Miss Cull

‘Miss Cull…who are you?’ This week, we join Sally preparing for a discussion on her latest work, Pond Life, and thinking in particular about its central character, Edith Cull. Listen for an improvised meditation on creating and living with your characters, drawing on visual memory, the life of objects, and attention to the overlooked figures in life. Pond Life is available from all good booksellers, and can be ordered here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘I follow her behind, as a bridesmaid…’ This week, Sally is preparing to travel. To do so, she goes on an imaginative journey with her character, Mrs Parnell, the centrepiece of her forthcoming book of the same name. Listen for a meditation on routine, intimacy, and the journeys, real and imagined, that make up our days. The wonderful piano music in the closing section is ‘Scorpio’, by Paul Seba. More on Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Conduct had kept chaos at bay.’ This week, we join Sally once again at work on her next novel, Mrs Parnell, making use of Shirley Hazzard’s The Great Fire (2003) and trying to ignore a mounting number of distractions. Listen for reflections on the embodied nature of the writing ritual, and the process of developing intimacy with character. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Keep your threads firmly tied together…’ This week, we conclude our episode on paragraphs and the writing process. Listen for an insight into Sally’s process of expanding her narratives from the visual towards the historical and biographical, continuing to consider Transit in Venus. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Most of writing is…trying to organise the paragraph into a unit of thought.’ This week, in the first of a two part episode on the writing process, we join Sally in the midst of editing her next novel, Mrs Parnell, considering the organisation of her paragraphs with the help of Shirley Hazzard’s Transit in Venus (1980). Listen for a reflection on visual language, and the choreography of ideas which shape narrative. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.  

‘I am trying to draw succour and strength from their song, because I need to sing too…’ This week, we join Sally, amidst distractions both natural and otherwise, reflecting on her latest work, Worm in the Bud. Listen for a meditation on the need for solace, character, and the narrative significance of suspense. Worm in the Bud is published by The New Menard Press, and is available from all good booksellers. It can be ordered here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Hölderlin’s lovely blueness you hold to you, it is tensile   through the smeared glass’   This week, we join Sally in conversation with poet, critic, and translator Stephen Romer, following the recent publication of his latest poetry pamphlet, Night Contradicts the Day. Listen for reflections on the intimacies - or otherwise - of care, empathy and its absence, and the challenge laid down by the neurodivergent mind. The poems in this pamphlet also stress the redemptive power of the aesthetic. Stephen’s pamphlet is published by Dare-Gale Press, and can be purchased here. The Lizst piece mentioned is the famous B-Minor Sonata, and can be listened to here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘To find a way in, through the door, beyond the doubt…’ This week, we join Sally wrestling with the problem of doubt, having just sent her latest novel, Pond Life, to the printers. Listen for a reflection on writing, the body, and the generative possibilities of doubt, via Lewis Carroll’s Alice in Wonderland. Pond Life will be published in September 2026 by The New Menard Press, and can be pre-ordered here. The wonderful piano music in the closing section is the appropriately titled ‘Doubt’ by Paul Seba. More information on Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Even the sun-clouds this morning cannot manage such skirts.’ This week, Sally returns to Sylvia Plath’s ‘Poppies in October.’ Listen for a mediation on the mouth, sound, and their essential role in approaching the lyric. The wonderful piano music in the closing section is ‘Sirens’ by Paul Seba. More information on Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Enter Lillian…’ This week, we join Sally once again in conversation with the producer, James Bowen, on the subject of Sally’s latest work, Worm in the Bud: A Fable. Listen for a conversation on interpretation, ambiguity, and the instructive value of narrative. Worm in the Bud is published by the New Menard Press, and is available from all good booksellers. The wonderful piano accompanying Sally's reading of 'The Forest' is ‘Monday’, by Paul Seba. More on Paul and his work can be found here. This episode was edited and produced by James Bowen. More information on James and his work can be found here. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.