Slow Read: OUTLANDER podcast

SLOW READ: The Stand (Chapters 74 - 78)

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Welcome to SLOW READ, where we tackle the books you’ve always wanted to read at a pace you can handle.

Hosted by Sarah Stewart Holland and Laura Tremaine

We are currently reading The Stand by Stephen King (unabridged version)

You can find our full Reading Schedule here

Join the SLOW READ community on Substack for bonus episodes, book club meetings, and Side Quests with Sarah & Laura

REMINDER:

Our final book club meeting discussing The Stand will be THURSDAY, JUNE 11 at 6pm PT / 8pm CT / 9pm ET and we’ll be announcing our next SLOW READ! You don’t want to miss it.

Mentioned in this episode:

* The Shining by Stephen King

* Station Eleven by Emily St. John Mandel

* The Crocodile Hunter

* “Have Yourself a Merry Little Christmas” (”…if the fates allow”)

* Noah Kahan, “Maine”

* Steel Magnolias

The Stand, or The Walk?

Laura: How are you feeling?

Sarah: Well, it’s giving Sopranos. You know how in The Sopranos it was the penultimate episode that usually contained the most action? I feel like that show set up that structure — although apparently not, because The Stand has been around a lot longer. The main action, especially a majority of the violence, the falling out between Randall Flagg and members of the Free Zone, the nuclear bomb — all of that happened in our last section. So now we’re getting that real finale. We’re caring for the characters we really loved. We’re seeing where they ended up. We’re tying up some loose ends.

Laura: I felt like these last chapters post-nuclear-bomb were so arduous. I felt like King is personally trying to remind us that this whole thing is about the journey and not the destination, which is such an annoying message. I was just like, we are still walking. It should have been called The Walk, not The Stand. Honestly, the whole book is just about journeying.

Sarah: Well, I will say this. It’s not standing still, that’s for sure. But there’s a moment near the end where Stu says they’ll have to stand a watch for him. So it really felt like this conclusion of the book was more a philosophy: it’s not that you have to walk forever, but that you do have to stand watch. Maybe the stand wasn’t some sort of high-noon final battle between good and evil, which is what I expected when I started the book. It’s more like standing watch — standing watch for our worst instincts, standing watch for the ways in which humans can perpetuate great cruelty and harm on each other. We’re standing sentry, keeping an eye out. And even though I’m an Enneagram One and I love a black-and-white conclusion, I thought this was truer, wiser. I really liked it.

Laura: It also seems to be saying that nothing is ever really over. It might be over for you individually, if you come to the end of your story, but life just keeps on keeping on. I have always quibbled a teeny tiny bit with how we spend these last chapters with just Stu and Tom — and even primarily Stu. We’re in Stu’s mind mostly. It’s no longer an ensemble cast. We started all the way back in Arnette, Texas, at the gas station — Stu is our first point man — and then we also end with so much Stu. I love Stu as a character. It’s just, oh, he wasn’t the one I was the most attached to. How did you feel about Stu being the final stand?

Sarah: I loved it. I thought it wasn’t just Stu — it was the combination of Stu, Tom, and Kojak, who I believe is the real hero of this novel. I really liked the way King put the strengths and weaknesses of these three creatures together. It didn’t feel arduous to me. I was excited to see the ways in which they were stripped away and rebuilt. I liked that Nick kept appearing. I liked that we were worried about Franny. And I liked the changing threat — that we went from the heat of the desert and the nuclear fallout to this incredible winter hellscape. And Tom is such a great addition to every scene he’s in. The way they were facing very openly “we might not make it” felt like real learning, as opposed to how people were orienting themselves when Captain Trips first started wreaking havoc.

Kojak, the Real Hero

Laura: Let’s do a chapter breakdown, because if you’re a regular Stephen King reader, you recognize in this section in particular that he brings out his favorites — which is to say dogs, cars. He loves a car explanation.

Sarah: I did feel like there was a little too much detail about what type of car you need to get started, the manual and the automatic. I was like, buddy.

Laura: No, this is one of his things. Dogs, cars, ghosts in dreams, recurring themes, and of course abandoned hotels, even if they’re just the Holiday Inn. These pop up in so many of Stephen King’s stories. It’s such a King universe that we’re in. There’s no mistaking what we’re reading.

Sarah: How do you feel about Kojak just being such a convenient hero? Kojak can do everything. He can hunt, he can bring the blankets up from the washout, he can go find Tom in the snow. Kojak is a dog of all trades.

Laura: Here’s my question, because you’re the Stephen King expert. Does he often use dogs the same way he uses children or people of different abilities — to say, well, they have different skills because they are different?

Sarah: Yes. And so that’s what that felt like to me. This is not a run-of-the-mill dog. It’s a special dog.

Laura: In the same way that he uses children, there’s an innocence to animals, dogs in particular, that feels like they’re tapped into a god, a universe, a different plane. If you’re a dog lover, you don’t even necessarily deny that. That’s why it’s a convenient tool to use a dog.

Sarah: I just want to say, though, that it’s a special dog — because if it was my dog, I would have to eat her by the fire. She would be of absolutely no use. She’s currently snoring underneath my chair. She would not be able to bring me a rabbit or firewood or much else.

Laura: Same.

Sarah: I’ve never owned that type of dog, but I’ve known dogs like that — super capable, very smart, communicative. I read recently that domesticated dogs have existed longer than agriculture. So I think it could happen.

Laura: Definitely could happen. If you’ve ever watched a working dog — a herding dog, certain hunting dogs — they are very capable. I like Kojak. More Kojak. I’m here for it. It didn’t bother me, but also I’m a dog lover. I wonder, if you’re not an animal person, if you’re like, come on with the dog. We’ll have to hear from our community about that.

Chapter 74: Tom Shows Up

Laura: In Chapter 74, Stu is still broken-legged, starving, and starting to get sick. He heave-hoes himself up out of the washout when he hears the boom and needs to see with his own eyes what’s going on. To me, this is the arduous part — not the plot points. Do we need two pages of him crawling up?

Sarah: I didn’t think we needed that part. I get it, he needed to get up there. I was just so happy that once he got up there, Tom showed up.

Sarah: Okay, but here’s the immediate thing I thought. You have read this book before. You knew this was going to happen. And still you had all those complaints about them sending Tom.

Laura: My complaints about why they sent Tom are separate from Tom ending up being the savior. They sent Tom because Stephen King needed him to save Stu. I still think they took advantage of someone. And here’s the plot weakness: why does he approach Stu when he was very clearly instructed during the hypnosis to stay away from people?

Laura: I think King’s implication is that they have to go the same way because they have to take tunnels — unless they’re going to crawl up and down the Rockies. So everybody’s taking the same path because they have to cross through these tunnels.

Laura: I don’t mind a plot point of convenience. I get it, they need to be all on the same road. It just needs to make sense. And I like this ending because I love Tom — he’s one of my favorite characters. I just don’t want Tom to be taken advantage of in the first place.

Sarah: I feel like this is Stephen King saying he’s not taken advantage of. Look how incredibly capable he is. He is…



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