Charlene Prempeh

Johanna Gibbons, founder of landscape architecture practice J&L Gibbons and the current keeper of the Faculty of Royal Designers, joins the podcast to discuss the pluriverse, the entanglements of community and landscape, and the potential for education through ecology.Johanna's picks for her crit were:Best design: Dalston Eastern Curve Garden as part of Making Space in Dalston or Urban Nature Project, Natural History MuseumWorst design: Edward SquareMost successful design: Urban Nature Project, Natural History MuseumMost impactful feedback: A difficult community meeting as part of Making Space in DalstonDream design: An extentsion of her Schiehallion Seed to Tree ProjectThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

James Melia, founder and creative director of London-based design agency Blond, joins the podcast for a conversation about packaging, brand names, and greater attention towards design in medical tech.James's picks for his crit were:Best design: Fussy refillable deodorant  Worst design: A desk he designed for his final project at universityMost successful design: An upcoming packaging design for a US brand Most impactful feedback: His colleague Dana Salmanzadeh asking why James is the only person in the studio who pitches and presents projects to clientsDream design: A catheter The CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Designer and researcher Liliana Ovalle visits the studio to discuss exploring different making cultures, learning the limitations of working with craft processes, and her dream of making altars for the home.Liliana’s picks for her crit were:Best design: Sinkhole Vessels Worst design: Encuentros bar set Most successful design: Fragment of a Staircase Most impactful feedback: Curator Jennifer Dunlop Fletcher saying she creates designs that look playful but are actually quite serious, similar to the work of designer Shiro KuramataThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Jon Marshall, industrial designer and partner at Pentagram, visits the studio to discuss the importance of trusting the process, the experience of moving from a designer to a creative director role, and the pleasures of seemingly intractable design problems.Jon's picks for his crit were:Best design: Honda. A Great JourneyWorst design: Exhibition design for UNIQLO Most successful design: Yoto Most impactful feedback: Daniel Weil telling him to trust the process (and all feedback from his wife)Dream design: A range of cookware inspired by Richard Sapper’s La Cintura di Orione for AlessiThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Charlene Prempeh, founder of A Vibe Called Tech, joins The Crit for our 2025 holiday episode, examining the pleasures and importance of “good enough” work; the porous barrier between commercial and artistic practice; and answering a series of festive questions about redesigning the holidays!.Charlene's picks for her crit were:Best design: Now You See Me: 100 Years of Black DesignWorst design: A project with a beauty brand during Black History Month(Best holiday gift: An advent calendar)Most successful design: We Are All They(Best holiday decoration: A wooden star, made by her son)Most impactful feedback: Non-existent feedback, teaching her to listen to her instincts when something feels wrongDream design: The Golden Stool(Dream design change for the holidays: Food design)The CritGraphics: Leonhard Rothmoser Hosted on Acast. See acast.com/privacy for more information.

Spandana Gopal, founder and creative director of the Tiipoi homeware brand, visits the studio to discuss rejecting exoticised portraits of India's design and craft traditions; the need to prioritise ethical, community-focused production; and the challenges of translating global sales of local craft into a thriving domestic market.Spandana's picks for her crit were:Best design: General ItemsWorst design: “Silly candles”Most successful design: Tiipoi, thriving as a business and abiding by its principlesMost impactful feedback: Mentorship by Simon Alderson, cofounder of twentytwentyoneDream design: Rice cooking equipment for AlessiThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Ab Rogers, creative director of the Ab Rogers Design studio, joins the podcast for a discussion focused on the architecture of healthcare, the horrors of wackiness, the need to welcome new people into architecture and design, and the creative potential for delight in everyday spaces.Ab's picks for his crit were:Best design: Maggie’s at The Royal MarsdenWorst design: Waiting room at the Charing Cross Hospital breast unitMost successful design: Tate Modern Public Concourses or Comme des Garçons ParisMost impactful feedback: Aric Chen describing his work as “wacky”Dream design: A culture-centred health hubThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Material researcher and designer Ori Orisun Merhav sits her crit, exploring the ethos, experimentation and commitment to bio-inclusive co-creation that underpin her creations with lac, a natural polymer produced by insects.Ori's picks for her crit were:Best design: Something yet to come within Made by Insects Worst design: The daily failures of material researchMost successful design: Lac chandelier for Design Sediments Most impactful feedback: Nacho Carbonell’s advice to “Become the insect”Dream design: A space and mindset to encourage cross-disciplinary collaboration in material researchThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Designer and artist Samuel Ross, founder of fashion brand A-Cold-Wall*and design studio SR_A, visits the studio to discuss the challenges of working as an innovator within internal teams, the influence of architecture on his work, and creating designs that speak to a particular generation of British culture. Samuel's picks for his crit were:Best design: Partnership with Nike GroupWorst design: Designs where Ross’s team hasn’t managed to convince the client to adopt new processes Most successful design: SR_A Hublot TourbillonsMost impactful feedback: Provocative feedback from Kohler toilet Dream design: Ethical and accessible garment production or creating public communal spaces through urban planningThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

Futures designer Nick Foster sits his crit to mark the launch of his new book Could Should Might Don't, exploring the limitations of futurism, and the need for more mundane, rounded design thinking within the realm of the tech giants.Nick's picks for his crit were:Best design: Google’s Selfish LedgerWorst design: Early-career, “thirsty could” design workMost successful design: Projects that have left stakeholders with a better understanding of the breadth of what design is Most impactful feedback: “Are you sure?”Dream design: Black MirrorThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.