Ep. 32: Oats or Empty Plates

After the recent Hollows battle, Captain Tanaka’s doing things a little differently this week, sharing strange stories from across the galaxy and a few of Chapman’s favorite tunes. Settle in, because there’s plenty to catch up on, and the captain has a few things to say before signing off.Directed by Ro Glenn Written by Ro Glenn & Laurel Steele Produced by Laurel SteeleEditing & Sound Design by Alex Godina Episode Art by Alex DurazoSound Editing & Mixing by Alin Brindis Support the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

With a Hollows vessel closing in, the Outcaster races toward a relay tunnel that won’t stay open for long. Tanaka puts out a call for help, and the crew gets creative with what little time - and firepower - they have.Directed by Ro Glenn Written by Javier Calatayud & Laurel Steele Produced by Laurel SteeleEditing & Sound Design by Alex Godina Episode Art by Andrés ArandaSound Editing by Montse MárquezSound Mixing by Alin Brindis Support the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

The Outcaster is officially rogue, but that doesn't stop Captain Tanaka from keeping the music and the mission moving. As the crew adjusts to life on the wanted list, they weigh who they can trust and discover they still have a few surprises for each other.Directed by Ro Glenn Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Alex DurazoSound Editing by Montse MárquezSound Mixing by Alin Brindis Support the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

Captain Tanaka hands over the mic to a mysterious guest with a story the Federation would rather keep quiet. As Outcaster Radio ventures into dangerous territory, the crew may be risking more than just their broadcasting privileges.Directed by Ro Glenn Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Andrés ArandaSound Editing by Montse MárquezSound Mixing by Alin Brindis Support the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

The Outcaster crew checks every corner of an abandoned relay station before it’s time to blow the place sky-high. There’s music, plenty of banter, and a nagging sense that it isn't just the ghosts who have something to say.Directed by Ro Glenn Co-Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Andrés ArandaSound Editing by Montse MárquezSound Mixing by Alin Brindis Science-Fiction Consultancy by Javier CalatayudSupport the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

The Outcaster crew stocks up for a long new assignment, and gets a much clearer picture of just how far the Hollows’ network reaches. What started as one missing drone may have uncovered something much bigger than anyone expected.Directed by Ro Glenn Co-Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Alex Durazo and Frida Mendez Sound Editing by Montse MárquezSound Mixing by Alin Brindis Science-Fiction Consultancy by Javier CalatayudSupport the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

The drones are back from their trip through the compression corridor...well, almost all of them. With a pile of strange new findings, the Outcasters put what they’ve learned to the test and find out just how stubborn a compression corridor can be.Directed by Ro Glenn Co-Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Alex DurazoSound Editing by Montse MárquezSound Mixing by Alin Brindis Science-Fiction Consultancy by Javier CalatayudSupport the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

The Outcaster crew sends eight custom drones into a mysterious compression corridor, each designed to uncover something different about what lies inside. With the feeds dark and nothing to do but wait, they turn to music, a little friendly competition, and the hope that their experiments might finally bring some answers.Directed by Ro Glenn Co-Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Alex DurazoSound Editing by Montse MárquezSound Mixing by Alin Brindis Science-Fiction Consultancy by Javier CalatayudSupport the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

The Outcaster makes a last-minute pit stop at an off-grid scrapyard with a special connection to Ket’s past. While the crew sheds some extra weight and gives their battered ship a few questionable upgrades, Captain Tanaka reflects on what we carry with us and what we’re willing to leave behind.Directed by Ro Glenn Co-Written & Produced by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Andrés Aranda Sound Editing by Montse MárquezSound Mixing by Alin Brindis Science-Fiction Consultancy by Javier CalatayudSupport the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.

Outcaster Radio just got a surprising upgrade, and the crew has a brand-new assignment to match. With more questions than answers, the Outcasters prepare to head back into the unknown—with a few experimental toys in tow.Directed by Ro Glenn Story & Production by Laurel Steele Editing & Sound Design by Alex Godina Episode Art by Frida MendezSound Editing by Montse MárquezSound Mixing by Alin Brindis Science-Fiction Consultancy by Javier CalatayudSupport the showSubscribe to our newsletter for exclusive updates.Visit our website to learn about the show and how we use AI.See original art on our Instagram account.