and frequent collaborator of the down-on-his-luck Wood, the film features memorable performances by a bitchy Bond, a butch Tallie Cochrane, and cameos by Erotic Zorro Douglas Frey, the small but powerful Maria Arnold, and Edward D. himself as a hapless station attendant. To name a few.Joining us for the discussion is graphic artist Robin Bougie, who has studied every inch of Rene Bond's body. For research, of course. A fan of all things trash, sleaze and XXX, Robin put together some of the most substantial research into Rene’s life and career through Volume #7 of his Cinema Sewer series. We talk about that, and much more, such as Bond's frequent partner Ric Lutze being the annoying Bogie to her Bacall, as well as the difficulty in shooting day for night, and maintaining a convincing Southern accent.Episode Specific:Visit Robin Bougie's StoreShop Cinema Sewer at Fab PressFollow Robin on InstagramWatch the VS trailer for Fugitive GirlsStream Rene Bond on CultpixWatch Rene Bond on Break the BankLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

I hope you haven't forgotten your girl. We sure haven't. It's true, we will never stop talking about The All-American Girl, director Mark Haggard's 1972 coming-of-age, sex positive, Southern California masterpiece. We discussed the film at length in Episode 20, "Don't Forget Your Girl," have long been clammoring for a new home video release, and thus, were more than a little excited when we heard that the film was being screened on 35mm at the New Beverly Cinema in Los Angeles on Labor Day, 2026. Friend of the pod and enthusiastic Vinegar Syndromer Eli Olsberg was able to attend as our proxy, and joined us in this Short Ends episode to give his report. Keep your hankerchief on hand, it's going to get messy.Episode Specific:Revisit "Don't Forget Your Girl"Listen to the Punk Vacation podcastFollow Eli on InstagramLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

Can you afford the price? The film might call them hookers, but there is no hooking. Instead, in the 1967 anthology film, The Hookers, we are treated to three different stories dealing with three different ways in which the female body is sold and commodified, either by choice, or by coercion. Fleurette Carter (Aroused) plays Callie Sue, Sharon Kent (Indecent Desires) plays Julie, and Monica Davis (The Swap and How to Make It) plays Barbara. Each woman is from a different station, and each approaches the salability of their womanhood in a different way. Callie Sue takes back the power that was stolen from her; Julie is oblivious to the games that men play; and Barbara uses her charms to get out of a gambling debt. As the narrator, producer, actor, and director (?) of The Hookers asks at the end of the documentary, Queens at Heart: "Who are we to judge?"Join us for Episode 46, "The Secretary, The Go-Go Girl and The Housewife," where we spotlight The Women, plus one fascinating man with a golden voice and a once-fierce karate chop. It's teasing, taunting, and opens on a shot of the Pan Am rooftop helipad where Michael Findlay was killed. Does that have anything to do with anything? No, not really.Episode Specific:Watch the documentary short Queens at Heart featuring Joel HoltStream All of Me and Karate, the Hand of Death on Cultpix.comPurchase The Lost Sexploition Triple Feature and Maple Syrup Pix, Vol. 1Visit the SWV VHS ArchiveLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

Here at the Sin Syndicate, we love websites. Not apps, not Substacks, not ad-filled modern forums, but websites. One of our favorites is Mondo Digital, the long-running project of Nathaniel Thompson, a long-time figure in the scene, whether it be moderating the Mobius Home Video Forum, covering genre cinema online and in print, contributing to disc releases, or working at Image Entertainment (not in that order). It's that last thing we wanted to talk with Nathaniel about, specifically around his work as part of Image in the period of the early aughts, which also coincided with the LA-based distribution company's partnership with Seattle's Something Weird Video.What was the process like putting those still incredible double and triple feature DVD releases together? Was there any internal pushback to some of the sexploitation content within? What did they have against The Big Snatch? And what was it like moderating a commentary track with Harry Novak? Those are just a few of the questions we cover in this episode, which also kicks off with a brief chat with Punk Vacation's Eli Olsberg about a special sexploitation screening he attended at the New Beverly Cinema earlier this month. So, cuddle up with your favorite snapper case and best memories of Borders Books, it's about to get Extra Weird.Episode Specific:Purchase The Acid Eaters + Space Thing from AGFABookmark Mondo-Digital.comFollow Mondo DigitalFollow Punk VacationLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

