Season 3, Episode 3: Sounds Like Murder

Jeremy Bamber has a new opportunity to clear his name. But will the British justice system acknowledge that it might have gotten this famous case wrong? New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app.In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

A puzzling clue leads Heidi to a new witness. His story about a phone call made from inside Whitehouse Farm on the morning of the crime threatens the entire case against Jeremy Bamber. New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app.In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

A bloody Bible, propped at an unlikely angle. A manor, locked from the inside. And a silencer, hidden under the stairs, and daubed with blood. Heidi digs into the evidence and uncovers shocking flaws. New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app.In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

One day, Heidi gets a call from Wakefield Prison, where Jeremy Bamber remains locked up, forty years after the murders. He’s one of the nation’s most reviled villains. But he insists he’s innocent. New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app.In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

Heidi visits an unlikely group of detectives: the victims’ extended family. Their sleuthing upended the police’s original theory of the case.  New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

On August 7, 1985, five family members were shot dead in their English country manor, Whitehouse Farm. It looked like an open-and-shut case. But the New Yorker staff writer Heidi Blake finds that almost nothing about this story is as it seems.  New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Five family members, murdered. A sixth in prison for life. It’s one of Britain’s most infamous crimes. But did the justice system get it wrong? “Blood Relatives,” a six-part series from In the Dark, is coming on October 28th.  New Yorker subscribers get full, ad-free access to “Blood Relatives” and every season of In the Dark. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

After nearly twenty-three years behind bars, Curtis Flowers was freed, in part due to In the Dark’s reporting. Now he’s back in Winona, Mississippi, where his saga began. What brought him home, and how is he doing? We visited him to find out.  New Yorker subscribers get new In the Dark episodes early and ad-free. Subscribe today at newyorker.com/dark.  In the Dark has merch! Buy hats, T-shirts, and totes at store.newyorker.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alice Munro, a winner of the Nobel Prize in Literature, was perhaps the most acclaimed short-story writer of our time. After her death, last year, her youngest daughter, Andrea Skinner, revealed that Munro’s partner, Gerald Fremlin, had sexually abused her starting when she was nine years old. The abuse was known in the family, but, even after Fremlin was convicted, Munro stood by him, at the expense of her relationship with her daughter. In this episode, the New Yorker staff writer Rachel Aviv joins the magazine’s editor, David Remnick, to talk about how and why a writer known for such astonishing powers of empathy could betray her own child, and how Munro touched on this family trauma in fiction. “Her writing makes you think about art at what expense,” Aviv tells Remnick. “That’s probably a question that is relevant for many artists, but Alice Munro makes it visible on the page. It felt so literal—like trading your daughter for art.”Follow The New Yorker Radio Hour wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

We travel around the U.S. to find the Marines who were on the ground in Haditha on the day of the killings.  To get episodes early and ad-free, visit newyorker.com/dark. Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices