Eduardo Vilaro

Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as 'this is good for you.' I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words!

“I don’t like dance,” says this choreographer, “but we saw the bull riders at Madison Square Garden and, boy, I really wanted to get on that bull.” Her combination of disdain and desire results in exciting and surprising—I hesitate to say “dance” lest I incur her scorn— “organized movement.”

This expert on affordable housing asks challenging questions: “Would you want greater-density boxy buildings to replace brownstones in Park Slope, and if not, where do we put them?” Now my head hurts. In a good way. Produced with Open House New York. Music: Kevin Nathaniel Hylton.

“I am Juan de Pareja,” says this choreographer about the subject of his new piece, the Afro-Spanish painter enslaved by Velazquez. Multiple identities? No. One artist fascinated by the life of another. We celebrate Vilaro’s fifteen years as artistic director of Ballet Hispánico. Music: Ahmed Alom.

The esteemed translator of Elena Ferrante and Pier Paolo Pasolini says of her work, “It is an impossible task, but nevertheless, it has to be done.” And she does it wonderfully.  Presented with Rizzoli Bookstore, Europa Editions. and Words Without Borders. Music: Beppe Gambetta.

When Europeans take one of his tours, do they seek the Harlem of today or of the Harlem Renaissance? “They’ve got a kind of fable of Harlem,” says this preservationist, and then he goes to work and reconciles the present with the past. Produced with Open House New York. Music: Hubby Jenkins

“I had dreams of playing basketball then going to law school and doing what Perry Mason did.” Those dreams came true. The Knicks. Harvard Law. The Brooklyn DA’s office. And now he teaches at Columbia’s School of Professional Studies, a co-producer of this episode. (I had dreams that I could fly. I can’t.)

The gender balance in her profession is disheartening, she says, “It has one of the smallest percentages of women. I mean the ratio is astounding.” U.S. Senator? Catholic priest? Not quite that bad. She is a magician. But things are improving. Produced with KGB Bar’s Red Room. Music: Teddy Horangic with Leonid Morozov

They spent much of their professional lives as public defenders in the Bronx, working in an unjust system, and its flaws persist. Discouraged? Nah. “If you’re trying to solve a problem you can solve in your lifetime, you’re thinking too small.”

Poet, theologian, host of the On Being Studios podcast Poetry Unbound, he has a favorite pencil but is not a fanatic: “I use anything to get the idea down. I have written with pens and pencils; I have written on the back of sick bags on airplanes.” Computers. Cellphones. No crayon, but he’s not above it. Produced with Columbia University’s School of Nursing. Music: Jefferson Hamer.