I won’t speak too much on the structure of The Game Awards. It’s the usual thing year in and year out. We’ve been here before and we’ll be back here again next year. Same show. Same complaints.
What I will talk about is why we’re announcing games that, at the earliest, we’ll never see until 2030. I know we’ve had announcements of games far in advance before but this one feels significant, I guess. We’ve also had games announced that never got released so this isn’t all that new but it just seems a waste to put it out there while we’ll likely never hear about it again for another 2 years or maybe 3. Elder Scrolls 6 was teased back in 2018, I think, and we’ve heard nothing about it since.
Perhaps it really depends on the game. Like Elder Scrolls there is a massive fan base who are familiar with waiting and waiting on the next installment though this has been a rather longer wait than ever before. And so we’re here with a Star Wars title that won’t release before 203 – again a massively large fan base who are also familiar with waiting on the next installment.
Of course, they’ll need to tread lightly. We’ve waited on games and other media before for very long times only to have them arrive with massive disappointment. Eventually the waiting builds up enough hype to where it peaks before the thing even releases and by then everyone’s expectations are either so high the game never lives up to it or so low it doesn’t sell because people have already peaked their hype and moved on.
Gamers have short memories, however.
But I haven’t forgotten about Ubisoft. It has been 4,500 days since a new Splinter Cell game (non-animated series or guest spot in another game franchise, remake, BBC radio drama, or VR exclusive) was released.
Also, there’s been 5,300 job losses in the gaming industry since January 1, 2025.
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