I know it's labeled a Short End, but it's actually not that short. But the spirit of the Short End is still with us. For this entry in our bonus episode series, we are joined by Austin Miller, film archivist and technical coordinator for the Mid-Atlantic Regional Moving Image Archive (MARMIA), to discuss a short film he provided to the Vinegar Syndrome Archive for use on the recent, very sold out, Reviver 3 home video release (we will be saying the word "short" and "archive" a lot). That film, titled The Psychedelics, has been long-sought after by fans of buxom Sunset Strip dancer turned "actress" (in the heaviest quotes), Pat Barrington.Patty B and an unknown blonde are the stars of the short, which was produced by the same company (Dyle IV) that made another film featuring trippy light effects, Ed De Priest's "mondo Hollywood underground," Hedonistic Pleasures. What's the connection between the two, if any? Who is Bob Beck, the man behind the visual effects? And what can we say about Paul Hunt, the man often cited as the director of this acid dreamy short?Listen to find out all that and more, including a new segment of Weirdo on the Street from our Gap Grindhouse correspondent, Jeffery "The Sponsor" Petrone, plus a story about how Casey almost got beat up by Tura Satana. So drop a tab, take a puff from your wackiest cigarette, and get psyched with us as we peer through the kaledoscopic lens at the end of hippiedom and the new era of film preservation. Bring your own sitar.Episode Specific:Wait for Reviver 3 to restock at Vinegar SyndromePurchase The Ultimate Degenerate / A Thousand PleasuresStream Hedonistic Pleasures on Cultpix.comVisit and follow MARMIAFollow Austin MillerLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

The name Donn Davison might not be as well-known as Dan Sonney, Kroger Babb, Dwain Esper, or David F. Friedman, but he was a mighty Southern monarch in his own right, a multi-talented road showman, yo-yo man and official member of the Forty Thieves of classical film exploitation and distribution. Like many of the thieves, he started out in a carny circuit, the spook show, before deciding to try his hand at producing one of his own pictures to tour the mom and pop theaters and drive-ins of the Bible Belt.One of those films was Shantytown Honeymoon, later retitled Honey Britches for release by Something Weird and Demented Death Farm Massacre when re-edited for Troma Video. In this episode we'll discuss all the ins and outs of this regional little hick flick, with special love given to its genetically blessed star, the "torrid tide in the sea of wanton splendor, the siren’s song that leads men to damnation, the Amazonian adversary to patriarchal perdition," Ms. Pepper Thurston.Thurston might tower over her co-stars, but there is still plenty to love about George Ellis giving 110% as the leering, greedy moonshiner Horlon P. Craven (does "Bestoink Dooley" ring a bell?), not to mention Davison favorite Ashley Brooks as bought-wife Reba Sue, as well as Trudy Moore as dumb-as-rocks Karen. There's also Michael Battlesmith as Kirk (he's just a Kirk), and Valarie Lipsey as a super-sassy no-nonsense Madame named Jessabelle (not a Jezebel).Our favorite third wheel and #1 Pepper Thurston stan Alex DiSanto joins us to pull the rope on this well bucket as we gather water on everything you've never wanted to know about this sweet and sleazy number which had a surprisingly long life both on the screen, and on the video shelf. It may be true that the film's message is that the Lord both giveth and taketh away, but he did giveth us Pepper Thurston. To that we say: she's in our hearts now, you can't have her back.Episode Specific:View our Southern Sexploitation ListWatch Honey Britches on Cultpix.comWatch Demented Death Farm on Tubi or TromaNowOrder The Ultimate Degenerate + A Thousand PleasuresSpecial thanks: Alex DiSantoLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]

The Sin Syndicate is taking a stroll down to the San Francisco massage parlor to visit future adult film superstar Serena during her brief softcore period. At the time, the striking blonde was still using her "Jen Gillian" pseudonym and just getting her foot in the door the film industry. Released in 1975 through Harry Novak (yes, again) and his Box Office International production company, Massage Parlor Wife is unique in that its director really had no business making sex movies, his background was in documentaries and experimental films. Nevertheless, the resulting work is a fiery, funny, and above all, still unquestionably erotic work that not only shows competence behind the camera (and in the editing room), but shows the immediate and umistakable charisma of the new starlet soon to become Serena. Joining us in Episode 43, "Rubbing the Right Way," to discuss all things Massage Parlor Wife, both direct and indirect, is Mark Murray: author, archivist, restoration artist, bobble head creator, friend of Serena, and propieter of Ultra Flesh Archives. There's no better person to join us for this episode than Mark, who just recently released Vol. 1 in a collection of Serena's hardcore loops through his home video imprint, UFA, where the official motto is "Take pride in your porn," and the unofficial, "Long live loops!" We full-heartedly endorse both, just as much as we full-heartedly love and celebrate Serena, one of the most magnetic personalities to ever grace the silver sex film screen, soft or hard.Episode Specific:Search "Ultra Flesh Archives"Subscribe to Barry Spinello's YoutubeOrder Wadd: The Life & Times of John C. HolmesPre-Order The Ultimate Degenerate + A Thousand PleasuresSpecial thanks: Mark MurrayLinks:Join the community on PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact: [email protected]