
In February 1945, an American prisoner of war was locked in an underground slaughterhouse in Dresden while the city above him burned. Twenty-four years later, the prisoner, Kurt Vonnegut, Jr, turned that night into his breakthrough novel Slaughterhouse-Five. So it goes.
Part Two of our series on art and the apocalypse is about the people who didn't have to imagine the end of the world, and what they made afterward. The episode features Dorian Lynskey (Everything Must Go) on Vonnegut, on John Wyndham walking out of the war into an empty London, on James Cameron and Kathryn Bigelow as the Mary Shelley and Lord Byron of Hollywood, and on the entire history of apocalyptic thinking, from Zoroaster to the doomers, delivered with a straight face in answer to the longest question I have ever asked. Dream researcher Kelly Bulkeley on the hero's journey and its regressive twin, the apocalyptic fantasy, with a detour through Black Sabbath I was morally obligated to leave in. Psychoanalyst Amy Levy on why a species that wants so badly to live keeps imagining its own ending, and what we're really afraid of when we fear the machines. Ed Simon (The Dove and the Dragon) on the original meaning of the word apocalypse, which isn't an ending at all, and on how the printing press turned the Book of Revelation into some of the first viral images.
Also included: my grandfather, the USS Cabot, and a book called First Mile, Last Mile; the Zoroastrian end of the world, in which the wicked wade through molten metal and the righteous through warm milk; Dürer, Bosch, John Martin, and the volcano in Turner's sunsets; the Halifax Explosion and the first study of how people actually behave in a disaster (they help); Station Eleven and the three words painted on the wagon; and the movie I made about a family in a bathroom at the end of the world, and the conversation with my dad that made me want to make it.
Next episode, Part Three: what happens when the art isn't made by humans at all. A composer on what the machines are doing to his work, the film After Yang, S1m0ne, and the one thing an AI refused to reproduce for me.
A correction: in An Enormous Mistake (Part Three), I described Dan Faggella as having engaged with Nick Land early and later distanced himself, and lumped him in with accelerationists. He did neither, and he doesn't describe himself as one. This was an error on our part. The line will be removed from that episode, and I address it at the end of this one.
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Host and Creator: Sean King O'Grady
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Guests (in order of appearance):
Dorian Lynskey — Journalist / Author, Everything Must Go: The Stories We Tell About the End of the World — https://amzn.to/42ISDD1
Kelly Bulkeley, PhD - Dream Researcher and Author of The Spirituality of Dreaming - https://amzn.to/4dU0ns6
Ed Simon — - Ed Simon - Carnegie Mellon University - The Dove and the Dragon: A Cultural History of the Apocalypse - https://amzn.to/4dVMYQb
Dr. Amy Levy — Psychoanalyst / Chair, American Psychoanalytic Association's Commission on Artificial Intelligence / Author of The New Other: Alien Intelligence and the Innovation Drive — https://amzn.to/3PH1FO5
Other works and things mentioned:
THE WRITERS WHO WERE THERE
Kurt Vonnegut, Slaughterhouse-Five (1969) — https://link.amazon/B08gTirgv
Vonnegut's May 1945 letter home from a POW camp ("Bayonets aren't much good against tanks"), reprinted in Armageddon in Retrospect (2008) — https://link.amazon/B06x6QRCU
The bombing of Dresden, February 13–15, 1945 — https://en.wikipedia.org/wiki/Bombing_of_Dresden (the death toll Vonnegut repeated, 250,000, is roughly ten times the figure historians now accept)
J.G. Ballard, Empire of the Sun (1984) — https://link.amazon/B0igeKej5
