Episode 137 -- Catching Up with the Cinema of Cancellation

In this episode, Adrian walks Moira through the strange politics of plagiarism hunting -- an (initially non-partisan) German preoccupation that became another line of attack in the right wing assault on higher education in the United States. The episode details how legitimate concerns about academic fraud were fused with a broader populist critique of "university corruption", which effortlessly fused with anti-woke and anti-"DEI" critiques of the university.NOTE: As he feared, Adrian was indeed incorrect on one particular point: German dentists do not have to write a dissertation, though a surprisingly large percentage of them do.

For a while now (though mostly on Patreon), Moira and Adrian have examined a strange canon of films and texts about. powerful people being taken down by forces of social justice. Many of these take place on college campuses or near them (Oleanna, Deconstructing Harry,The Human Stain, After the Hunt); others center figures of the art world (Tàr). There have been a few new entries in this genre, and they tell us a lot about where our culture and are politics are with regards to consequences, impunity and powerful men. The focus in this conversation is the HBO show Rooster starring Steve Carell and Outcome starring Keanu Reeves.

For this episode, Moira guides Adrian through the life, career and legacy of Marilyn Monroe, and the role gender played in all three. Monroe was born Norma Jeane Mortenson in Los Angeles on June 1, 1926 -- so her centennial is coming up in a few weeks. We touch on Monroe's suffering, her canny manipulation of her own image, and the political dimension of her public persona.Here are some of the books and articles we refer to in the episode:Joyce Carol Oates, "Blonde"Norman Mailer, "Marilyn, A Biography" (NOT an endorsement)Gloria Steinem, Marilyn Monroe: Norma JeaneJaqueline Rose, Women in Dark TimesLois Banner, "Marilyn Monroe: proto-feminist?"

In this episode Moira and Adrian discuss the natural law tradition -- its origins, its long varied history, the many uses to which it has been put, and the way conservatives are trying to revive it in our own day.

In recent months, the call to repeal the 19th amendment and rescind American women's right to vote, has proliferated as a hashtag, meme and a shibboleth in certain far-right spaces. But how serious are those championing the cause? In this episode, Moira explains to Adrian that while we needn't worry that the 1920 amendment is going anywhere soon, this demand is about jockeying within the masculinist coalition that brought Donald Trump to power. While the supposed "arguments" for a repeal don't really bear engaging with, the history of the demand and its proliferation at this moment tells us a lot about gender and the (far) right: specifically about an alliance and a competition between tech bros and religious fundamentalists.

For this episode, Adrian and Moira talk about gender and food -- specifically about the figure of the chef, visible and invisible labor and masculinity. Their main exemplar is Guy Fieri, the self-declared Mayor of Flavortown, but they also discuss 2022's The Menu, Anthony Bourdain, #MeToo in the restaurant world, and the baffling appeal of Gordon Ramsay. Please note: this is a preview for a Patreon-episode, to hear the whole thing, please go to our Patreon page at https://www.patreon.com/InBedWiththeRight.

For this episode, Moira walks Adrian through the life of Elizabeth Cady Stanton (1815 - 1902). Famous as a pioneering feminist intellectual and crusader for women's suffrage, Stanton is today also remembered for the racism and anti-immigrant sentiment that dominated the second half of her incredibly long career. We explore how these two go together, and what Stanton's life tells us about the effects of political disappointment.Find Ellen Carol Dubois's new Elizabeth Cady Stanton: A Revolutionary Life here.Read (or "reëncounter") Moira's review essay in the New Yorker here.

In this episode, Moira walks Adrian through the strange, disturbing world of looksmaxxing. We try to spend less time asking where this phenomenon comes from, less time gawking at the weird terminology and rituals of this subculture (though we do spend some time, we're only human!)--but our main question is what a phenomenon like looksmaxxing says about masculinity, right-wing gender politics, and heterosexuality.

This week, Adrian and Moira are both traveling -- Adrian is finishing work on the newly titled Project 1933: Fascism Then and Now (available for preorder now). So, back by popular (?) demand (?), it's another Richard Wagner-focused episode of In Bed with the Right. Wagner's final opera, 1882's Parsifal, draws on the grail legends, various philosophers, Wagner's own aging process, and whatever the 19th century version of Buddhism for Dummies was. Come for the male suffering, stay for the syphilis-metaphors, the Best Little Whorehouse in Grailland, and the final split in the bromance known as Nietzgner (probably? We're talking about Nietzsche and Wagner).

Expanding on our Project 1933 series, for this episode we talked to historian Sam Huneke about the fate of queer women in Nazi Germany, 1933 and onward. This is a surprisingly contested history, because there was, for a long time, an assumption that women were not really persecuted for being queer in Nazi Germany. While the treatment of female homosexuality (and transgender people) in the Nazi state indeed diverged from that of gay men, this episode shows that this assumption has a lot to do with what you think of as persecution. Sam's book, I Will Not Abandon You: Queer Women in Nazi Germany will be out in April and can be preordered here.