Episode 10: Lily Marsh

Episode 11 — Steve RocheIn this episode I remain in Sheffield and talk to stone sculptor Steve Roche about his work creating large-scale pieces for the public realm. Steve explains how he uses physical maquettes and CAD alongside the natural qualities of stone to develop his ideas, and we discuss scale, sustainability, locally sourced materials and the challenges of translating a small model into a finished sculpture. We also talk about a humbug-inspired piece that draws on Sheffield’s history and uses an everyday object to create something both visually striking and rooted in the identity of the city.As this was an impromptu conversation, the interview is rather shorter than usual — I already had an appointment later that day with Ernest Wright, the Sheffield scissor makers. So, instead of a conventional trip diary, I take a closer look at one of the most important pieces of equipment on the journey: my tent. I explain why my Wild Country Helm 1 became far more than simply somewhere to sleep, gradually turning into a familiar, dry and reassuring little home at the end of each day on the road.To see images from the conversation and the wider trip, visitInstagram
To see more of Steve’s work, visitInstagram Website

Episode 10In this episode I arrive in Sheffield - the city of steel - and talk to sculptor and stone carver Lily Marsh about her approach to architectural carving, relief work and portrait sculpture. Lily explains how she moves between the precision required to reproduce historic stonework and the greater creative freedom of her personal work, as well as the specialist processes and practitioners involved in transforming an original sculpture into bronze. We also discuss the techniques she uses to create and exaggerate three-dimensional form through line, texture, light and shade.I reflect on Day Nine of my ride: setting out early from an “adults only” campsite, passing Chatsworth House and tackling the large climb that stood between me and Sheffield. After reaching the top, a fast descent into the city became rather more eventful than expectedTo see images from this conversation and the wider trip visitTo visit Heritage CraftsAnd to see more about Lily

Episode 8In this episode I go back and chat over the phone to architect Hugh Conway Morris about his approach to designing and building using traditional materials and low-impact methods. Working from a converted barn near Gloucester, Hugh explains how timber, earth, and lime can be used to create buildings that are both environmentally considered and deeply rooted in craft , while still feeling ambitious and modern in their design.I also reflect on Day Six of my ride: starting out from my parents’ home in Wiltshire, visiting blacksmith Hector Cole in the morning, and then heading north to meet Hugh before a short but memorable ride to a quiet campsite near Huntley, where a Victorian rectory garden and the first settled evening of the trip offered a welcome change of pace.To see images from this conversation and the wider trip visit https://www.instagram.com/crafty_cyclist/To visit Heritage Crafts https://heritagecrafts.org.uk/And to see more about Hugh https://mademanifest.co.uk/home/hugh-conway-morris/

In this episode, I talk to decorative artist Katie B. Morgan about the craft of painting and surface design. Her work spans fairground art, canal-barge decoration, restoration projects and her own ceramic pieces, all guided by an instinctive sense of balance and rhythm, drawn entirely by hand.I also reflect on Day Seven of my ride, waking beneath cedar trees at an old rectory, tackling the long climb over Cleeve Hill, and finishing the day in Bewdley with a burger, two pints of Butty Bach, and a quiet night under canvas at Lucy’s Farm Camping.Links:See the visual journey on InstagramThere are links to the podcast in the highlights.Explore Katie’s websiteDiscover more about endangered crafts at Heritage Crafts and, if you’d like to support their work, you’ll find a link to my JustGiving page here.

Episode 7: Hector Cole MBE — The Arrow-MakerIn this episode, I talk to blacksmith and historical metals specialist Hector Cole MBE about the ancient craft of making arrowheads. Working from his forge near Malmesbury, Hector combines practical skill with the curiosity of an archaeologist — recreating Saxon and medieval designs using traditional tools, fuels, and techniques. His work reveals how early smiths experimented with materials, layering soft and hard metals to create strength, flexibility, and a lasting edge.I also reflect on the morning of Day Six of my ride: setting off freshly rested from my parents’ home in Wiltshire, climbing the gentler hills towards Malmesbury, and spending time in Hector’s workshop watching those centuries-old skills brought vividly back to life.LinksSee the visual journey on Instagram: @crafty_cyclistFind out more about Hector Cole MBE and his work through the Heritage Crafts DirectoryDiscover more about endangered crafts at Heritage Crafts — and, if you’d like to support their work, you can donate via my JustGiving page