John Wyndham, The Day of the Triffids (1951) — https://link.amazon/B051yFBl2; the 1962 film — https://en.wikipedia.org/wiki/The_Day_of_the_Triffids_(1962_film)
28 Days Later (2002), dir. Danny Boyle — https://en.wikipedia.org/wiki/28_Days_Later
THE HERO'S JOURNEY AND ITS TWIN
Joseph Campbell, The Hero with a Thousand Faces (1949) — https://amzn.to/4zTkaRA
Black Sabbath, "War Pigs" (Paranoid, 1970) — https://open.spotify.com/track/0HVQuuXGAcQ2P5mBN521ae
HOLLYWOOD'S SHELLEY AND BYRON
James Cameron, The Terminator (1984) — https://en.wikipedia.org/wiki/The_Terminator
Kathryn Bigelow, Strange Days (1995), written by James Cameron — https://en.wikipedia.org/wiki/Strange_Days_(film)
Kathryn Bigelow, A House of Dynamite (2025) — https://en.wikipedia.org/wiki/A_House_of_Dynamite
THE USS CABOT
USS Cabot (CVL-28), Independence-class light aircraft carrier — https://en.wikipedia.org/wiki/USS_Cabot_(CVL-28)
First Mile, Last Mile - I can’t find a reliable source to the book online, so apologies for being morbid, but here’s my grandfather’s obituary – it’s a source? – https://obits.mlive.com/us/obituaries/saginaw/name/thomas-o-grady-obituary?id=14323962
THE HISTORY OF THE END
Zoroastrianism and Frashokereti, the renovation of the world — https://en.wikipedia.org/wiki/Frashokereti
The Book of Revelation — https://www.gutenberg.org/ebooks/10 (King James Bible)
Our Episode 2, with Judith Wolfe and Dorian Lynskey on where apocalyptic thinking comes from — https://podcasts.apple.com/us/podcast/suspicious-minds-ai-and-the-apocalypse/id1844631307?i=1000771138097
Albrecht Dürer, The Apocalypse (1498), the fifteen woodcuts — https://en.wikipedia.org/wiki/Apocalypse_(Dürer)
Hieronymus Bosch, The Garden of Earthly Delights (c. 1490–1510) — https://en.wikipedia.org/wiki/The_Garden_of_Earthly_Delights
John Martin, the Last Judgment triptych (1851–1853) — https://en.wikipedia.org/wiki/John_Martin_(painter)
J.M.W. Turner's sunsets and the Tambora ash (Zerefos et al., 2007) — https://acp.copernicus.org/articles/7/4027/2007/
The Year Without a Summer (Part One), last week's episode — https://podcasts.apple.com/us/podcast/suspicious-minds-ai-and-the-apocalypse/id1844631307?i=1000798680356
DOOMERS, DISASTERS, AND WHAT WE'D KEEP
Emily St. John Mandel, Station Eleven (2014) — https://link.amazon/B04ujzxYn; the HBO Max series (2021) — https://en.wikipedia.org/wiki/Station_Eleven_(miniseries)
Cormac McCarthy, The Road (2006) — https://link.amazon/B07GOYcdv
Lars von Trier, Melancholia (2011) — https://en.wikipedia.org/wiki/Melancholia_(2011_film)
Rebecca Solnit, A Paradise Built in Hell (2009) — https://link.amazon/B0arqMw4k
The Halifax Explosion, December 6, 1917 — https://en.wikipedia.org/wiki/Halifax_Explosion
Samuel Henry Prince, Catastrophe and Social Change (1920), the first systematic study of disaster behavior — https://archive.org/details/catastrophesocia00prin
Rutger Bregman, Humankind: A Hopeful History (2020) — https://link.amazon/B09Ad9sPS
Pat Frank, Alas, Babylon (1959) — https://link.amazon/B0dafOkc9
Don McKellar,, Last Night (1998) — https://en.wikipedia.org/wiki/Last_Night_(1998_film)
WE NEED TO DO SOMETHING
We Need to Do Something (2021), directed by Sean King O'Grady — https://youtu.be/TcmfY_ApDxU?si=q0uvbsboB7BV8rjx
T.S. Eliot, "The Hollow Men" (1925) — https://www.poetryfoundation.org/poems/47254/the-hollow-men (the line is "not with a bang but a whimper")
ALSO MENTIONED
The Epic of Gilgamesh — https://amzn.to/4zFpHuP
Avengers: Doomsday (2026), for scale — https://en.wikipedia.org/wiki/Avengers:_Doomsday
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This episode was made by:
Executive Producers: Mandy Teefey, Selena Gomez, Jonathon Glucksman, Molly Borman, Jesse Ford, David Tuohy, Feras M. Shammami
Produced by: Jesse Ford
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Sound Mix: Mike Regan and Paul Bennett
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