‘My Old Ass’ director Megan Park on advice to our younger selves

Today, we are stopping time to discuss Megalopolis, Francis Ford Coppola's controversial passion project, which took him 40 years to make. The film was entirely self-financed for $120mn and has an all-star cast, including Adam Driver, Jon Voight and Dustin Hoffman, but it has fiercely divided viewers. Is this Coppola’s worst film, or are critics being too harsh? What is it actually about? And are we glad it was made? Lilah is joined by the FT's film critic Danny Leigh and independent film critic Nicolas Rapold to talk about the film's highs and lows.-------Want to stay in touch? Lilah is on Instagram @lilahrap, and email at [email protected]. We’re grateful for reviews on Apple and Spotify!-------Links (all FT links get you past the paywall): – Danny’s review of Megalopolis is here: https://on.ft.com/3YcfpSo – Nicolas Rapold is on X @NicolasRapold. Follow him and his podcast The Last Thing I Saw, here: https://rapold.substack.com/– Raph Abraham’s one-star review of Megalopolis, from the Cannes Film Festival, is here: https://on.ft.com/3ZUAulz – Danny wants to see more three-star reviews. Here are his three-star reviews of The Substance and Will & Harper– Nic is reading Once and Forever: The Tales of Kenji Miyazawa-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: https://www.ft.com/lifeandartRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

In Megan Park’s new film ‘My Old Ass,’ a teenager named Elliott (Maisy Stella) meets her 39-year-old self (Aubrey Plaza) on a mushroom trip. The experience gives young Elliott perspective: her “old ass” tells her to wear her retainer, and be nice to her family before leaving for college. But it’s the older Elliott who gets the bigger lesson, on the stories we tell ourselves about the past. Today, Megan joins Lilah to discuss the concept of the film, and what it was like to work with a crew of mostly Gen Z actors.-------We love hearing from you! Lilah is on Instagram @lilahrap and email at [email protected]. Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Today, we discuss the author Sally Rooney. Her new novel Intermezzo was published this week – causing queues outside bookstores, launch parties everywhere and a flurry of praise from critics. Does Intermezzo live up to the hype? Why has Rooney become the voice of the millennial generation? Lilah is joined by the FT’s deputy books editor Laura Battle and Griselda Murray Brown, the FT Magazine commissioning editor and her former co-host of Culture Call. -------We love hearing from you. Lilah is on Instagram @lilahrap. We’re on X @lifeandartpod and on email at [email protected]. We are grateful for reviews on Apple and Spotify. And please share this episode with your friends!-------Links (all FT links get you past the paywall): – Intermezzo by Sally Rooney is out now, published by Faber and Faber.  – The FT’s review of Intermezzo is here: https://on.ft.com/3XGoelV – Griselda’s interview with Sally Rooney from 2018 is here, or you can search: ‘Life and Art bonus: Normal People author Sally Rooney’ wherever you listen. – Gris is on X @griseldamb and Laura is on X @battlelaura-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam GiovincoRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Today, we bring you a special conversation with Jan Dalley, who has just retired as the FT’s arts editor after almost 20 years. When Jan stepped into her job, terrestrial TV ruled, podcasts didn’t exist and the art world wasn’t quite so luxe. And video games? Newspapers didn’t review video games. She joins Lilah in the studio to reflect on how the arts have changed over these two decades (“beyond recognition!”), divulge what the art world is really like (“gruelling”) and share some excellent advice for exploring culture.-------Stay in touch! Lilah is on Instagram @lilahrap talking to listeners about culture, and on email at [email protected]. We love hearing from you.-------Links (all FT links get you past the paywall): – Jan’s Lunch with 83-year-old artist Michael Craig-Martin is here: https://on.ft.com/4d9rQCF  – A recent profile of artist Tracey Emin: https://on.ft.com/3XPBaa6 – And here’s a column of hers that we love, on the immersive Van Gogh exhibit: https://on.ft.com/4ey7eVt Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

