Episode 623 - The Great Peace, Part 2

This week: rumors swirled around Port Angeles for decades after WWII that a Japanese man, Osasa Masaru, who had lived there from 1930-39 was in fact a Japanese spy who'd been sent to Port Angeles to report on the movements of the American Pacific Fleet. The reality is at once far more interesting and far more mundane. Show notes here. 

This week: what role does a sleepy town in Washington's Olympic Peninsula play in Japan's history? Well, more than you'd think. We'll look at three different connections between Japan and Port Angeles over the next few weeks, starting with the story of some castaways who found themselves adrift nearby almost 200 years ago. Show notes here. 

This week: how does the Taiheiki depict its most famous characters? How does it describe the downfall of the Hojo? And from that, what can we say about the charge that it's purely derivative from a more famous text? Show notes here.

The Taiheiki is arguably one of the most dismissed works of literature in Japanese history, doomed to always exist solely in comparison to the far more highly regarded Heike Monogatari. But even so, there's a lot to draw the interest of the interested historian. So, what can we learn about medieval Japan from its most famously "eh" work of literature? Show notes here.  

This week: the manga industry during World War II. Plus some thoughts on the development of shojo manga, and finally a look at Tezuka Osamu and the ways in which his work helped create the manga market that exists today. Show notes here. 

Histories of manga tend to skip from the colorful woodblocks of the Edo period directly to the post-WWII industry we'd recognize today. But what do we lose when we do that? And what do we gain when we do investigate the century or so that lies between those two moments? Show notes here. 

This week: manga is today one of the most ubiquitous forms of entertainment in Japan. But the idea of comics as we might understand them has a much longer history. So how did we get from there to here--what, in other words, is the origin of Japanese manga/ We'll look today at the earliest known examples as we try to understand the origins of manga as a form.  Show notes here. 

This week, we're tackling the most legendary samurai in Japanese history: Miyamoto Musashi. Why is he so famous, what do we actually know about him, and why is there such a big gap between the story most are familiar with and what our actual sources have to say? Show notes here.     

This week, we cover how the legend of Yoshitsune as told in Gikeiki describes his demise. Which is how his tale ends, unless of course you know the truth: that Yoshitsune actually escaped to Hokkaido, became a god, and then left for the mainland to become Genghis Khan. Wait, what? Show notes here.

This week, we come to the text that more than any other helps build the Yoshitsune legend: Gikeiki. Here, at long last, we see the legend of Yoshitsune taking a form that a modern audience might recognize--and in the process, beginning to diverge pretty substantially (though not entirely) from the historical record. Show notes here.