The Reel Rejects podcast

ALIEN: EARTH 1x08 Breakdown & Review!!!

0:00
19:59
Rewind 15 seconds
Fast Forward 15 seconds
BRING US SEASON 2!!! Alien Earth Full Episode Reaction Watch Along:   / thereelrejects   Get your New Customer offer + 3-month Unlimited wireless plan for just 15 bucks a month at https://www.mintmobile.com/REJECTS Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Grab Our New XENOMORPHIN' TIME Tee!! https://www.rejectnationshop.com/  With the Season 1 Finale upon us, Coy Jandreau (DC Studios), Tara Erickson, & Aaron Alexander RETURN for another Alien Earth Reaction, Recap, Commentary, Analysis, Breakdown, & Spoiler Review!! Tara Erickson, Coy Jandreau & Aaron Alexander bring you their full Reaction & Review of Alien: Earth Season 1, Episode 8, “The Real Monsters,” — the thrilling season finale from Noah Hawley’s bold reimagining of the Alien franchise. After seven episodes of escalating tension, betrayals, and alien horrors, the finale delivers big answers, shocking confrontations, and a new power dynamic that reshapes everything we thought we knew. Sydney Chandler (Pistol, Don’t Worry Darling) returns as Wendy, the hybrid leader burdened with secrets and a growing connection to forces beyond her control. Timothy Olyphant (Justified, Deadwood) is Kirsh, the cold synthetic mentor whose loyalties are tested in the darkest of ways. Behind the corporate veil stands Boy Kavalier, played by Samuel Blenkin (The Watcher), whose obsession with immortality and control over the Lost Boys has driven much of this season’s conflict. Adarsh Gourav (The White Tiger) and Jonathan Ajayi (Apple TV+ projects) portray the Lost Boys Slightly and Smee, each struggling to find their place in a world that sees them as tools. Lily Newmark (Shōgun, Sex Education) is Nibs, whose fate after Episode 7 became one of the biggest cliffhangers in the series, while Babou Ceesay (Peaky Blinders, Krypton) plays Morrow, whose connection to the Ocellus eye creature looms large. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

More episodes from "The Reel Rejects"