The Apple TV+ show Slow Horses is a critical darling; it has received rave reviews since it first came out in 2022, and with season four in full swing, some critics are begging you to watch. But does this season deserve the hype? Or has the show’s premise run its course? The series, an anti-James Bond drama starring an unkempt Gary Oldman as the head of MI5’s flunky spy department, is based on the Mick Herron spy novel series, Slough House. Lilah is joined by a diehard fan of the novels, FT columnist and executive editor Robert Shrimsley, and the FT’s chief features writer Henry Mance.-------Want to stay in touch? Lilah is on Instagram @lilahrap, and email at [email protected]. And we’re grateful for reviews on Apple and Spotify!-------Links (all FT links get you past the paywall): – Dan Einav’s review of this season of Slow Horses: https://on.ft.com/4dhrPfM– Henry interviewed one of the show’s stars, Kristin Scott Thomas, for our Lunch with the FT series: https://on.ft.com/4dbTCyj.– Robert is on X @robertshrimsley. Henry is @henrymance, though he’d like you to quit the platform and meet him on BlueSky at @henrymance.bsky.social– Here’s Henry’s round-up of great Lunches: https://on.ft.com/3TAEzXP -------Special FT subscription offers for podcast listeners are here: http://ft.com/lifeandartRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Asma Khan breaks a lot of fine dining’s unspoken rules. She is the chef and owner of London’s beloved Darjeeling Express, an Indian restaurant whose entire kitchen is staffed by women. Her kitchen has no hierarchy, and her chefs were trained as home cooks. Asma’s advocacy for women has won her a spot on Time magazine’s 100 most influential people list, and her kitchen has been widely profiled and acclaimed. Yet she remains extremely candid about her industry’s problems, speaking out about bullying, sexism and racism in the world’s top kitchens. Today, we bring you Lilah’s conversation with Asma, which was recorded live onstage during the recent FT Weekend Festival in London.-------We love hearing from you. Lilah is on Instagram @lilahrap. We’re on X @lifeandartpod and on email at [email protected]. We are grateful for reviews on Apple and Spotify. And please share this episode with your friends!-------Links (all FT links get you past the paywall): – Check out Asma’s ode to the dried red chilli in the FT here: https://on.ft.com/3XtemvF– Asma Khan is on X @Asma_KhanLDN and Instagram at @asmakhanlondon– You can learn more about her in Season 6 of Netflix’s Chef’s Table-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandartRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

After 15 years of feuding, the most famous rock band of 1990s Britain recently announced that it will be reuniting for a stadium tour. Fans went wild, and the first day of ticket sales nearly broke Ticketmaster. Why do we still care about Oasis? Do the Gallagher brothers deserve the fanfare? And what can we expect from the reunion? Lilah's joined by the FT's music critic Ludo Hunter-Tilney and London banking editor (and Oasis superfan) Ortenca Aliaj to discuss.-------We love hearing from you. Lilah is on Instagram @lilahrap. We’re on X @lifeandartpod and on email at [email protected]. We are grateful for reviews on Apple and Spotify. And please share this episode with your friends!-------Links (all FT links get you past the paywall): – Supersonic, directed by Asif Kapadia, is available to rent on Amazon Prime now.– Ludo’s scathing review of the last time Oasis performed, in 2008, is here: https://on.ft.com/47mEhtt– We loved Jo Ellison’s column on the meaning of the reunion and why Oasis has a unique hold on “the people”: https://on.ft.com/3TpNueF  – More or Less: Ludo wants to see fewer e-bikes. For those who feel similarly, here’s a piece on the latest e-bikes controversy by our colleague Josh Gabert-Doyon. Lilah recommends Shrinking on Apple Plus– Ludo Hunter-Tilney is on X @ludohunter. Ortenca Aliaj is @OrtencaAl-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clips courtesy of Creation Records and Red Carpet News TVRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

