Abi Morgan & Lucy Forbes On The Music Of Eric

Our guest today is music supervisor extraordinaire Maggie Phillips, who has an incredible list of credits including Normal People, Moonlight, Shogun, The Handmaid's Tale, Mr Robot, Fargo and The Great. I absolutely loved talking to Maggie - and also her dog, who seemed keen to join what was an absolutely fascinating conversation.

Our latest guest on Soundtracking is the wonderful Jeff Nicholls, who joins us to discuss his brilliant new film, The Bikeriders. Inspired by a book of the same name by photo-journalist Danny Lyon, it tells the story of The Vandals MC, a motorcycle club from Illinois in the 60s, and features a fantastic cast including Jodie Comer, Austin Butler and Tom Hardy. By Jeff's reckoning, The Bikeriders showcases over 30 needle-drops, so plenty to discuss.

Our latest guest on Soundtracking is someone for whom music has had a hugely important role to play in his films. Richard Linklater joined Edith to discuss Hit Man, which is streaming right now on Netflix. Based on a true story, it follows a psychology professor and undercover police contractor who also poses as a hitman. We know: the truth is indeed often stranger than fiction.

We have a bonus episode for you today, which is an Everyman Soundtracking Live with Jerry Bruckheimer and Joachim Ronning - who joined me live on stage to discuss their wonderful movie Young Woman And The Sea. Starring Daisy Ridley, it tells the story of Trudy Ederie who became the first woman to swim the English Channel in 1926, but has since been largely forgotten. Until now, that is!

Edith has been wanting to get our latest guest on Soundtracking for some time, not least because of his wonderful collaborations with the likes of Steve McQueen and Denis Villeneuve. And it's his relationship with the latter that we are focussing on with editor-extraordinaire Joe Walker today, with Dune 2 now available to watch on home entertainment formats.

Our latest guests on Soundtracking are Abi Morgan and Lucy Forbes - respectively the writer and the director of the quite extraordinary Eric, which is available to watch right now on Netflix. To try to describe this series in a couple of sentences would be to do it an injustice, but very broadly speaking it involves a man who believes he can find his missing son with the help of a giant puppet called Eric.

Our latest episode of Soundtracking sees a welcome return to the podcast for composer Amelia Warner, who has provided the score for Young Woman And The Sea. Based on a true story, Young Woman And The Sea stars Daisy Ridley as swimmer Trudy Ederie, the first woman to swim the English Channel way back in 1926. Amelia's score hasn't been released yet, so she very kindly provided us with a couple of her cues by way of illustration.

Brought to you in association with BMW, Edith is joined by composer Tom Holkenborg - aka Junkie XL - post red carpet premiere in Cannes, and by director George Miller in London to discuss the music and making of Furiosa: A Mad Max Saga.

Our latest guest on Soundtracking is the musician, style icon and all-round delight, Anna Calvi, who joins Edith to discuss her score for seasons five and six of Peaky Blinders. Anna's music is such a key component to the culmination of the much-loved show, and hearing her talk about her creative process in soundtracking it is utterly captivating. And, thanks to our good friends at Domino Records, we've got a vinyl copy of Anna's score to seasons 5 & 6 to give away. Hurrah! All the details are on our social channels (see below) ... Twitter: twitter.com/soundtrackinguk Instagram: instagram.com/soundtrackinguk/ Website: edithbowman.com

We have another one of our live Everyman Soundtracking shows for you today, recorded with Rose Glass, director and co-writer of Love Lies Bleeding. Starring Kristen Stewart, Katy O'Brian, Jena Malone, Dave Franco, and Ed Harris, its plot follows the relationship between a reclusive gym manager, who is part of a crime family, and an ambitious bodybuilder in 1989 smalltown America. Love Lies Bleeding is scored by friend of the show Clint Mansell