In this episode, I talk to steel frame builder Gary Woodhouse about the craft of making lightweight, hand-built bicycles. Gary explains how butted steel tubing, simple but ingenious tools, and a highly personal design process come together to create Curtis bikes built for life.I also reflect on Day Six of my ride: leaving the Devon hills behind, flying through Somerset with a tailwind, and arriving at my parents’ home in Wiltshire — where a post-it note, a cold beer, and a treasured Ercol table combined for a colourful turn for the worse.LinksSee the visual journey on Instagram: @crafty_cyclistClick on this link to see more of ⁠⁠Gary’s work with Curtis Bikes on Instagram⁠⁠Visit the ⁠⁠Curtis Cycles website⁠⁠ to learn moreDiscover more about endangered crafts at ⁠⁠Heritage Crafts⁠⁠ — and, if you’d like to support their work, you can donate via my ⁠⁠JustGiving⁠⁠ page

In this episode, I talk to wheelwright Greg Rowland about the craft of making traditional wooden wheels. Greg explains why different timbers are chosen for different parts of the wheel — elm for hubs, oak for spokes, ash for fellies — and how fire and iron are used to shrink-fit the tyre that locks everything together. We also explore the hidden geometry of a twelve-spoke wheel, and what it means to “cut for your grandchildren” when elm may take fifty years to season.I also reflect on Day Four of my ride: cycling across South Devon over steep, sharp hills, taking my first fall of the journey, and dealing with a frayed gear cable that had to be fixed roadside. The day finished in Axminster, with omelettes, local craft cider, and the realisation that it was time to start heading north in earnest.LinksSee the visual journey on Instagram: @crafty_cyclistClick on this link to see more of ⁠⁠Greg’s work on Instagram⁠⁠Discover more about endangered crafts at ⁠⁠Heritage Crafts⁠⁠ — and, if you’d like to support their work, you can donate via my ⁠⁠JustGiving⁠⁠ page

In this episode, I talk to green woodworker Sean Hellman about his craft and his deep knowledge of traditional hand tools. Sean shares how he uses and adapts tools such as spoon horses and pole lathes, why ergonomics and body-awareness are as important as technique, and how delicate creations like fan birds can be made from a single billet of wood.I also reflect on Day Four of my ride, cycling through Cornwall in relentless rain, meeting my brother for coffee in Looe, and finally arriving in Buckfastleigh drenched, tired, and grateful for Sean’s warm welcome. The plan was to push on and wild camp on Dartmoor — though the weather had other ideaslinksSee the visual journey on Instagram: @crafty_cyclistClick on this link to see more of ⁠⁠Sean’s work ⁠⁠ and his books Discover more about endangered crafts at ⁠⁠Heritage Crafts⁠⁠ and, if you’d like to support their work, you can donate via my ⁠⁠JustGiving⁠⁠ page

In this episode, I talk to furniture maker Carl Austin abouthow his background in boat building informs the way he designs and constructsfurniture. He explains his distinctive approach to steam-bending and laminatingwood, and how these techniques give his pieces their graceful curves andlasting strength. We also look at the details that make his work unique — fromcopper boat nails to finely fitted infill blocks that combine practicality withbeauty. I also reflect briefly on the second afternoon of my journey, leavingFalmouth by ferry, visiting my sister in Portscatho, and riding up the coasttowards St Austell, where the weather started to draw in.See the visual journey on InstagramClick on this link to see more of ⁠⁠Rebecca’s⁠⁠ work Discover more about endangered crafts at ⁠⁠Heritagecrafts ⁠⁠and, if you’d like to support their work, you can donate viamy ⁠⁠JustGiving⁠⁠ page.

In this episode, I talk to metalsmith Rebecca Walklett about her work with copper — from the traditional techniques of raising and sinking to creating rich surface patinas using a variety of chemicals. She also shares how she uses silhouette dies to press-form copper into geometric cushion shapes for her 'small boxes'. I also reflect briefly on my second day on the road and waking up on my first morning with 100 kilometres ahead of me.See the visual journey on Instagram @crafty_cyclistClick on this link to see more of ⁠Rebecca’s⁠ work Discover more about endangered crafts at ⁠Heritagecrafts ⁠and, if you’d like to support their work, you can donate via my ⁠JustGiving⁠ page.