There’s an Arabic pop music wave that’s about to hit your world. Or maybe it already has! Last year, the Palestinian-Chilean singer Elyanna became the first artist to do an Arabic-language set at the Coachella music festival, and she’s a sign of the times. Other artists such as Wegz, Marwan Pablo, Saint Levant and Nancy Ajram are also putting out Arabic-language albums intended for global audiences, and touring in Europe and North America while doing so. FT contributor Tom Faber recently saw Elyanna with Coldplay on stage, and he thinks the Arabic pop sound is finally breaking through. He tells Lilah why the phenomenon may be happening now and who we should be listening to.-------We love hearing from you. Lilah is on Instagram @lilahrap. We’re on X @lifeandartpod and on email at [email protected]. We are ever grateful for reviews on Apple and Spotify. And please share this episode with your friends!-------Links (all FT links get you past the paywall): – Tom has graciously compiled a playlist for us to go with this episode. You can listen to it on Spotify: https://open.spotify.com/playlist/4oijOIGmUa7tRWgqqdovjb?si=2c4c587f1b854020– Tom’s written piece on Arabic pop is here: https://on.ft.com/47jnR4R. You can also check out his latest column on video games here: https://on.ft.com/3ZeLKsD– Tom is on X @_TomFaber-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clips in this episode are from: Universal Arabic Music, Takwene, Felukah.Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Put on your laurel wreath. Today we’re joining the gods and taking on Kaos, Netflix's new black comedy series that reimagines the Greek myths. The show follows Zeus (played by Jeff Goldblum) as he struggles to rule over Earth and The Underworld from a gaudy mansion on Mount Olympus. You’ll recognize a lot: the Minotaur and Orpheus myths, the fates, the furies, Medusa in middle management and cameos from the likes of Eddie Izzard and Billie Piper. Why are the Greek myths so endlessly popular? What do we want out of our adaptations? And did this one live up? Lilah is joined by the FT's Josh Spero and Claire Bushey, who enthusiastically disagree with her, to discuss.-------We love hearing from you. Lilah is on Instagram @lilahrap. We’re on X @lifeandartpod and on email at [email protected]. We are ever grateful for reviews on Apple and Spotify. And please share this episode with your friends!Register now for the FT Weekend Festival, and claim £24 off your pass using promo code FTPodcast at: ft.com/festival-------Links (all FT links get you past the paywall): – Kaos is streaming on Netflix now! – The FT’s review of Kaos, by Dan Einav, is here– Josh wants more by the composer Joseph Anton Bruckner. You can read his review of the Berliner Philharmoniker orchestra performing Bruckner here– Josh Spero is on X @joshspero. Claire Bushey is at @Claire_Bushey -------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clip courtesy of Netflix.  Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Today, we’re bringing you one of our favourite past episodes. Last year, the FT’s fashion editor Lauren Indvik made a pledge that surprised us. She vowed to buy just five new items of clothing and shoes all year long. The number comes from a study that says in order to stick to the Paris Agreement’s goals, five new items of fashion a year is the optimal goal for those who live in the world’s richest countries. Lauren tells Lilah how the experiment went and whether she stuck to five things. She also shares her tips for buying fewer new clothes. -------We love hearing from you. Lilah is on Instagram @lilahrap. You can email the show at [email protected] now for the FT Weekend Festival, and claim £24 off your pass using promo code FTPodcast at: ft.com/festival-------Links (all FT links get you past the paywall): – Lauren’s article about the ‘five things pledge’ and how it went: https://on.ft.com/4aO1WV3– Lauren recommends using TheRealReal for second-hand luxury clothes in the US; in the UK she shops the Vestiaire Collective– The report from the Hot or Cool Institute that inspired Lauren: https://hotorcool.org/unfit-unfair-unfashionable/– Lauren also mentions the Ellen Macarthur Foundation: https://www.ellenmacarthurfoundation.org/– Lauren is taking a break from her Fashion Matters newsletter while she is on parental leave, but you can start receiving it when she’s back if you sign up now: https://on.ft.com/48QdvJv-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart Hosted on Acast. See acast.com/privacy for more information.